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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 20 62 it is the complementary color RGB 184 235 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 20 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 71 20 62: RGB 76 20 57, RGB 93 38 76, RGB 110 56 95, RGB 127 74 114 and RGB 144 92 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 20 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 71 20 62: RGB 71 20 62, RGB 54 2 43, RGB 37 0 24, RGB 20 0 5 and RGB 3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 13 / 72

HEX #47143E

RGB 71 20 62

HSL 310.59, 0.56%, 0.18%

LAB 16.44, 29.89, -14.64

 

Complementary color

CMYK 22 / 0 / 18 / 8

HEX #B8EBC1

RGB 184 235 193

HSL 130.59, 0.56%, 0.82%

LAB 88.67, -24.38, 15.12

 

CMYK 0 / 74 / 25 / 70

HEX #4C1439

RGB 76 20 57

HSL 320.36, 0.58%, 0.19%

LAB 17.14, 30.62, -9.96

 

CMYK 0 / 59 / 18 / 64

HEX #5D264C

RGB 93 38 76

HSL 318.55, 0.42%, 0.26%

LAB 24.43, 30.31, -11.58

 

CMYK 0 / 49 / 14 / 57

HEX #6E385F

RGB 110 56 95

HSL 316.67, 0.33%, 0.33%

LAB 31.74, 29.57, -12.64

 

CMYK 0 / 42 / 10 / 50

HEX #7F4A72

RGB 127 74 114

HSL 314.72, 0.26%, 0.39%

LAB 38.94, 28.74, -13.43

 

CMYK 0 / 36 / 8 / 44

HEX #905C85

RGB 144 92 133

HSL 312.69, 0.22%, 0.46%

LAB 46.01, 27.92, -14.08

 

CMYK 0 / 72 / 13 / 72

HEX #47143E

RGB 71 20 62

HSL 310.59, 0.56%, 0.18%

LAB 16.44, 29.89, -14.64

 

CMYK 0 / 96 / 20 / 79

HEX #36022B

RGB 54 2 43

HSL 312.69, 0.93%, 0.11%

LAB 9.01, 29.76, -12.76

 

CMYK 0 / 100 / 35 / 85

HEX #250018

RGB 37 0 24

HSL 321.08, 1%, 0.07%

LAB 4.15, 20.01, -5.78

 

CMYK 0 / 100 / 75 / 92

HEX #140005

RGB 20 0 5

HSL 345, 1%, 0.04%

LAB 1.44, 6.72, 0.23

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 72 / 13 / 72

HEX #47143E

RGB 71 20 62

HSL 310.59, 0.56%, 0.18%

LAB 16.44, 29.89, -14.64

 

CMYK 0 / 72 / 24 / 72

HEX #471436

RGB 71 20 54

HSL 320, 0.56%, 0.18%

LAB 16.04, 28.49, -9.61

 

CMYK 0 / 72 / 37 / 72

HEX #47142D

RGB 71 20 45

HSL 330.59, 0.56%, 0.18%

LAB 15.64, 27.1, -3.76

 

CMYK 0 / 72 / 48 / 72

HEX #471425

RGB 71 20 37

HSL 340, 0.56%, 0.18%

LAB 15.35, 26.04, 1.6

 

CMYK 0 / 72 / 61 / 72

HEX #47141C

RGB 71 20 28

HSL 350.59, 0.56%, 0.18%

LAB 15.08, 25.06, 7.78

 

CMYK 0 / 72 / 13 / 72

HEX #47143E

RGB 71 20 62

HSL 310.59, 0.56%, 0.18%

LAB 16.44, 29.89, -14.64

 

CMYK 0 / 72 / 12 / 52

HEX #7A226B

RGB 122 34 107

HSL 310.23, 0.56%, 0.31%

LAB 30.26, 46.1, -22.47

 

CMYK 0 / 72 / 13 / 32

HEX #AD3197

RGB 173 49 151

HSL 310.65, 0.56%, 0.44%

LAB 43.23, 60.35, -28.86

 

CMYK 0 / 72 / 13 / 12

HEX #E03FC4

RGB 224 63 196

HSL 310.43, 0.72%, 0.56%

LAB 55.47, 74.23, -35.57

 

CMYK 0 / 70 / 15 / 92

HEX #140611

RGB 20 6 17

HSL 312.86, 0.54%, 0.05%

LAB 2.89, 6.19, -3.15

 

CMYK 0 / 72 / 13 / 72

HEX #47143E

RGB 71 20 62

HSL 310.59, 0.56%, 0.18%

LAB 16.44, 29.89, -14.64

 

CMYK 0 / 45 / 72 / 72

HEX #472714

RGB 71 39 20

HSL 22.35, 0.56%, 0.18%

LAB 19.4, 12.99, 18.75

 

CMYK 72 / 0 / 17 / 72

HEX #14473B

RGB 20 71 59

HSL 165.88, 0.56%, 0.18%

LAB 26.65, -20.22, 2.29

 

CMYK 0 / 72 / 13 / 72

HEX #47143E

RGB 71 20 62

HSL 310.59, 0.56%, 0.18%

LAB 16.44, 29.89, -14.64

 

CMYK 11 / 0 / 72 / 72

HEX #3F4714

RGB 63 71 20

HSL 69.41, 0.56%, 0.18%

LAB 28.42, -11.52, 28.51

 

CMYK 72 / 11 / 0 / 72

HEX #143F47

RGB 20 63 71

HSL 189.41, 0.56%, 0.18%

LAB 24.19, -11.72, -9.25

 

CMYK 0 / 72 / 13 / 72

HEX #47143E

RGB 71 20 62

HSL 310.59, 0.56%, 0.18%

LAB 16.44, 29.89, -14.64

 

CMYK 0 / 45 / 72 / 72

HEX #472714

RGB 71 39 20

HSL 22.35, 0.56%, 0.18%

LAB 19.4, 12.99, 18.75

 

CMYK 72 / 0 / 61 / 72

HEX #14471C

RGB 20 71 28

HSL 129.41, 0.56%, 0.18%

LAB 25.98, -27.42, 20.79

 

CMYK 72 / 27 / 0 / 72

HEX #143447

RGB 20 52 71

HSL 202.35, 0.56%, 0.18%

LAB 20.28, -4.7, -15.26

 

CMYK 0 / 72 / 13 / 72

HEX #47143E

RGB 71 20 62

HSL 310.59, 0.56%, 0.18%

LAB 16.44, 29.89, -14.64

 

CMYK 0 / 24 / 72 / 72

HEX #473614

RGB 71 54 20

HSL 40, 0.56%, 0.18%

LAB 23.77, 3.15, 23.73

 

CMYK 72 / 0 / 61 / 72

HEX #14471C

RGB 20 71 28

HSL 129.41, 0.56%, 0.18%

LAB 25.98, -27.42, 20.79

 

CMYK 72 / 48 / 0 / 72

HEX #142547

RGB 20 37 71

HSL 220, 0.56%, 0.18%

LAB 15.1, 5.98, -23.42

 

Description

Color code: RGB 71 20 62 | qconv.com Color code: RGB 71 20 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 20 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 20 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 13 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 13% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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