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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 49 98 it is the complementary color RGB 182 206 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 49 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 49 98: RGB 78 49 93, RGB 95 67 112, RGB 112 85 131, RGB 129 103 150 and RGB 146 121 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 49 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 49 98: RGB 73 49 98, RGB 56 31 79, RGB 39 13 60, RGB 22 0 41 and RGB 5 0 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 50 / 0 / 62

HEX #493162

RGB 73 49 98

HSL 269.39, 0.33%, 0.29%

LAB 25.24, 21.87, -25.05

 

Complementary color

CMYK 12 / 0 / 24 / 19

HEX #B6CE9D

RGB 182 206 157

HSL 89.39, 0.33%, 0.71%

LAB 79.91, -16.76, 21.76

 

CMYK 16 / 47 / 0 / 64

HEX #4E315D

RGB 78 49 93

HSL 279.55, 0.31%, 0.28%

LAB 25.58, 22.21, -21.22

 

CMYK 15 / 40 / 0 / 56

HEX #5F4370

RGB 95 67 112

HSL 277.33, 0.25%, 0.35%

LAB 33.17, 21.32, -21.4

 

CMYK 15 / 35 / 0 / 49

HEX #705583

RGB 112 85 131

HSL 275.22, 0.21%, 0.42%

LAB 40.54, 20.52, -21.57

 

CMYK 14 / 31 / 0 / 41

HEX #816796

RGB 129 103 150

HSL 273.19, 0.19%, 0.5%

LAB 47.71, 19.81, -21.76

 

CMYK 14 / 28 / 0 / 34

HEX #9279A9

RGB 146 121 169

HSL 271.25, 0.22%, 0.57%

LAB 54.71, 19.18, -21.97

 

CMYK 26 / 50 / 0 / 62

HEX #493162

RGB 73 49 98

HSL 269.39, 0.33%, 0.29%

LAB 25.24, 21.87, -25.05

 

CMYK 29 / 61 / 0 / 69

HEX #381F4F

RGB 56 31 79

HSL 271.25, 0.44%, 0.22%

LAB 17.39, 22.93, -25.03

 

CMYK 35 / 78 / 0 / 76

HEX #270D3C

RGB 39 13 60

HSL 273.19, 0.64%, 0.14%

LAB 9.36, 23.85, -24.81

 

CMYK 46 / 100 / 0 / 84

HEX #160029

RGB 22 0 41

HSL 272.2, 1%, 0.08%

LAB 2.99, 17.07, -21.1

 

CMYK 77 / 100 / 0 / 91

HEX #050016

RGB 5 0 22

HSL 253.64, 1%, 0.04%

LAB 0.81, 4.98, -9.55

 

CMYK 26 / 50 / 0 / 62

HEX #493162

RGB 73 49 98

HSL 269.39, 0.33%, 0.29%

LAB 25.24, 21.87, -25.05

 

CMYK 17 / 50 / 0 / 62

HEX #513162

RGB 81 49 98

HSL 279.18, 0.33%, 0.29%

LAB 26.24, 24.44, -23.42

 

CMYK 9 / 50 / 0 / 62

HEX #593162

RGB 89 49 98

HSL 288.98, 0.33%, 0.29%

LAB 27.3, 27.07, -21.67

 

CMYK 1 / 50 / 0 / 62

HEX #613162

RGB 97 49 98

HSL 298.78, 0.33%, 0.29%

LAB 28.43, 29.71, -19.83

 

CMYK 0 / 50 / 7 / 62

HEX #62315B

RGB 98 49 91

HSL 308.57, 0.33%, 0.29%

LAB 28.24, 28.63, -15.56

 

CMYK 26 / 50 / 0 / 62

HEX #493162

RGB 73 49 98

HSL 269.39, 0.33%, 0.29%

LAB 25.24, 21.87, -25.05

 

CMYK 26 / 50 / 0 / 42

HEX #6F4B95

RGB 111 75 149

HSL 269.19, 0.33%, 0.44%

LAB 38.87, 30.65, -35.13

 

CMYK 26 / 50 / 0 / 22

HEX #9564C8

RGB 149 100 200

HSL 269.4, 0.48%, 0.59%

LAB 51.47, 39.4, -44.87

 

CMYK 25 / 50 / 0 / 2

HEX #BB7EFB

RGB 187 126 251

HSL 269.28, 0.94%, 0.74%

LAB 63.71, 47.16, -53.77

 

CMYK 26 / 49 / 0 / 82

HEX #23182F

RGB 35 24 47

HSL 268.7, 0.32%, 0.14%

LAB 10.67, 11.35, -13.35

 

CMYK 26 / 50 / 0 / 62

HEX #493162

RGB 73 49 98

HSL 269.39, 0.33%, 0.29%

LAB 25.24, 21.87, -25.05

 

CMYK 0 / 50 / 34 / 62

HEX #623141

RGB 98 49 65

HSL 340.41, 0.33%, 0.29%

LAB 27.23, 24.15, 0.04

 

CMYK 50 / 0 / 46 / 62

HEX #316235

RGB 49 98 53

HSL 124.9, 0.33%, 0.29%

LAB 37.2, -27.2, 20.59

 

CMYK 26 / 50 / 0 / 62

HEX #493162

RGB 73 49 98

HSL 269.39, 0.33%, 0.29%

LAB 25.24, 21.87, -25.05

 

CMYK 0 / 26 / 50 / 62

HEX #624931

RGB 98 73 49

HSL 29.39, 0.33%, 0.29%

LAB 33.1, 7.25, 18.45

 

CMYK 50 / 0 / 26 / 62

HEX #316249

RGB 49 98 73

HSL 149.39, 0.33%, 0.29%

LAB 37.61, -23.12, 9.19

 

CMYK 26 / 50 / 0 / 62

HEX #493162

RGB 73 49 98

HSL 269.39, 0.33%, 0.29%

LAB 25.24, 21.87, -25.05

 

CMYK 0 / 50 / 34 / 62

HEX #623141

RGB 98 49 65

HSL 340.41, 0.33%, 0.29%

LAB 27.23, 24.15, 0.04

 

CMYK 24 / 0 / 50 / 62

HEX #4A6231

RGB 74 98 49

HSL 89.39, 0.33%, 0.29%

LAB 38.57, -18.45, 24.91

 

CMYK 50 / 0 / 16 / 62

HEX #316252

RGB 49 98 82

HSL 160.41, 0.33%, 0.29%

LAB 37.84, -20.92, 4.01

 

CMYK 26 / 50 / 0 / 62

HEX #493162

RGB 73 49 98

HSL 269.39, 0.33%, 0.29%

LAB 25.24, 21.87, -25.05

 

CMYK 0 / 50 / 49 / 62

HEX #623132

RGB 98 49 50

HSL 358.78, 0.33%, 0.29%

LAB 26.8, 22.17, 9.41

 

CMYK 24 / 0 / 50 / 62

HEX #4A6231

RGB 74 98 49

HSL 89.39, 0.33%, 0.29%

LAB 38.57, -18.45, 24.91

 

CMYK 50 / 0 / 1 / 62

HEX #316261

RGB 49 98 97

HSL 178.78, 0.33%, 0.29%

LAB 38.29, -16.8, -4.57

 

Description

Color code: RGB 73 49 98 | qconv.com Color code: RGB 73 49 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 49 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 49 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 50 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 50% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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