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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 41 26 it is the complementary color RGB 185 214 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 41 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 70 41 26: RGB 75 41 21, RGB 92 59 40, RGB 109 77 59, RGB 126 95 78 and RGB 143 113 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 41 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 70 41 26: RGB 70 41 26, RGB 53 23 7, RGB 36 5 0, RGB 19 0 0 and RGB 2 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 63 / 73

HEX #46291A

RGB 70 41 26

HSL 20.45, 0.46%, 0.19%

LAB 19.89, 11.72, 15.43

 

Complementary color

CMYK 19 / 7 / 0 / 10

HEX #B9D6E5

RGB 185 214 229

HSL 200.45, 0.46%, 0.81%

LAB 84, -6.45, -10.6

 

CMYK 0 / 45 / 72 / 71

HEX #4B2915

RGB 75 41 21

HSL 22.22, 0.56%, 0.19%

LAB 20.58, 13.74, 19.67

 

CMYK 0 / 36 / 57 / 64

HEX #5C3B28

RGB 92 59 40

HSL 21.92, 0.39%, 0.26%

LAB 28.26, 12.2, 17.68

 

CMYK 0 / 29 / 46 / 57

HEX #6D4D3B

RGB 109 77 59

HSL 21.6, 0.3%, 0.33%

LAB 35.74, 11.03, 16.02

 

CMYK 0 / 25 / 38 / 51

HEX #7E5F4E

RGB 126 95 78

HSL 21.25, 0.24%, 0.4%

LAB 43.02, 10.12, 14.61

 

CMYK 0 / 21 / 32 / 44

HEX #8F7161

RGB 143 113 97

HSL 20.87, 0.19%, 0.47%

LAB 50.11, 9.38, 13.38

 

CMYK 0 / 41 / 63 / 73

HEX #46291A

RGB 70 41 26

HSL 20.45, 0.46%, 0.19%

LAB 19.89, 11.72, 15.43

 

CMYK 0 / 57 / 87 / 79

HEX #351707

RGB 53 23 7

HSL 20.87, 0.77%, 0.12%

LAB 11.86, 13.52, 15.11

 

CMYK 0 / 86 / 100 / 86

HEX #240500

RGB 36 5 0

HSL 8.33, 1%, 0.07%

LAB 4.37, 13.2, 6.79

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 41 / 63 / 73

HEX #46291A

RGB 70 41 26

HSL 20.45, 0.46%, 0.19%

LAB 19.89, 11.72, 15.43

 

CMYK 0 / 31 / 63 / 73

HEX #46301A

RGB 70 48 26

HSL 30, 0.46%, 0.19%

LAB 21.91, 7.1, 17.93

 

CMYK 0 / 21 / 63 / 73

HEX #46371A

RGB 70 55 26

HSL 39.55, 0.46%, 0.19%

LAB 24.03, 2.51, 20.49

 

CMYK 0 / 10 / 63 / 73

HEX #463F1A

RGB 70 63 26

HSL 50.45, 0.46%, 0.19%

LAB 26.54, -2.61, 23.43

 

CMYK 0 / 0 / 63 / 73

HEX #46461A

RGB 70 70 26

HSL 60, 0.46%, 0.19%

LAB 28.79, -6.94, 25.99

 

CMYK 0 / 41 / 63 / 73

HEX #46291A

RGB 70 41 26

HSL 20.45, 0.46%, 0.19%

LAB 19.89, 11.72, 15.43

 

CMYK 0 / 41 / 63 / 53

HEX #79472D

RGB 121 71 45

HSL 20.53, 0.46%, 0.33%

LAB 35.52, 18.7, 24.55

 

CMYK 0 / 41 / 63 / 33

HEX #AC6540

RGB 172 101 64

HSL 20.56, 0.46%, 0.46%

LAB 50.04, 25.09, 32.9

 

CMYK 0 / 41 / 63 / 13

HEX #DF8353

RGB 223 131 83

HSL 20.57, 0.69%, 0.6%

LAB 63.79, 31.11, 40.75

 

CMYK 0 / 42 / 63 / 93

HEX #130B07

RGB 19 11 7

HSL 20, 0.46%, 0.05%

LAB 3.55, 2.17, 2.48

 

CMYK 0 / 41 / 63 / 73

HEX #46291A

RGB 70 41 26

HSL 20.45, 0.46%, 0.19%

LAB 19.89, 11.72, 15.43

 

CMYK 34 / 0 / 63 / 73

HEX #2E461A

RGB 46 70 26

HSL 92.73, 0.46%, 0.19%

LAB 26.84, -18.24, 23.24

 

CMYK 63 / 59 / 0 / 73

HEX #1A1D46

RGB 26 29 70

HSL 235.91, 0.46%, 0.19%

LAB 12.86, 12.95, -26.29

 

CMYK 0 / 41 / 63 / 73

HEX #46291A

RGB 70 41 26

HSL 20.45, 0.46%, 0.19%

LAB 19.89, 11.72, 15.43

 

CMYK 63 / 0 / 41 / 73

HEX #1A4629

RGB 26 70 41

HSL 140.45, 0.46%, 0.19%

LAB 26.04, -22.9, 13.05

 

CMYK 41 / 63 / 0 / 73

HEX #291A46

RGB 41 26 70

HSL 260.45, 0.46%, 0.19%

LAB 13.55, 19.12, -25.11

 

CMYK 0 / 41 / 63 / 73

HEX #46291A

RGB 70 41 26

HSL 20.45, 0.46%, 0.19%

LAB 19.89, 11.72, 15.43

 

CMYK 34 / 0 / 63 / 73

HEX #2E461A

RGB 46 70 26

HSL 92.73, 0.46%, 0.19%

LAB 26.84, -18.24, 23.24

 

CMYK 63 / 21 / 0 / 73

HEX #1A3746

RGB 26 55 70

HSL 200.45, 0.46%, 0.19%

LAB 21.56, -5.69, -12.59

 

CMYK 30 / 63 / 0 / 73

HEX #311A46

RGB 49 26 70

HSL 271.36, 0.46%, 0.19%

LAB 14.59, 21.48, -23.38

 

CMYK 0 / 41 / 63 / 73

HEX #46291A

RGB 70 41 26

HSL 20.45, 0.46%, 0.19%

LAB 19.89, 11.72, 15.43

 

CMYK 53 / 0 / 63 / 73

HEX #21461A

RGB 33 70 26

HSL 110.45, 0.46%, 0.19%

LAB 26.09, -23.36, 22.19

 

CMYK 63 / 21 / 0 / 73

HEX #1A3746

RGB 26 55 70

HSL 200.45, 0.46%, 0.19%

LAB 21.56, -5.69, -12.59

 

CMYK 10 / 63 / 0 / 73

HEX #3F1A46

RGB 63 26 70

HSL 290.45, 0.46%, 0.19%

LAB 16.69, 25.84, -19.92

 

Description

Color code: RGB 70 41 26 | qconv.com Color code: RGB 70 41 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 41 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 41 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 63 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 63% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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