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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 206 237 it is the complementary color RGB 183 49 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 206 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 72 206 237: RGB 77 206 232, RGB 94 224 251, RGB 111 242 255, RGB 128 255 255 and RGB 145 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 206 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 72 206 237: RGB 72 206 237, RGB 55 188 218, RGB 38 170 199, RGB 21 152 180 and RGB 4 134 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 13 / 0 / 7

HEX #48CEED

RGB 72 206 237

HSL 191.27, 0.82%, 0.61%

LAB 77.06, -26.34, -25.83

 

Complementary color

CMYK 0 / 73 / 90 / 28

HEX #B73112

RGB 183 49 18

HSL 11.27, 0.82%, 0.39%

LAB 41.7, 52.29, 48.02

 

CMYK 67 / 11 / 0 / 9

HEX #4DCEE8

RGB 77 206 232

HSL 190.06, 0.77%, 0.61%

LAB 77.01, -27.15, -23.22

 

CMYK 63 / 11 / 0 / 2

HEX #5EE0FB

RGB 94 224 251

HSL 190.32, 0.95%, 0.68%

LAB 83.26, -27.79, -23.78

 

CMYK 56 / 5 / 0 / 0

HEX #6FF2FF

RGB 111 242 255

HSL 185.42, 1%, 0.72%

LAB 88.97, -32.41, -17.2

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 70 / 13 / 0 / 7

HEX #48CEED

RGB 72 206 237

HSL 191.27, 0.82%, 0.61%

LAB 77.06, -26.34, -25.83

 

CMYK 75 / 14 / 0 / 15

HEX #37BCDA

RGB 55 188 218

HSL 191.04, 0.69%, 0.54%

LAB 70.76, -25.36, -25.22

 

CMYK 81 / 15 / 0 / 22

HEX #26AAC7

RGB 38 170 199

HSL 190.81, 0.68%, 0.46%

LAB 64.39, -24.1, -24.55

 

CMYK 88 / 16 / 0 / 29

HEX #1598B4

RGB 21 152 180

HSL 190.57, 0.79%, 0.39%

LAB 57.95, -22.48, -23.79

 

CMYK 98 / 17 / 0 / 37

HEX #0486A1

RGB 4 134 161

HSL 190.32, 0.95%, 0.32%

LAB 51.44, -20.43, -22.94

 

CMYK 70 / 13 / 0 / 7

HEX #48CEED

RGB 72 206 237

HSL 191.27, 0.82%, 0.61%

LAB 77.06, -26.34, -25.83

 

CMYK 69 / 24 / 0 / 7

HEX #4AB4ED

RGB 74 180 237

HSL 200.98, 0.82%, 0.61%

LAB 69.62, -12.62, -37.3

 

CMYK 69 / 36 / 0 / 7

HEX #4A98ED

RGB 74 152 237

HSL 211.29, 0.82%, 0.61%

LAB 61.68, 3.1, -49.77

 

CMYK 69 / 47 / 0 / 7

HEX #4A7DED

RGB 74 125 237

HSL 221.23, 0.82%, 0.61%

LAB 54.28, 19.32, -61.58

 

CMYK 69 / 59 / 0 / 7

HEX #4A62ED

RGB 74 98 237

HSL 231.17, 0.82%, 0.61%

LAB 47.37, 36.04, -72.76

 

CMYK 70 / 13 / 0 / 7

HEX #48CEED

RGB 72 206 237

HSL 191.27, 0.82%, 0.61%

LAB 77.06, -26.34, -25.83

 

CMYK 70 / 12 / 0 / 87

HEX #0A1D21

RGB 10 29 33

HSL 190.43, 0.53%, 0.08%

LAB 9.43, -6.26, -5.13

 

CMYK 69 / 13 / 0 / 67

HEX #1A4954

RGB 26 73 84

HSL 191.38, 0.53%, 0.22%

LAB 28.45, -11.92, -11.26

 

CMYK 70 / 13 / 0 / 47

HEX #297587

RGB 41 117 135

HSL 191.49, 0.53%, 0.35%

LAB 45.56, -16.97, -16.65

 

CMYK 69 / 13 / 0 / 27

HEX #39A2BA

RGB 57 162 186

HSL 191.16, 0.53%, 0.48%

LAB 61.87, -21.98, -21.11

 

CMYK 70 / 13 / 0 / 7

HEX #48CEED

RGB 72 206 237

HSL 191.27, 0.82%, 0.61%

LAB 77.06, -26.34, -25.83

 

CMYK 43 / 69 / 0 / 7

HEX #884AED

RGB 136 74 237

HSL 262.82, 0.82%, 0.61%

LAB 47.3, 59.42, -72.67

 

CMYK 0 / 15 / 69 / 7

HEX #EDC94A

RGB 237 201 74

HSL 46.75, 0.82%, 0.61%

LAB 81.99, -0.59, 65.41

 

CMYK 70 / 13 / 0 / 7

HEX #48CEED

RGB 72 206 237

HSL 191.27, 0.82%, 0.61%

LAB 77.06, -26.34, -25.83

 

CMYK 0 / 69 / 13 / 7

HEX #ED4ACF

RGB 237 74 207

HSL 311.04, 0.82%, 0.61%

LAB 59.35, 75.14, -35.64

 

CMYK 13 / 0 / 69 / 7

HEX #CFED4A

RGB 207 237 74

HSL 71.04, 0.82%, 0.61%

LAB 89.08, -30.65, 71.79

 

CMYK 70 / 13 / 0 / 7

HEX #48CEED

RGB 72 206 237

HSL 191.27, 0.82%, 0.61%

LAB 77.06, -26.34, -25.83

 

CMYK 43 / 69 / 0 / 7

HEX #884AED

RGB 136 74 237

HSL 262.82, 0.82%, 0.61%

LAB 47.3, 59.42, -72.67

 

CMYK 0 / 57 / 69 / 7

HEX #ED674A

RGB 237 103 74

HSL 10.67, 0.82%, 0.61%

LAB 60.07, 49.94, 41.64

 

CMYK 27 / 0 / 69 / 7

HEX #AEED4A

RGB 174 237 74

HSL 83.19, 0.82%, 0.61%

LAB 87.03, -43.23, 69.06

 

CMYK 70 / 13 / 0 / 7

HEX #48CEED

RGB 72 206 237

HSL 191.27, 0.82%, 0.61%

LAB 77.06, -26.34, -25.83

 

CMYK 22 / 69 / 0 / 7

HEX #B94AED

RGB 185 74 237

HSL 280.86, 0.82%, 0.61%

LAB 53.3, 68.78, -62.65

 

CMYK 0 / 57 / 69 / 7

HEX #ED674A

RGB 237 103 74

HSL 10.67, 0.82%, 0.61%

LAB 60.07, 49.94, 41.64

 

CMYK 47 / 0 / 69 / 7

HEX #7DED4A

RGB 125 237 74

HSL 101.23, 0.82%, 0.61%

LAB 84.7, -59.43, 65.93

 

Description

Color code: RGB 72 206 237 | qconv.com Color code: RGB 72 206 237 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 206 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 206 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 13 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 13% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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