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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 23 102 it is the complementary color RGB 182 232 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 23 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 23 102: RGB 78 23 97, RGB 95 41 116, RGB 112 59 135, RGB 129 77 154 and RGB 146 95 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 23 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 23 102: RGB 73 23 102, RGB 56 5 83, RGB 39 0 64, RGB 22 0 45 and RGB 5 0 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 77 / 0 / 60

HEX #491766

RGB 73 23 102

HSL 277.97, 0.63%, 0.25%

LAB 20, 37.67, -36.06

 

Complementary color

CMYK 22 / 0 / 34 / 9

HEX #B6E899

RGB 182 232 153

HSL 97.97, 0.63%, 0.75%

LAB 86.98, -30.01, 33.36

 

CMYK 20 / 76 / 0 / 62

HEX #4E1761

RGB 78 23 97

HSL 284.59, 0.62%, 0.24%

LAB 20.42, 37.63, -32.05

 

CMYK 18 / 65 / 0 / 55

HEX #5F2974

RGB 95 41 116

HSL 283.2, 0.48%, 0.31%

LAB 27.52, 37.46, -32.84

 

CMYK 17 / 56 / 0 / 47

HEX #703B87

RGB 112 59 135

HSL 281.84, 0.39%, 0.38%

LAB 34.64, 36.78, -33.26

 

CMYK 16 / 50 / 0 / 40

HEX #814D9A

RGB 129 77 154

HSL 280.52, 0.33%, 0.45%

LAB 41.7, 35.95, -33.52

 

CMYK 16 / 45 / 0 / 32

HEX #925FAD

RGB 146 95 173

HSL 279.23, 0.32%, 0.53%

LAB 48.65, 35.1, -33.7

 

CMYK 28 / 77 / 0 / 60

HEX #491766

RGB 73 23 102

HSL 277.97, 0.63%, 0.25%

LAB 20, 37.67, -36.06

 

CMYK 33 / 94 / 0 / 67

HEX #380553

RGB 56 5 83

HSL 279.23, 0.89%, 0.17%

LAB 13.07, 36.93, -34.74

 

CMYK 39 / 100 / 0 / 75

HEX #270040

RGB 39 0 64

HSL 276.56, 1%, 0.13%

LAB 7.24, 32.16, -31.13

 

CMYK 51 / 100 / 0 / 82

HEX #16002D

RGB 22 0 45

HSL 269.33, 1%, 0.09%

LAB 3.25, 18.94, -23.72

 

CMYK 81 / 100 / 0 / 90

HEX #05001A

RGB 5 0 26

HSL 251.54, 1%, 0.05%

LAB 0.97, 6.04, -12.42

 

CMYK 28 / 77 / 0 / 60

HEX #491766

RGB 73 23 102

HSL 277.97, 0.63%, 0.25%

LAB 20, 37.67, -36.06

 

CMYK 17 / 78 / 0 / 60

HEX #561767

RGB 86 23 103

HSL 287.25, 0.63%, 0.25%

LAB 22.2, 40.79, -33.06

 

CMYK 4 / 78 / 0 / 60

HEX #631767

RGB 99 23 103

HSL 297, 0.63%, 0.25%

LAB 24.46, 43.79, -29.31

 

CMYK 0 / 78 / 9 / 60

HEX #67175E

RGB 103 23 94

HSL 306.75, 0.63%, 0.25%

LAB 24.65, 43.16, -23.06

 

CMYK 0 / 78 / 21 / 60

HEX #671751

RGB 103 23 81

HSL 316.5, 0.63%, 0.25%

LAB 23.97, 41.08, -15.5

 

CMYK 28 / 77 / 0 / 60

HEX #491766

RGB 73 23 102

HSL 277.97, 0.63%, 0.25%

LAB 20, 37.67, -36.06

 

CMYK 28 / 77 / 0 / 40

HEX #6E2399

RGB 110 35 153

HSL 278.14, 0.63%, 0.37%

LAB 31.39, 51.91, -49.56

 

CMYK 28 / 77 / 0 / 20

HEX #922ECC

RGB 146 46 204

HSL 277.97, 0.63%, 0.49%

LAB 41.88, 65.34, -62.58

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 27 / 76 / 0 / 80

HEX #250C33

RGB 37 12 51

HSL 278.46, 0.62%, 0.12%

LAB 8.09, 21.37, -20.36

 

CMYK 28 / 77 / 0 / 60

HEX #491766

RGB 73 23 102

HSL 277.97, 0.63%, 0.25%

LAB 20, 37.67, -36.06

 

CMYK 0 / 78 / 63 / 60

HEX #671726

RGB 103 23 38

HSL 348.75, 0.63%, 0.25%

LAB 22.43, 36.16, 11.74

 

CMYK 78 / 0 / 61 / 60

HEX #176728

RGB 23 103 40

HSL 132.75, 0.63%, 0.25%

LAB 37.91, -37.95, 28.45

 

CMYK 28 / 77 / 0 / 60

HEX #491766

RGB 73 23 102

HSL 277.97, 0.63%, 0.25%

LAB 20, 37.67, -36.06

 

CMYK 0 / 29 / 78 / 60

HEX #674917

RGB 103 73 23

HSL 37.5, 0.63%, 0.25%

LAB 33.37, 7.5, 33.52

 

CMYK 78 / 0 / 29 / 60

HEX #176749

RGB 23 103 73

HSL 157.5, 0.63%, 0.25%

LAB 38.49, -31.38, 10.3

 

CMYK 28 / 77 / 0 / 60

HEX #491766

RGB 73 23 102

HSL 277.97, 0.63%, 0.25%

LAB 20, 37.67, -36.06

 

CMYK 0 / 78 / 63 / 60

HEX #671726

RGB 103 23 38

HSL 348.75, 0.63%, 0.25%

LAB 22.43, 36.16, 11.74

 

CMYK 48 / 0 / 78 / 60

HEX #366717

RGB 54 103 23

HSL 96.75, 0.63%, 0.25%

LAB 38.81, -31.49, 37.63

 

CMYK 78 / 0 / 14 / 60

HEX #176759

RGB 23 103 89

HSL 169.5, 0.63%, 0.25%

LAB 38.91, -27.01, 1.15

 

CMYK 28 / 77 / 0 / 60

HEX #491766

RGB 73 23 102

HSL 277.97, 0.63%, 0.25%

LAB 20, 37.67, -36.06

 

CMYK 0 / 69 / 78 / 60

HEX #672017

RGB 103 32 23

HSL 6.75, 0.63%, 0.25%

LAB 23.6, 31.28, 23.18

 

CMYK 48 / 0 / 78 / 60

HEX #366717

RGB 54 103 23

HSL 96.75, 0.63%, 0.25%

LAB 38.81, -31.49, 37.63

 

CMYK 78 / 9 / 0 / 60

HEX #175E67

RGB 23 94 103

HSL 186.75, 0.63%, 0.25%

LAB 36.3, -17.84, -11.35

 

Description

Color code: RGB 73 23 102 | qconv.com Color code: RGB 73 23 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 23 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 23 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 77 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 77% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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