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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 99 176 it is the complementary color RGB 185 156 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 99 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 70 99 176: RGB 75 99 171, RGB 92 117 190, RGB 109 135 209, RGB 126 153 228 and RGB 143 171 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 99 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 70 99 176: RGB 70 99 176, RGB 53 81 157, RGB 36 63 138, RGB 19 45 119 and RGB 2 27 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 44 / 0 / 31

HEX #4663B0

RGB 70 99 176

HSL 223.58, 0.43%, 0.48%

LAB 43.3, 13.53, -44.35

 

Complementary color

CMYK 0 / 16 / 57 / 27

HEX #B99C4F

RGB 185 156 79

HSL 43.58, 0.43%, 0.52%

LAB 65.48, 1.3, 43.72

 

CMYK 56 / 42 / 0 / 33

HEX #4B63AB

RGB 75 99 171

HSL 225, 0.39%, 0.48%

LAB 43.3, 12.87, -41.39

 

CMYK 52 / 38 / 0 / 25

HEX #5C75BE

RGB 92 117 190

HSL 224.69, 0.43%, 0.55%

LAB 50.35, 11.73, -41.19

 

CMYK 48 / 35 / 0 / 18

HEX #6D87D1

RGB 109 135 209

HSL 224.4, 0.52%, 0.62%

LAB 57.25, 10.81, -41.05

 

CMYK 45 / 33 / 0 / 11

HEX #7E99E4

RGB 126 153 228

HSL 224.12, 0.65%, 0.69%

LAB 64.01, 10.04, -40.95

 

CMYK 42 / 31 / 0 / 3

HEX #8FABF7

RGB 143 171 247

HSL 223.85, 0.87%, 0.76%

LAB 70.65, 9.39, -40.9

 

CMYK 60 / 44 / 0 / 31

HEX #4663B0

RGB 70 99 176

HSL 223.58, 0.43%, 0.48%

LAB 43.3, 13.53, -44.35

 

CMYK 66 / 48 / 0 / 38

HEX #35519D

RGB 53 81 157

HSL 223.85, 0.5%, 0.41%

LAB 36.13, 15.19, -44.59

 

CMYK 74 / 54 / 0 / 46

HEX #243F8A

RGB 36 63 138

HSL 224.12, 0.59%, 0.34%

LAB 28.81, 17.35, -44.85

 

CMYK 84 / 62 / 0 / 53

HEX #132D77

RGB 19 45 119

HSL 224.4, 0.72%, 0.27%

LAB 21.38, 20.24, -45.03

 

CMYK 98 / 73 / 0 / 61

HEX #021B64

RGB 2 27 100

HSL 224.69, 0.96%, 0.2%

LAB 13.93, 23.9, -44.94

 

CMYK 60 / 44 / 0 / 31

HEX #4663B0

RGB 70 99 176

HSL 223.58, 0.43%, 0.48%

LAB 43.3, 13.53, -44.35

 

CMYK 61 / 53 / 0 / 31

HEX #4552AF

RGB 69 82 175

HSL 232.64, 0.43%, 0.48%

LAB 38.54, 23.9, -51.4

 

CMYK 57 / 61 / 0 / 31

HEX #4B45AF

RGB 75 69 175

HSL 243.4, 0.43%, 0.48%

LAB 35.69, 33.28, -56

 

CMYK 47 / 61 / 0 / 31

HEX #5C45AF

RGB 92 69 175

HSL 253.02, 0.43%, 0.48%

LAB 37.16, 36.65, -53.54

 

CMYK 37 / 61 / 0 / 31

HEX #6E45AF

RGB 110 69 175

HSL 263.21, 0.43%, 0.48%

LAB 39.01, 40.65, -50.46

 

CMYK 60 / 44 / 0 / 31

HEX #4663B0

RGB 70 99 176

HSL 223.58, 0.43%, 0.48%

LAB 43.3, 13.53, -44.35

 

CMYK 60 / 44 / 0 / 11

HEX #5A80E3

RGB 90 128 227

HSL 223.36, 0.71%, 0.62%

LAB 55.23, 16.7, -54.42

 

CMYK 61 / 43 / 0 / 91

HEX #090D17

RGB 9 13 23

HSL 222.86, 0.44%, 0.06%

LAB 3.68, 0.97, -6.06

 

CMYK 61 / 43 / 0 / 71

HEX #1D2A4A

RGB 29 42 74

HSL 222.67, 0.44%, 0.2%

LAB 17.51, 5.63, -21.6

 

CMYK 60 / 44 / 0 / 51

HEX #32467D

RGB 50 70 125

HSL 224, 0.43%, 0.34%

LAB 30.73, 10.19, -33.65

 

CMYK 60 / 44 / 0 / 31

HEX #4663B0

RGB 70 99 176

HSL 223.58, 0.43%, 0.48%

LAB 43.3, 13.53, -44.35

 

CMYK 5 / 61 / 0 / 31

HEX #A645AF

RGB 166 69 175

HSL 294.91, 0.43%, 0.48%

LAB 46.26, 54.52, -38.47

 

CMYK 19 / 0 / 61 / 31

HEX #8DAF45

RGB 141 175 69

HSL 79.25, 0.43%, 0.48%

LAB 67.09, -27.9, 49.33

 

CMYK 60 / 44 / 0 / 31

HEX #4663B0

RGB 70 99 176

HSL 223.58, 0.43%, 0.48%

LAB 43.3, 13.53, -44.35

 

CMYK 0 / 61 / 43 / 31

HEX #AF4563

RGB 175 69 99

HSL 343.02, 0.43%, 0.48%

LAB 44.62, 45.98, 5.04

 

CMYK 43 / 0 / 61 / 31

HEX #63AF45

RGB 99 175 69

HSL 103.02, 0.43%, 0.48%

LAB 64.76, -43.21, 46.07

 

CMYK 60 / 44 / 0 / 31

HEX #4663B0

RGB 70 99 176

HSL 223.58, 0.43%, 0.48%

LAB 43.3, 13.53, -44.35

 

CMYK 5 / 61 / 0 / 31

HEX #A645AF

RGB 166 69 175

HSL 294.91, 0.43%, 0.48%

LAB 46.26, 54.52, -38.47

 

CMYK 0 / 17 / 61 / 31

HEX #AF9145

RGB 175 145 69

HSL 43.02, 0.43%, 0.48%

LAB 61.48, 2.19, 43.77

 

CMYK 55 / 0 / 61 / 31

HEX #4EAF45

RGB 78 175 69

HSL 114.91, 0.43%, 0.48%

LAB 63.92, -49.38, 44.9

 

CMYK 60 / 44 / 0 / 31

HEX #4663B0

RGB 70 99 176

HSL 223.58, 0.43%, 0.48%

LAB 43.3, 13.53, -44.35

 

CMYK 0 / 61 / 13 / 31

HEX #AF4598

RGB 175 69 152

HSL 313.02, 0.43%, 0.48%

LAB 46.49, 53, -24.36

 

CMYK 0 / 17 / 61 / 31

HEX #AF9145

RGB 175 145 69

HSL 43.02, 0.43%, 0.48%

LAB 61.48, 2.19, 43.77

 

CMYK 61 / 0 / 47 / 31

HEX #45AF5C

RGB 69 175 92

HSL 133.02, 0.43%, 0.48%

LAB 63.92, -48.48, 33.59

 

Description

Color code: RGB 70 99 176 | qconv.com Color code: RGB 70 99 176 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 99 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 99 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 44 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 44% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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