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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 84 206 it is the complementary color RGB 182 171 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 84 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 84 206: RGB 78 84 201, RGB 95 102 220, RGB 112 120 239, RGB 129 138 255 and RGB 146 156 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 84 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 84 206: RGB 73 84 206, RGB 56 66 187, RGB 39 48 168, RGB 22 30 149 and RGB 5 12 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 59 / 0 / 19

HEX #4954CE

RGB 73 84 206

HSL 235.04, 0.58%, 0.55%

LAB 41.55, 33.96, -64.6

 

Complementary color

CMYK 0 / 6 / 73 / 29

HEX #B6AB31

RGB 182 171 49

HSL 55.04, 0.58%, 0.45%

LAB 68.96, -9.87, 60.42

 

CMYK 61 / 58 / 0 / 21

HEX #4E54C9

RGB 78 84 201

HSL 237.07, 0.53%, 0.55%

LAB 41.5, 33.08, -61.79

 

CMYK 57 / 54 / 0 / 14

HEX #5F66DC

RGB 95 102 220

HSL 236.64, 0.64%, 0.62%

LAB 48.39, 31.25, -61.46

 

CMYK 53 / 50 / 0 / 6

HEX #7078EF

RGB 112 120 239

HSL 236.22, 0.8%, 0.69%

LAB 55.19, 29.69, -61.13

 

CMYK 49 / 46 / 0 / 0

HEX #818AFF

RGB 129 138 255

HSL 235.71, 1%, 0.75%

LAB 61.71, 27.45, -59.45

 

CMYK 43 / 39 / 0 / 0

HEX #929CFF

RGB 146 156 255

HSL 234.5, 1%, 0.79%

LAB 67.36, 20.91, -50.4

 

CMYK 65 / 59 / 0 / 19

HEX #4954CE

RGB 73 84 206

HSL 235.04, 0.58%, 0.55%

LAB 41.55, 33.96, -64.6

 

CMYK 70 / 65 / 0 / 27

HEX #3842BB

RGB 56 66 187

HSL 235.42, 0.54%, 0.48%

LAB 34.65, 36.28, -64.84

 

CMYK 77 / 71 / 0 / 34

HEX #2730A8

RGB 39 48 168

HSL 235.81, 0.62%, 0.41%

LAB 27.77, 38.91, -64.86

 

CMYK 85 / 80 / 0 / 42

HEX #161E95

RGB 22 30 149

HSL 236.22, 0.74%, 0.34%

LAB 21.09, 41.62, -64.34

 

CMYK 96 / 91 / 0 / 49

HEX #050C82

RGB 5 12 130

HSL 236.64, 0.93%, 0.26%

LAB 14.99, 43.51, -62.6

 

CMYK 65 / 59 / 0 / 19

HEX #4954CE

RGB 73 84 206

HSL 235.04, 0.58%, 0.55%

LAB 41.55, 33.96, -64.6

 

CMYK 59 / 65 / 0 / 19

HEX #5449CE

RGB 84 73 206

HSL 244.96, 0.58%, 0.55%

LAB 39.76, 42.36, -67.5

 

CMYK 49 / 65 / 0 / 19

HEX #6A49CE

RGB 106 73 206

HSL 254.89, 0.58%, 0.55%

LAB 41.67, 46.17, -64.3

 

CMYK 37 / 65 / 0 / 19

HEX #8149CE

RGB 129 73 206

HSL 265.26, 0.58%, 0.55%

LAB 44.07, 50.72, -60.29

 

CMYK 27 / 65 / 0 / 19

HEX #9749CE

RGB 151 73 206

HSL 275.19, 0.58%, 0.55%

LAB 46.71, 55.45, -55.9

 

CMYK 65 / 59 / 0 / 19

HEX #4954CE

RGB 73 84 206

HSL 235.04, 0.58%, 0.55%

LAB 41.55, 33.96, -64.6

 

CMYK 50 / 50 / 0 / 99

HEX #010102

RGB 1 1 2

HSL 240, 0.33%, 0.01%

LAB 0.29, 0.14, -0.38

 

CMYK 64 / 58 / 0 / 79

HEX #131635

RGB 19 22 53

HSL 234.71, 0.47%, 0.14%

LAB 8.73, 9.76, -20.9

 

CMYK 64 / 60 / 0 / 59

HEX #252A68

RGB 37 42 104

HSL 235.52, 0.48%, 0.28%

LAB 20.24, 19.01, -37.17

 

CMYK 65 / 59 / 0 / 39

HEX #373F9B

RGB 55 63 155

HSL 235.2, 0.48%, 0.41%

LAB 31.19, 26.73, -51.36

 

CMYK 65 / 59 / 0 / 19

HEX #4954CE

RGB 73 84 206

HSL 235.04, 0.58%, 0.55%

LAB 41.55, 33.96, -64.6

 

CMYK 0 / 65 / 7 / 19

HEX #CE49BF

RGB 206 73 191

HSL 306.77, 0.58%, 0.55%

LAB 53.65, 65.65, -35.74

 

CMYK 33 / 0 / 65 / 19

HEX #8ACE49

RGB 138 206 73

HSL 90.68, 0.58%, 0.55%

LAB 76.09, -42.84, 57.39

 

CMYK 65 / 59 / 0 / 19

HEX #4954CE

RGB 73 84 206

HSL 235.04, 0.58%, 0.55%

LAB 41.55, 33.96, -64.6

 

CMYK 0 / 65 / 59 / 19

HEX #CE4954

RGB 206 73 84

HSL 355.04, 0.58%, 0.55%

LAB 50.13, 53.25, 22.56

 

CMYK 59 / 0 / 65 / 19

HEX #54CE49

RGB 84 206 73

HSL 115.04, 0.58%, 0.55%

LAB 73.87, -58.99, 54.35

 

CMYK 65 / 59 / 0 / 19

HEX #4954CE

RGB 73 84 206

HSL 235.04, 0.58%, 0.55%

LAB 41.55, 33.96, -64.6

 

CMYK 0 / 65 / 7 / 19

HEX #CE49BF

RGB 206 73 191

HSL 306.77, 0.58%, 0.55%

LAB 53.65, 65.65, -35.74

 

CMYK 0 / 5 / 65 / 19

HEX #CEC349

RGB 206 195 73

HSL 55.04, 0.58%, 0.55%

LAB 77.66, -10.65, 60.46

 

CMYK 65 / 0 / 57 / 19

HEX #49CE59

RGB 73 206 89

HSL 127.22, 0.58%, 0.55%

LAB 73.73, -59.61, 47.05

 

CMYK 65 / 59 / 0 / 19

HEX #4954CE

RGB 73 84 206

HSL 235.04, 0.58%, 0.55%

LAB 41.55, 33.96, -64.6

 

CMYK 0 / 65 / 27 / 19

HEX #CE4997

RGB 206 73 151

HSL 324.81, 0.58%, 0.55%

LAB 51.97, 59.92, -14.94

 

CMYK 0 / 5 / 65 / 19

HEX #CEC349

RGB 206 195 73

HSL 55.04, 0.58%, 0.55%

LAB 77.66, -10.65, 60.46

 

CMYK 65 / 0 / 37 / 19

HEX #49CE81

RGB 73 206 129

HSL 145.26, 0.58%, 0.55%

LAB 74.28, -53.39, 27.95

 

Description

Color code: RGB 73 84 206 | qconv.com Color code: RGB 73 84 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 84 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 84 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 59 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 59% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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