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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 65 229 it is the complementary color RGB 185 190 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 65 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 70 65 229: RGB 75 65 224, RGB 92 83 243, RGB 109 101 255, RGB 126 119 255 and RGB 143 137 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 65 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 70 65 229: RGB 70 65 229, RGB 53 47 210, RGB 36 29 191, RGB 19 11 172 and RGB 2 0 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 72 / 0 / 10

HEX #4641E5

RGB 70 65 229

HSL 241.83, 0.76%, 0.58%

LAB 39.14, 52.41, -81.74

 

Complementary color

CMYK 3 / 0 / 86 / 25

HEX #B9BE1A

RGB 185 190 26

HSL 61.83, 0.76%, 0.42%

LAB 74.33, -19.05, 71.78

 

CMYK 67 / 71 / 0 / 12

HEX #4B41E0

RGB 75 65 224

HSL 243.77, 0.72%, 0.57%

LAB 39, 51.37, -79.11

 

CMYK 62 / 66 / 0 / 5

HEX #5C53F3

RGB 92 83 243

HSL 243.38, 0.87%, 0.64%

LAB 45.54, 49.37, -79.07

 

CMYK 57 / 60 / 0 / 0

HEX #6D65FF

RGB 109 101 255

HSL 243.12, 1%, 0.7%

LAB 51.59, 45.33, -75.85

 

CMYK 51 / 53 / 0 / 0

HEX #7E77FF

RGB 126 119 255

HSL 243.09, 1%, 0.73%

LAB 56.93, 37.96, -67.13

 

CMYK 44 / 46 / 0 / 0

HEX #8F89FF

RGB 143 137 255

HSL 243.05, 1%, 0.77%

LAB 62.47, 31.17, -58.18

 

CMYK 69 / 72 / 0 / 10

HEX #4641E5

RGB 70 65 229

HSL 241.83, 0.76%, 0.58%

LAB 39.14, 52.41, -81.74

 

CMYK 75 / 78 / 0 / 18

HEX #352FD2

RGB 53 47 210

HSL 242.21, 0.64%, 0.5%

LAB 32.79, 54.47, -81.34

 

CMYK 81 / 85 / 0 / 25

HEX #241DBF

RGB 36 29 191

HSL 242.59, 0.74%, 0.43%

LAB 26.78, 56.06, -80.24

 

CMYK 89 / 94 / 0 / 33

HEX #130BAC

RGB 19 11 172

HSL 242.98, 0.88%, 0.36%

LAB 21.42, 56.32, -77.84

 

CMYK 99 / 100 / 0 / 40

HEX #020099

RGB 2 0 153

HSL 240.78, 1%, 0.3%

LAB 17.05, 54.11, -73.56

 

CMYK 69 / 72 / 0 / 10

HEX #4641E5

RGB 70 65 229

HSL 241.83, 0.76%, 0.58%

LAB 39.14, 52.41, -81.74

 

CMYK 58 / 71 / 0 / 10

HEX #6042E5

RGB 96 66 229

HSL 251.04, 0.76%, 0.58%

LAB 41.28, 54.97, -78.15

 

CMYK 46 / 71 / 0 / 10

HEX #7B42E5

RGB 123 66 229

HSL 260.98, 0.76%, 0.58%

LAB 43.89, 59, -73.76

 

CMYK 34 / 71 / 0 / 10

HEX #9642E5

RGB 150 66 229

HSL 270.92, 0.76%, 0.58%

LAB 47.02, 63.67, -68.53

 

CMYK 23 / 71 / 0 / 10

HEX #B142E5

RGB 177 66 229

HSL 280.86, 0.76%, 0.58%

LAB 50.57, 68.77, -62.61

 

CMYK 69 / 72 / 0 / 10

HEX #4641E5

RGB 70 65 229

HSL 241.83, 0.76%, 0.58%

LAB 39.14, 52.41, -81.74

 

CMYK 68 / 72 / 0 / 90

HEX #080719

RGB 8 7 25

HSL 243.33, 0.56%, 0.06%

LAB 2.47, 3.74, -9.38

 

CMYK 70 / 71 / 0 / 70

HEX #17164C

RGB 23 22 76

HSL 241.11, 0.55%, 0.19%

LAB 11.12, 19.86, -33.29

 

CMYK 69 / 72 / 0 / 50

HEX #27247F

RGB 39 36 127

HSL 241.98, 0.56%, 0.32%

LAB 20.92, 31.84, -50.82

 

CMYK 70 / 71 / 0 / 30

HEX #3633B2

RGB 54 51 178

HSL 241.42, 0.55%, 0.45%

LAB 30.32, 42.09, -66.63

 

CMYK 69 / 72 / 0 / 10

HEX #4641E5

RGB 70 65 229

HSL 241.83, 0.76%, 0.58%

LAB 39.14, 52.41, -81.74

 

CMYK 0 / 71 / 15 / 10

HEX #E542C2

RGB 229 66 194

HSL 312.88, 0.76%, 0.58%

LAB 56.54, 74.14, -32.7

 

CMYK 44 / 0 / 71 / 10

HEX #80E542

RGB 128 229 66

HSL 97.18, 0.76%, 0.58%

LAB 82.39, -56.06, 66.49

 

CMYK 69 / 72 / 0 / 10

HEX #4641E5

RGB 70 65 229

HSL 241.83, 0.76%, 0.58%

LAB 39.14, 52.41, -81.74

 

CMYK 0 / 70 / 71 / 10

HEX #E54542

RGB 229 69 66

HSL 1.1, 0.76%, 0.58%

LAB 53.28, 61.19, 37.84

 

CMYK 71 / 0 / 70 / 10

HEX #42E545

RGB 66 229 69

HSL 121.1, 0.76%, 0.58%

LAB 80.53, -70.65, 62.91

 

CMYK 69 / 72 / 0 / 10

HEX #4641E5

RGB 70 65 229

HSL 241.83, 0.76%, 0.58%

LAB 39.14, 52.41, -81.74

 

CMYK 0 / 71 / 15 / 10

HEX #E542C2

RGB 229 66 194

HSL 312.88, 0.76%, 0.58%

LAB 56.54, 74.14, -32.7

 

CMYK 1 / 0 / 71 / 10

HEX #E2E542

RGB 226 229 66

HSL 61.1, 0.76%, 0.58%

LAB 88.26, -19.59, 74.24

 

CMYK 71 / 0 / 56 / 10

HEX #42E565

RGB 66 229 101

HSL 132.88, 0.76%, 0.58%

LAB 80.81, -67.25, 49.89

 

CMYK 69 / 72 / 0 / 10

HEX #4641E5

RGB 70 65 229

HSL 241.83, 0.76%, 0.58%

LAB 39.14, 52.41, -81.74

 

CMYK 0 / 71 / 37 / 10

HEX #E54291

RGB 229 66 145

HSL 330.92, 0.76%, 0.58%

LAB 54.66, 68.17, -6.97

 

CMYK 1 / 0 / 71 / 10

HEX #E2E542

RGB 226 229 66

HSL 61.1, 0.76%, 0.58%

LAB 88.26, -19.59, 74.24

 

CMYK 71 / 0 / 34 / 10

HEX #42E596

RGB 66 229 150

HSL 150.92, 0.76%, 0.58%

LAB 81.51, -59.31, 26.78

 

Description

Color code: RGB 70 65 229 | qconv.com Color code: RGB 70 65 229 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 65 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 65 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 72 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 72% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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