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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 211 46 it is the complementary color RGB 185 44 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 211 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 70 211 46: RGB 75 211 41, RGB 92 229 60, RGB 109 247 79, RGB 126 255 98 and RGB 143 255 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 211 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 70 211 46: RGB 70 211 46, RGB 53 193 27, RGB 36 175 8, RGB 19 157 0 and RGB 2 139 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 78 / 17

HEX #46D32E

RGB 70 211 46

HSL 111.27, 0.65%, 0.5%

LAB 74.88, -65.85, 65.03

 

Complementary color

CMYK 11 / 79 / 0 / 18

HEX #B92CD1

RGB 185 44 209

HSL 291.27, 0.65%, 0.5%

LAB 47.9, 73.89, -55.45

 

CMYK 64 / 0 / 81 / 17

HEX #4BD329

RGB 75 211 41

HSL 108, 0.67%, 0.49%

LAB 74.98, -65.11, 66.6

 

CMYK 60 / 0 / 74 / 10

HEX #5CE53C

RGB 92 229 60

HSL 108.64, 0.76%, 0.57%

LAB 81.09, -66.2, 66.84

 

CMYK 56 / 0 / 68 / 3

HEX #6DF74F

RGB 109 247 79

HSL 109.29, 0.91%, 0.64%

LAB 87.16, -66.94, 66.47

 

CMYK 51 / 0 / 62 / 0

HEX #7EFF62

RGB 126 255 98

HSL 109.3, 1%, 0.69%

LAB 90.25, -63.79, 62.49

 

CMYK 44 / 0 / 54 / 0

HEX #8FFF75

RGB 143 255 117

HSL 108.7, 1%, 0.73%

LAB 91.07, -57.09, 55.4

 

CMYK 67 / 0 / 78 / 17

HEX #46D32E

RGB 70 211 46

HSL 111.27, 0.65%, 0.5%

LAB 74.88, -65.85, 65.03

 

CMYK 73 / 0 / 86 / 24

HEX #35C11B

RGB 53 193 27

HSL 110.6, 0.75%, 0.43%

LAB 68.73, -64.23, 64.23

 

CMYK 79 / 0 / 95 / 31

HEX #24AF08

RGB 36 175 8

HSL 109.94, 0.91%, 0.36%

LAB 62.55, -61.93, 62.07

 

CMYK 88 / 0 / 100 / 38

HEX #139D00

RGB 19 157 0

HSL 112.74, 1%, 0.31%

LAB 56.34, -58.73, 58.06

 

CMYK 99 / 0 / 100 / 45

HEX #028B00

RGB 2 139 0

HSL 119.14, 1%, 0.27%

LAB 50.07, -54.74, 52.99

 

CMYK 67 / 0 / 78 / 17

HEX #46D32E

RGB 70 211 46

HSL 111.27, 0.65%, 0.5%

LAB 74.88, -65.85, 65.03

 

CMYK 79 / 0 / 78 / 18

HEX #2CD22F

RGB 44 210 47

HSL 121.08, 0.65%, 0.5%

LAB 74.08, -69.66, 63.8

 

CMYK 79 / 0 / 64 / 18

HEX #2CD24B

RGB 44 210 75

HSL 131.2, 0.65%, 0.5%

LAB 74.28, -67.26, 53.71

 

CMYK 79 / 0 / 51 / 18

HEX #2CD266

RGB 44 210 102

HSL 140.96, 0.65%, 0.5%

LAB 74.56, -63.79, 41.78

 

CMYK 79 / 0 / 38 / 18

HEX #2CD282

RGB 44 210 130

HSL 151.08, 0.65%, 0.5%

LAB 74.98, -58.99, 28.25

 

CMYK 67 / 0 / 78 / 17

HEX #46D32E

RGB 70 211 46

HSL 111.27, 0.65%, 0.5%

LAB 74.88, -65.85, 65.03

 

CMYK 71 / 0 / 71 / 97

HEX #020702

RGB 2 7 2

HSL 120, 0.56%, 0.02%

LAB 1.53, -2, 1.43

 

CMYK 67 / 0 / 78 / 77

HEX #133A0D

RGB 19 58 13

HSL 112, 0.63%, 0.14%

LAB 20.8, -24.03, 23

 

CMYK 67 / 0 / 78 / 57

HEX #246D18

RGB 36 109 24

HSL 111.53, 0.64%, 0.26%

LAB 40.21, -39.28, 38.41

 

CMYK 67 / 0 / 78 / 37

HEX #35A023

RGB 53 160 35

HSL 111.36, 0.64%, 0.38%

LAB 58.06, -53.01, 52.19

 

CMYK 67 / 0 / 78 / 17

HEX #46D32E

RGB 70 211 46

HSL 111.27, 0.65%, 0.5%

LAB 74.88, -65.85, 65.03

 

CMYK 79 / 4 / 0 / 18

HEX #2CCAD2

RGB 44 202 210

HSL 182.89, 0.65%, 0.5%

LAB 74.46, -35.72, -15.27

 

CMYK 0 / 79 / 36 / 18

HEX #D22C87

RGB 210 44 135

HSL 327.11, 0.65%, 0.5%

LAB 48.58, 68.95, -10.43

 

CMYK 67 / 0 / 78 / 17

HEX #46D32E

RGB 70 211 46

HSL 111.27, 0.65%, 0.5%

LAB 74.88, -65.85, 65.03

 

CMYK 79 / 67 / 0 / 18

HEX #2C45D2

RGB 44 69 210

HSL 230.96, 0.65%, 0.5%

LAB 36.83, 41.29, -74.7

 

CMYK 0 / 79 / 67 / 18

HEX #D22C45

RGB 210 44 69

HSL 350.96, 0.65%, 0.5%

LAB 46.89, 63.81, 27.55

 

CMYK 67 / 0 / 78 / 17

HEX #46D32E

RGB 70 211 46

HSL 111.27, 0.65%, 0.5%

LAB 74.88, -65.85, 65.03

 

CMYK 79 / 4 / 0 / 18

HEX #2CCAD2

RGB 44 202 210

HSL 182.89, 0.65%, 0.5%

LAB 74.46, -35.72, -15.27

 

CMYK 12 / 79 / 0 / 18

HEX #B92CD2

RGB 185 44 210

HSL 290.96, 0.65%, 0.5%

LAB 47.97, 74.06, -55.92

 

CMYK 0 / 75 / 79 / 18

HEX #D2342C

RGB 210 52 44

HSL 2.89, 0.65%, 0.5%

LAB 47.42, 60.37, 42.59

 

CMYK 67 / 0 / 78 / 17

HEX #46D32E

RGB 70 211 46

HSL 111.27, 0.65%, 0.5%

LAB 74.88, -65.85, 65.03

 

CMYK 79 / 28 / 0 / 18

HEX #2C98D2

RGB 44 152 210

HSL 200.96, 0.65%, 0.5%

LAB 59.57, -10.13, -38.16

 

CMYK 12 / 79 / 0 / 18

HEX #B92CD2

RGB 185 44 210

HSL 290.96, 0.65%, 0.5%

LAB 47.97, 74.06, -55.92

 

CMYK 0 / 51 / 79 / 18

HEX #D2662C

RGB 210 102 44

HSL 20.96, 0.65%, 0.5%

LAB 55.47, 39, 50.56

 

Description

Color code: RGB 70 211 46 | qconv.com Color code: RGB 70 211 46 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 211 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 211 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 78 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 78% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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