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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 47 227 it is the complementary color RGB 183 208 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 47 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 72 47 227: RGB 77 47 222, RGB 94 65 241, RGB 111 83 255, RGB 128 101 255 and RGB 145 119 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 47 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 72 47 227: RGB 72 47 227, RGB 55 29 208, RGB 38 11 189, RGB 21 0 170 and RGB 4 0 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 79 / 0 / 11

HEX #482FE3

RGB 72 47 227

HSL 248.33, 0.76%, 0.54%

LAB 35.9, 61.03, -85.94

 

Complementary color

CMYK 12 / 0 / 87 / 18

HEX #B7D01C

RGB 183 208 28

HSL 68.33, 0.76%, 0.46%

LAB 79.19, -28.59, 75.31

 

CMYK 65 / 79 / 0 / 13

HEX #4D2FDE

RGB 77 47 222

HSL 250.29, 0.73%, 0.53%

LAB 35.76, 60.04, -83.3

 

CMYK 61 / 73 / 0 / 5

HEX #5E41F1

RGB 94 65 241

HSL 249.89, 0.86%, 0.6%

LAB 42.02, 58.69, -83.73

 

CMYK 56 / 67 / 0 / 0

HEX #6F53FF

RGB 111 83 255

HSL 249.77, 1%, 0.66%

LAB 47.99, 55.68, -81.71

 

CMYK 50 / 60 / 0 / 0

HEX #8065FF

RGB 128 101 255

HSL 250.52, 1%, 0.7%

LAB 53.08, 48.66, -73.36

 

CMYK 43 / 53 / 0 / 0

HEX #9177FF

RGB 145 119 255

HSL 251.47, 1%, 0.73%

LAB 58.45, 41.96, -64.61

 

CMYK 68 / 79 / 0 / 11

HEX #482FE3

RGB 72 47 227

HSL 248.33, 0.76%, 0.54%

LAB 35.9, 61.03, -85.94

 

CMYK 74 / 86 / 0 / 18

HEX #371DD0

RGB 55 29 208

HSL 248.72, 0.76%, 0.46%

LAB 30.02, 61.86, -84.78

 

CMYK 80 / 94 / 0 / 26

HEX #260BBD

RGB 38 11 189

HSL 249.1, 0.89%, 0.39%

LAB 24.72, 61.34, -82.48

 

CMYK 88 / 100 / 0 / 33

HEX #1500AA

RGB 21 0 170

HSL 247.41, 1%, 0.33%

LAB 20.29, 58.66, -78.52

 

CMYK 97 / 100 / 0 / 41

HEX #040097

RGB 4 0 151

HSL 241.59, 1%, 0.3%

LAB 16.8, 53.61, -72.75

 

CMYK 68 / 79 / 0 / 11

HEX #482FE3

RGB 72 47 227

HSL 248.33, 0.76%, 0.54%

LAB 35.9, 61.03, -85.94

 

CMYK 55 / 79 / 0 / 11

HEX #6630E2

RGB 102 48 226

HSL 258.2, 0.75%, 0.54%

LAB 38.6, 63.34, -80.82

 

CMYK 42 / 79 / 0 / 11

HEX #8330E2

RGB 131 48 226

HSL 267.98, 0.75%, 0.54%

LAB 41.89, 67.13, -75.29

 

CMYK 29 / 79 / 0 / 11

HEX #A130E2

RGB 161 48 226

HSL 278.09, 0.75%, 0.54%

LAB 45.88, 71.73, -68.61

 

CMYK 15 / 79 / 0 / 11

HEX #BF30E2

RGB 191 48 226

HSL 288.2, 0.75%, 0.54%

LAB 50.31, 76.84, -61.23

 

CMYK 68 / 79 / 0 / 11

HEX #482FE3

RGB 72 47 227

HSL 248.33, 0.76%, 0.54%

LAB 35.9, 61.03, -85.94

 

CMYK 70 / 78 / 0 / 91

HEX #070517

RGB 7 5 23

HSL 246.67, 0.64%, 0.05%

LAB 1.95, 3.75, -8.61

 

CMYK 69 / 80 / 0 / 71

HEX #170F4A

RGB 23 15 74

HSL 248.14, 0.66%, 0.17%

LAB 9.14, 23.91, -35.15

 

CMYK 68 / 79 / 0 / 51

HEX #281A7D

RGB 40 26 125

HSL 248.48, 0.66%, 0.3%

LAB 18.67, 37.22, -53.25

 

CMYK 68 / 80 / 0 / 31

HEX #3824B0

RGB 56 36 176

HSL 248.57, 0.66%, 0.42%

LAB 27.4, 49.74, -70.24

 

CMYK 68 / 79 / 0 / 11

HEX #482FE3

RGB 72 47 227

HSL 248.33, 0.76%, 0.54%

LAB 35.9, 61.03, -85.94

 

CMYK 0 / 79 / 26 / 11

HEX #E230A7

RGB 226 48 167

HSL 319.89, 0.75%, 0.54%

LAB 53.03, 75.26, -22.47

 

CMYK 58 / 0 / 79 / 11

HEX #60E230

RGB 96 226 48

HSL 103.82, 0.75%, 0.54%

LAB 80.23, -64.96, 69.76

 

CMYK 68 / 79 / 0 / 11

HEX #482FE3

RGB 72 47 227

HSL 248.33, 0.76%, 0.54%

LAB 35.9, 61.03, -85.94

 

CMYK 0 / 68 / 79 / 11

HEX #E24830

RGB 226 72 48

HSL 8.09, 0.75%, 0.54%

LAB 52.97, 58.41, 47.05

 

CMYK 79 / 0 / 68 / 11

HEX #30E248

RGB 48 226 72

HSL 128.09, 0.75%, 0.54%

LAB 79.32, -72.02, 60.41

 

CMYK 68 / 79 / 0 / 11

HEX #482FE3

RGB 72 47 227

HSL 248.33, 0.76%, 0.54%

LAB 35.9, 61.03, -85.94

 

CMYK 0 / 79 / 26 / 11

HEX #E230A7

RGB 226 48 167

HSL 319.89, 0.75%, 0.54%

LAB 53.03, 75.26, -22.47

 

CMYK 10 / 0 / 79 / 11

HEX #CBE230

RGB 203 226 48

HSL 67.75, 0.75%, 0.54%

LAB 85.66, -28.3, 76.72

 

CMYK 79 / 0 / 53 / 11

HEX #30E26B

RGB 48 226 107

HSL 139.89, 0.75%, 0.54%

LAB 79.66, -67.9, 45.65

 

CMYK 68 / 79 / 0 / 11

HEX #482FE3

RGB 72 47 227

HSL 248.33, 0.76%, 0.54%

LAB 35.9, 61.03, -85.94

 

CMYK 0 / 79 / 50 / 11

HEX #E23071

RGB 226 48 113

HSL 338.09, 0.75%, 0.54%

LAB 51.24, 69.93, 7.16

 

CMYK 10 / 0 / 79 / 11

HEX #CBE230

RGB 203 226 48

HSL 67.75, 0.75%, 0.54%

LAB 85.66, -28.3, 76.72

 

CMYK 79 / 0 / 29 / 11

HEX #30E2A1

RGB 48 226 161

HSL 158.09, 0.75%, 0.54%

LAB 80.51, -58.14, 19.67

 

Description

Color code: RGB 72 47 227 | qconv.com Color code: RGB 72 47 227 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 47 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 47 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 79 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 79% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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