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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 239 247 it is the complementary color RGB 182 16 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 239 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 239 247: RGB 78 239 242, RGB 95 255 255, RGB 112 255 255, RGB 129 255 255 and RGB 146 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 239 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 239 247: RGB 73 239 247, RGB 56 221 228, RGB 39 203 209, RGB 22 185 190 and RGB 5 167 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 3 / 0 / 3

HEX #49EFF7

RGB 73 239 247

HSL 182.76, 0.92%, 0.63%

LAB 86.93, -38.96, -16.17

 

Complementary color

CMYK 0 / 91 / 96 / 29

HEX #B61008

RGB 182 16 8

HSL 2.76, 0.92%, 0.37%

LAB 38.43, 60.37, 49.4

 

CMYK 68 / 1 / 0 / 5

HEX #4EEFF2

RGB 78 239 242

HSL 181.1, 0.86%, 0.63%

LAB 86.88, -39.73, -13.62

 

CMYK 63 / 0 / 0 / 0

HEX #5FFFFF

RGB 95 255 255

HSL 180, 1%, 0.69%

LAB 92.21, -41.03, -12.39

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 70 / 3 / 0 / 3

HEX #49EFF7

RGB 73 239 247

HSL 182.76, 0.92%, 0.63%

LAB 86.93, -38.96, -16.17

 

CMYK 75 / 3 / 0 / 11

HEX #38DDE4

RGB 56 221 228

HSL 182.44, 0.76%, 0.56%

LAB 80.82, -38.06, -15.35

 

CMYK 81 / 3 / 0 / 18

HEX #27CBD1

RGB 39 203 209

HSL 182.12, 0.69%, 0.49%

LAB 74.66, -36.9, -14.44

 

CMYK 88 / 3 / 0 / 25

HEX #16B9BE

RGB 22 185 190

HSL 181.79, 0.79%, 0.42%

LAB 68.45, -35.43, -13.43

 

CMYK 97 / 2 / 0 / 33

HEX #05A7AB

RGB 5 167 171

HSL 181.45, 0.94%, 0.35%

LAB 62.18, -33.59, -12.31

 

CMYK 70 / 3 / 0 / 3

HEX #49EFF7

RGB 73 239 247

HSL 182.76, 0.92%, 0.63%

LAB 86.93, -38.96, -16.17

 

CMYK 70 / 14 / 0 / 3

HEX #49D4F7

RGB 73 212 247

HSL 192.07, 0.92%, 0.63%

LAB 79.17, -26.13, -27.95

 

CMYK 70 / 26 / 0 / 3

HEX #49B7F7

RGB 73 183 247

HSL 202.07, 0.92%, 0.63%

LAB 70.87, -11.11, -40.78

 

CMYK 70 / 38 / 0 / 3

HEX #499AF7

RGB 73 154 247

HSL 212.07, 0.92%, 0.63%

LAB 62.71, 5.24, -53.63

 

CMYK 70 / 49 / 0 / 3

HEX #497DF7

RGB 73 125 247

HSL 222.07, 0.92%, 0.63%

LAB 54.86, 22.7, -66.2

 

CMYK 70 / 3 / 0 / 3

HEX #49EFF7

RGB 73 239 247

HSL 182.76, 0.92%, 0.63%

LAB 86.93, -38.96, -16.17

 

CMYK 70 / 2 / 0 / 83

HEX #0D2A2B

RGB 13 42 43

HSL 182, 0.54%, 0.11%

LAB 15.04, -10.36, -3.93

 

CMYK 70 / 3 / 0 / 63

HEX #1C5B5E

RGB 28 91 94

HSL 182.73, 0.54%, 0.24%

LAB 35.08, -18.45, -7.58

 

CMYK 70 / 3 / 0 / 43

HEX #2B8C91

RGB 43 140 145

HSL 182.94, 0.54%, 0.37%

LAB 53.29, -25.59, -10.8

 

CMYK 70 / 3 / 0 / 23

HEX #3ABEC4

RGB 58 190 196

HSL 182.61, 0.54%, 0.5%

LAB 70.67, -32.69, -13.33

 

CMYK 70 / 3 / 0 / 3

HEX #49EFF7

RGB 73 239 247

HSL 182.76, 0.92%, 0.63%

LAB 86.93, -38.96, -16.17

 

CMYK 54 / 70 / 0 / 3

HEX #7249F7

RGB 114 73 247

HSL 254.14, 0.92%, 0.63%

LAB 45.71, 59.03, -80.96

 

CMYK 0 / 26 / 70 / 3

HEX #F7B749

RGB 247 183 73

HSL 37.93, 0.92%, 0.63%

LAB 78.53, 12.93, 62.59

 

CMYK 70 / 3 / 0 / 3

HEX #49EFF7

RGB 73 239 247

HSL 182.76, 0.92%, 0.63%

LAB 86.93, -38.96, -16.17

 

CMYK 0 / 70 / 2 / 3

HEX #F749F1

RGB 247 73 241

HSL 302.07, 0.92%, 0.63%

LAB 62.41, 82.71, -49.82

 

CMYK 2 / 0 / 70 / 3

HEX #F1F749

RGB 241 247 73

HSL 62.07, 0.92%, 0.63%

LAB 94.19, -21.82, 77.98

 

CMYK 70 / 3 / 0 / 3

HEX #49EFF7

RGB 73 239 247

HSL 182.76, 0.92%, 0.63%

LAB 86.93, -38.96, -16.17

 

CMYK 54 / 70 / 0 / 3

HEX #7249F7

RGB 114 73 247

HSL 254.14, 0.92%, 0.63%

LAB 45.71, 59.03, -80.96

 

CMYK 0 / 68 / 70 / 3

HEX #F74F49

RGB 247 79 73

HSL 2.07, 0.92%, 0.63%

LAB 57.89, 63.41, 40.09

 

CMYK 17 / 0 / 70 / 3

HEX #CEF749

RGB 206 247 73

HSL 74.14, 0.92%, 0.63%

LAB 91.74, -35.68, 74.77

 

CMYK 70 / 3 / 0 / 3

HEX #49EFF7

RGB 73 239 247

HSL 182.76, 0.92%, 0.63%

LAB 86.93, -38.96, -16.17

 

CMYK 33 / 70 / 0 / 3

HEX #A649F7

RGB 166 73 247

HSL 272.07, 0.92%, 0.63%

LAB 51.37, 67.65, -71.5

 

CMYK 0 / 68 / 70 / 3

HEX #F74F49

RGB 247 79 73

HSL 2.07, 0.92%, 0.63%

LAB 57.89, 63.41, 40.09

 

CMYK 38 / 0 / 70 / 3

HEX #9AF749

RGB 154 247 73

HSL 92.07, 0.92%, 0.63%

LAB 88.86, -54.4, 70.94

 

Description

Color code: RGB 73 239 247 | qconv.com Color code: RGB 73 239 247 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 239 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 239 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 3 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 3% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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