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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 107 137 it is the complementary color RGB 182 148 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 107 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 107 137: RGB 78 107 132, RGB 95 125 151, RGB 112 143 170, RGB 129 161 189 and RGB 146 179 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 107 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 107 137: RGB 73 107 137, RGB 56 89 118, RGB 39 71 99, RGB 22 53 80 and RGB 5 35 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 22 / 0 / 46

HEX #496B89

RGB 73 107 137

HSL 208.13, 0.3%, 0.41%

LAB 43.85, -3.59, -20.34

 

Complementary color

CMYK 0 / 19 / 35 / 29

HEX #B69476

RGB 182 148 118

HSL 28.13, 0.3%, 0.59%

LAB 63.7, 8.43, 20.67

 

CMYK 41 / 19 / 0 / 48

HEX #4E6B84

RGB 78 107 132

HSL 207.78, 0.26%, 0.41%

LAB 43.95, -3.68, -17.17

 

CMYK 37 / 17 / 0 / 41

HEX #5F7D97

RGB 95 125 151

HSL 207.86, 0.23%, 0.48%

LAB 51.08, -3.92, -17.43

 

CMYK 34 / 16 / 0 / 33

HEX #708FAA

RGB 112 143 170

HSL 207.93, 0.25%, 0.55%

LAB 58.03, -4.12, -17.71

 

CMYK 32 / 15 / 0 / 26

HEX #81A1BD

RGB 129 161 189

HSL 208, 0.31%, 0.62%

LAB 64.83, -4.28, -18.01

 

CMYK 30 / 14 / 0 / 18

HEX #92B3D0

RGB 146 179 208

HSL 208.06, 0.4%, 0.69%

LAB 71.49, -4.43, -18.31

 

CMYK 47 / 22 / 0 / 46

HEX #496B89

RGB 73 107 137

HSL 208.13, 0.3%, 0.41%

LAB 43.85, -3.59, -20.34

 

CMYK 53 / 25 / 0 / 54

HEX #385976

RGB 56 89 118

HSL 208.06, 0.36%, 0.34%

LAB 36.54, -3.12, -20.15

 

CMYK 61 / 28 / 0 / 61

HEX #274763

RGB 39 71 99

HSL 208, 0.43%, 0.27%

LAB 29, -2.45, -20

 

CMYK 73 / 34 / 0 / 69

HEX #163550

RGB 22 53 80

HSL 207.93, 0.57%, 0.2%

LAB 21.19, -1.39, -19.87

 

CMYK 92 / 43 / 0 / 76

HEX #05233D

RGB 5 35 61

HSL 207.86, 0.85%, 0.13%

LAB 13.05, 0.35, -19.76

 

CMYK 47 / 22 / 0 / 46

HEX #496B89

RGB 73 107 137

HSL 208.13, 0.3%, 0.41%

LAB 43.85, -3.59, -20.34

 

CMYK 46 / 29 / 0 / 47

HEX #496087

RGB 73 96 135

HSL 217.74, 0.3%, 0.41%

LAB 40.46, 2.52, -24.38

 

CMYK 46 / 37 / 0 / 47

HEX #495587

RGB 73 85 135

HSL 228.39, 0.3%, 0.41%

LAB 37.23, 9.47, -29.44

 

CMYK 46 / 44 / 0 / 47

HEX #494B87

RGB 73 75 135

HSL 238.06, 0.3%, 0.41%

LAB 34.39, 15.95, -33.92

 

CMYK 40 / 46 / 0 / 47

HEX #514987

RGB 81 73 135

HSL 247.74, 0.3%, 0.41%

LAB 34.53, 19.42, -33.67

 

CMYK 47 / 22 / 0 / 46

HEX #496B89

RGB 73 107 137

HSL 208.13, 0.3%, 0.41%

LAB 43.85, -3.59, -20.34

 

CMYK 47 / 22 / 0 / 26

HEX #6493BC

RGB 100 147 188

HSL 207.95, 0.4%, 0.56%

LAB 59.17, -4.63, -26.25

 

CMYK 47 / 22 / 0 / 6

HEX #7FBBEF

RGB 127 187 239

HSL 207.86, 0.78%, 0.72%

LAB 73.73, -5.62, -31.85

 

CMYK 46 / 23 / 0 / 86

HEX #131B23

RGB 19 27 35

HSL 210, 0.3%, 0.11%

LAB 9.35, -1.04, -6.68

 

CMYK 47 / 22 / 0 / 66

HEX #2E4356

RGB 46 67 86

HSL 208.5, 0.3%, 0.26%

LAB 27.48, -2.43, -13.94

 

CMYK 47 / 22 / 0 / 46

HEX #496B89

RGB 73 107 137

HSL 208.13, 0.3%, 0.41%

LAB 43.85, -3.59, -20.34

 

CMYK 15 / 46 / 0 / 47

HEX #734987

RGB 115 73 135

HSL 280.65, 0.3%, 0.41%

LAB 38.13, 29.65, -27.75

 

CMYK 3 / 0 / 46 / 47

HEX #838749

RGB 131 135 73

HSL 63.87, 0.3%, 0.41%

LAB 54.69, -11.2, 32.69

 

CMYK 47 / 22 / 0 / 46

HEX #496B89

RGB 73 107 137

HSL 208.13, 0.3%, 0.41%

LAB 43.85, -3.59, -20.34

 

CMYK 0 / 46 / 21 / 47

HEX #87496A

RGB 135 73 106

HSL 328.06, 0.3%, 0.41%

LAB 39.51, 30.8, -7.5

 

CMYK 21 / 0 / 46 / 47

HEX #6A8749

RGB 106 135 73

HSL 88.06, 0.3%, 0.41%

LAB 52.81, -21.61, 29.94

 

CMYK 47 / 22 / 0 / 46

HEX #496B89

RGB 73 107 137

HSL 208.13, 0.3%, 0.41%

LAB 43.85, -3.59, -20.34

 

CMYK 15 / 46 / 0 / 47

HEX #734987

RGB 115 73 135

HSL 280.65, 0.3%, 0.41%

LAB 38.13, 29.65, -27.75

 

CMYK 0 / 24 / 46 / 47

HEX #876649

RGB 135 102 73

HSL 28.06, 0.3%, 0.41%

LAB 45.82, 9.31, 21.5

 

CMYK 30 / 0 / 46 / 47

HEX #5E8749

RGB 94 135 73

HSL 99.68, 0.3%, 0.41%

LAB 52.05, -26.26, 28.82

 

CMYK 47 / 22 / 0 / 46

HEX #496B89

RGB 73 107 137

HSL 208.13, 0.3%, 0.41%

LAB 43.85, -3.59, -20.34

 

CMYK 1 / 46 / 0 / 47

HEX #854987

RGB 133 73 135

HSL 298.06, 0.3%, 0.41%

LAB 40.41, 35.37, -24.01

 

CMYK 0 / 24 / 46 / 47

HEX #876649

RGB 135 102 73

HSL 28.06, 0.3%, 0.41%

LAB 45.82, 9.31, 21.5

 

CMYK 44 / 0 / 46 / 47

HEX #4B8749

RGB 75 135 73

HSL 118.06, 0.3%, 0.41%

LAB 51.04, -32.9, 27.33

 

Description

Color code: RGB 73 107 137 | qconv.com Color code: RGB 73 107 137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 107 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 107 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 22 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 22% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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