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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 71 188 94 it is the complementary color RGB 184 67 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 71 188 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 71 188 94: RGB 76 188 89, RGB 93 206 108, RGB 110 224 127, RGB 127 242 146 and RGB 144 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 71 188 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 71 188 94: RGB 71 188 94, RGB 54 170 75, RGB 37 152 56, RGB 20 134 37 and RGB 3 116 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 50 / 26

HEX #47BC5E

RGB 71 188 94

HSL 131.79, 0.47%, 0.51%

LAB 68.1, -52.75, 37.83

 

Complementary color

CMYK 0 / 64 / 13 / 28

HEX #B843A1

RGB 184 67 161

HSL 311.79, 0.47%, 0.49%

LAB 47.98, 57.74, -27.31

 

CMYK 60 / 0 / 53 / 26

HEX #4CBC59

RGB 76 188 89

HSL 126.96, 0.46%, 0.52%

LAB 68.19, -52.35, 40.43

 

CMYK 55 / 0 / 48 / 19

HEX #5DCE6C

RGB 93 206 108

HSL 127.96, 0.54%, 0.59%

LAB 74.54, -52.53, 39.06

 

CMYK 51 / 0 / 43 / 12

HEX #6EE07F

RGB 110 224 127

HSL 128.95, 0.65%, 0.65%

LAB 80.83, -52.55, 37.74

 

CMYK 48 / 0 / 40 / 5

HEX #7FF292

RGB 127 242 146

HSL 129.91, 0.82%, 0.72%

LAB 87.04, -52.46, 36.46

 

CMYK 44 / 0 / 35 / 0

HEX #90FFA5

RGB 144 255 165

HSL 131.35, 1%, 0.78%

LAB 91.76, -50.23, 33.34

 

CMYK 62 / 0 / 50 / 26

HEX #47BC5E

RGB 71 188 94

HSL 131.79, 0.47%, 0.51%

LAB 68.1, -52.75, 37.83

 

CMYK 68 / 0 / 56 / 33

HEX #36AA4B

RGB 54 170 75

HSL 130.86, 0.52%, 0.44%

LAB 61.69, -52.24, 39.27

 

CMYK 76 / 0 / 63 / 40

HEX #259838

RGB 37 152 56

HSL 129.91, 0.61%, 0.37%

LAB 55.21, -51.29, 40.66

 

CMYK 85 / 0 / 72 / 47

HEX #148625

RGB 20 134 37

HSL 128.95, 0.74%, 0.3%

LAB 48.68, -49.64, 41.79

 

CMYK 97 / 0 / 84 / 55

HEX #037412

RGB 3 116 18

HSL 127.96, 0.95%, 0.23%

LAB 42.08, -47.03, 42.12

 

CMYK 62 / 0 / 50 / 26

HEX #47BC5E

RGB 71 188 94

HSL 131.79, 0.47%, 0.51%

LAB 68.1, -52.75, 37.83

 

CMYK 62 / 0 / 40 / 26

HEX #47BC70

RGB 71 188 112

HSL 141.03, 0.47%, 0.51%

LAB 68.37, -49.82, 28.97

 

CMYK 62 / 0 / 30 / 26

HEX #47BC84

RGB 71 188 132

HSL 151.28, 0.47%, 0.51%

LAB 68.73, -45.95, 18.83

 

CMYK 62 / 0 / 20 / 26

HEX #47BC97

RGB 71 188 151

HSL 161.03, 0.47%, 0.51%

LAB 69.14, -41.72, 9.1

 

CMYK 62 / 0 / 9 / 26

HEX #47BCAB

RGB 71 188 171

HSL 171.28, 0.47%, 0.51%

LAB 69.64, -36.73, -1.12

 

CMYK 62 / 0 / 50 / 26

HEX #47BC5E

RGB 71 188 94

HSL 131.79, 0.47%, 0.51%

LAB 68.1, -52.75, 37.83

 

CMYK 62 / 0 / 50 / 6

HEX #5AEF78

RGB 90 239 120

HSL 132.08, 0.82%, 0.65%

LAB 84.62, -63.84, 45.79

 

CMYK 63 / 0 / 49 / 86

HEX #0D2312

RGB 13 35 18

HSL 133.64, 0.46%, 0.09%

LAB 11.49, -13.66, 8.61

 

CMYK 63 / 0 / 50 / 66

HEX #20562B

RGB 32 86 43

HSL 132.22, 0.46%, 0.23%

LAB 32.12, -28.42, 19.78

 

CMYK 62 / 0 / 50 / 46

HEX #348945

RGB 52 137 69

HSL 132, 0.45%, 0.37%

LAB 50.75, -40.86, 28.92

 

CMYK 62 / 0 / 50 / 26

HEX #47BC5E

RGB 71 188 94

HSL 131.79, 0.47%, 0.51%

LAB 68.1, -52.75, 37.83

 

CMYK 62 / 24 / 0 / 26

HEX #478FBC

RGB 71 143 188

HSL 203.08, 0.47%, 0.51%

LAB 56.7, -8.71, -30.18

 

CMYK 0 / 62 / 49 / 26

HEX #BC4760

RGB 188 71 96

HSL 347.18, 0.47%, 0.51%

LAB 47.03, 49.12, 10.6

 

CMYK 62 / 0 / 50 / 26

HEX #47BC5E

RGB 71 188 94

HSL 131.79, 0.47%, 0.51%

LAB 68.1, -52.75, 37.83

 

CMYK 51 / 62 / 0 / 26

HEX #5C47BC

RGB 92 71 188

HSL 250.77, 0.47%, 0.51%

LAB 38.57, 39.37, -58.92

 

CMYK 0 / 51 / 62 / 26

HEX #BC5C47

RGB 188 92 71

HSL 10.77, 0.47%, 0.51%

LAB 50.45, 36.9, 29.99

 

CMYK 62 / 0 / 50 / 26

HEX #47BC5E

RGB 71 188 94

HSL 131.79, 0.47%, 0.51%

LAB 68.1, -52.75, 37.83

 

CMYK 62 / 24 / 0 / 26

HEX #478FBC

RGB 71 143 188

HSL 203.08, 0.47%, 0.51%

LAB 56.7, -8.71, -30.18

 

CMYK 0 / 62 / 11 / 26

HEX #BC47A7

RGB 188 71 167

HSL 310.77, 0.47%, 0.51%

LAB 49.48, 58.06, -28.47

 

CMYK 0 / 38 / 62 / 26

HEX #BC7447

RGB 188 116 71

HSL 23.08, 0.47%, 0.51%

LAB 55.72, 24.03, 36.4

 

CMYK 62 / 0 / 50 / 26

HEX #47BC5E

RGB 71 188 94

HSL 131.79, 0.47%, 0.51%

LAB 68.1, -52.75, 37.83

 

CMYK 62 / 43 / 0 / 26

HEX #476CBC

RGB 71 108 188

HSL 221.03, 0.47%, 0.51%

LAB 46.57, 12.21, -46.12

 

CMYK 0 / 62 / 11 / 26

HEX #BC47A7

RGB 188 71 167

HSL 310.77, 0.47%, 0.51%

LAB 49.48, 58.06, -28.47

 

CMYK 0 / 20 / 62 / 26

HEX #BC9747

RGB 188 151 71

HSL 41.03, 0.47%, 0.51%

LAB 64.39, 4.73, 46.45

 

Description

Color code: RGB 71 188 94 | qconv.com Color code: RGB 71 188 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 188 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 188 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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