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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 255 5 it is the complementary color RGB 182 0 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 255 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 255 5: RGB 78 255 0, RGB 95 255 19, RGB 112 255 38, RGB 129 255 57 and RGB 146 255 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 255 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 255 5: RGB 73 255 5, RGB 56 237 0, RGB 39 219 0, RGB 22 201 0 and RGB 5 183 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 98 / 0

HEX #49FF05

RGB 73 255 5

HSL 103.68, 1%, 0.51%

LAB 88.42, -80.03, 83.64

 

Complementary color

CMYK 27 / 100 / 0 / 2

HEX #B600FA

RGB 182 0 250

HSL 283.68, 1%, 0.49%

LAB 48.07, 87.43, -78.46

 

CMYK 69 / 0 / 100 / 0

HEX #4EFF00

RGB 78 255 0

HSL 101.65, 1%, 0.5%

LAB 88.51, -79.26, 84.13

 

CMYK 63 / 0 / 93 / 0

HEX #5FFF13

RGB 95 255 19

HSL 100.68, 1%, 0.54%

LAB 88.92, -75.7, 83.03

 

CMYK 56 / 0 / 85 / 0

HEX #70FF26

RGB 112 255 38

HSL 99.54, 1%, 0.57%

LAB 89.44, -71.27, 80.67

 

CMYK 49 / 0 / 78 / 0

HEX #81FF39

RGB 129 255 57

HSL 98.18, 1%, 0.61%

LAB 90.08, -65.97, 76.85

 

CMYK 43 / 0 / 70 / 0

HEX #92FF4C

RGB 146 255 76

HSL 96.54, 1%, 0.65%

LAB 90.85, -59.86, 71.79

 

CMYK 71 / 0 / 98 / 0

HEX #49FF05

RGB 73 255 5

HSL 103.68, 1%, 0.51%

LAB 88.42, -80.03, 83.64

 

CMYK 76 / 0 / 100 / 7

HEX #38ED00

RGB 56 237 0

HSL 105.82, 1%, 0.46%

LAB 82.6, -77.46, 79.25

 

CMYK 82 / 0 / 100 / 14

HEX #27DB00

RGB 39 219 0

HSL 109.32, 1%, 0.43%

LAB 76.74, -74.45, 74.47

 

CMYK 89 / 0 / 100 / 21

HEX #16C900

RGB 22 201 0

HSL 113.43, 1%, 0.39%

LAB 70.83, -70.97, 69.68

 

CMYK 97 / 0 / 100 / 28

HEX #05B700

RGB 5 183 0

HSL 118.36, 1%, 0.36%

LAB 64.88, -66.94, 64.87

 

CMYK 71 / 0 / 98 / 0

HEX #49FF05

RGB 73 255 5

HSL 103.68, 1%, 0.51%

LAB 88.42, -80.03, 83.64

 

CMYK 87 / 0 / 98 / 0

HEX #22FF05

RGB 34 255 5

HSL 113.04, 1%, 0.51%

LAB 87.91, -84.62, 83.01

 

CMYK 98 / 0 / 93 / 0

HEX #05FF11

RGB 5 255 17

HSL 122.88, 1%, 0.51%

LAB 87.77, -85.79, 81.83

 

CMYK 98 / 0 / 77 / 0

HEX #05FF3B

RGB 5 255 59

HSL 132.96, 1%, 0.51%

LAB 87.91, -84.06, 73.43

 

CMYK 98 / 0 / 61 / 0

HEX #05FF64

RGB 5 255 100

HSL 142.8, 1%, 0.51%

LAB 88.2, -80.38, 58.77

 

CMYK 71 / 0 / 98 / 0

HEX #49FF05

RGB 73 255 5

HSL 103.68, 1%, 0.51%

LAB 88.42, -80.03, 83.64

 

CMYK 71 / 0 / 98 / 80

HEX #0F3301

RGB 15 51 1

HSL 103.2, 0.96%, 0.1%

LAB 17.79, -23.48, 24.48

 

CMYK 72 / 0 / 98 / 60

HEX #1D6602

RGB 29 102 2

HSL 103.8, 0.96%, 0.2%

LAB 37.42, -39.62, 42.47

 

CMYK 71 / 0 / 98 / 40

HEX #2C9903

RGB 44 153 3

HSL 103.6, 0.96%, 0.31%

LAB 55.41, -53.88, 57

 

CMYK 72 / 0 / 98 / 20

HEX #3ACC04

RGB 58 204 4

HSL 103.8, 0.96%, 0.41%

LAB 72.29, -67.37, 70.63

 

CMYK 71 / 0 / 98 / 0

HEX #49FF05

RGB 73 255 5

HSL 103.68, 1%, 0.51%

LAB 88.42, -80.03, 83.64

 

CMYK 98 / 0 / 8 / 0

HEX #05FFEA

RGB 5 255 234

HSL 174.96, 1%, 0.51%

LAB 90.55, -53.83, -4.08

 

CMYK 0 / 98 / 31 / 0

HEX #FF05AF

RGB 255 5 175

HSL 319.2, 1%, 0.51%

LAB 56.55, 88.29, -21.3

 

CMYK 71 / 0 / 98 / 0

HEX #49FF05

RGB 73 255 5

HSL 103.68, 1%, 0.51%

LAB 88.42, -80.03, 83.64

 

CMYK 98 / 71 / 0 / 0

HEX #054BFF

RGB 5 75 255

HSL 223.2, 1%, 0.51%

LAB 41.66, 51.92, -92.28

 

CMYK 0 / 98 / 71 / 0

HEX #FF054B

RGB 255 5 75

HSL 343.2, 1%, 0.51%

LAB 53.9, 81.26, 34.58

 

CMYK 71 / 0 / 98 / 0

HEX #49FF05

RGB 73 255 5

HSL 103.68, 1%, 0.51%

LAB 88.42, -80.03, 83.64

 

CMYK 98 / 0 / 8 / 0

HEX #05FFEA

RGB 5 255 234

HSL 174.96, 1%, 0.51%

LAB 90.55, -53.83, -4.08

 

CMYK 28 / 98 / 0 / 0

HEX #B805FF

RGB 184 5 255

HSL 282.96, 1%, 0.51%

LAB 48.91, 88.15, -79.87

 

CMYK 0 / 98 / 90 / 0

HEX #FF0519

RGB 255 5 25

HSL 355.2, 1%, 0.51%

LAB 53.43, 79.98, 60.17

 

CMYK 71 / 0 / 98 / 0

HEX #49FF05

RGB 73 255 5

HSL 103.68, 1%, 0.51%

LAB 88.42, -80.03, 83.64

 

CMYK 98 / 22 / 0 / 0

HEX #05C8FF

RGB 5 200 255

HSL 193.2, 1%, 0.51%

LAB 75.18, -22.2, -38.45

 

CMYK 28 / 98 / 0 / 0

HEX #B805FF

RGB 184 5 255

HSL 282.96, 1%, 0.51%

LAB 48.91, 88.15, -79.87

 

CMYK 0 / 77 / 98 / 0

HEX #FF3B05

RGB 255 59 5

HSL 12.96, 1%, 0.51%

LAB 56.48, 70.9, 67.41

 

Description

Color code: RGB 73 255 5 | qconv.com Color code: RGB 73 255 5 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 255 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 255 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 98% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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