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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 145 11 it is the complementary color RGB 185 110 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 145 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 70 145 11: RGB 75 145 6, RGB 92 163 25, RGB 109 181 44, RGB 126 199 63 and RGB 143 217 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 145 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 70 145 11: RGB 70 145 11, RGB 53 127 0, RGB 36 109 0, RGB 19 91 0 and RGB 2 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 92 / 43

HEX #46910B

RGB 70 145 11

HSL 93.58, 0.86%, 0.31%

LAB 53.58, -44.2, 54.53

 

Complementary color

CMYK 24 / 55 / 0 / 4

HEX #B96EF4

RGB 185 110 244

HSL 273.58, 0.86%, 0.69%

LAB 59.89, 53.48, -56.01

 

CMYK 48 / 0 / 96 / 43

HEX #4B9106

RGB 75 145 6

HSL 90.22, 0.92%, 0.3%

LAB 53.77, -42.73, 55.61

 

CMYK 44 / 0 / 85 / 36

HEX #5CA319

RGB 92 163 25

HSL 90.87, 0.73%, 0.37%

LAB 60.37, -43.74, 57.76

 

CMYK 40 / 0 / 76 / 29

HEX #6DB52C

RGB 109 181 44

HSL 91.53, 0.61%, 0.44%

LAB 66.89, -44.41, 58.46

 

CMYK 37 / 0 / 68 / 22

HEX #7EC73F

RGB 126 199 63

HSL 92.21, 0.55%, 0.51%

LAB 73.31, -44.82, 58.27

 

CMYK 34 / 0 / 62 / 15

HEX #8FD952

RGB 143 217 82

HSL 92.89, 0.64%, 0.59%

LAB 79.66, -45.06, 57.61

 

CMYK 52 / 0 / 92 / 43

HEX #46910B

RGB 70 145 11

HSL 93.58, 0.86%, 0.31%

LAB 53.58, -44.2, 54.53

 

CMYK 58 / 0 / 100 / 50

HEX #357F00

RGB 53 127 0

HSL 94.96, 1%, 0.25%

LAB 46.89, -42.7, 50.85

 

CMYK 67 / 0 / 100 / 57

HEX #246D00

RGB 36 109 0

HSL 100.18, 1%, 0.21%

LAB 40.1, -40.58, 45.25

 

CMYK 79 / 0 / 100 / 64

HEX #135B00

RGB 19 91 0

HSL 107.47, 1%, 0.18%

LAB 33.18, -37.93, 39.56

 

CMYK 97 / 0 / 100 / 71

HEX #024900

RGB 2 73 0

HSL 118.36, 1%, 0.14%

LAB 26.09, -34.59, 33.61

 

CMYK 52 / 0 / 92 / 43

HEX #46910B

RGB 70 145 11

HSL 93.58, 0.86%, 0.31%

LAB 53.58, -44.2, 54.53

 

CMYK 67 / 0 / 93 / 42

HEX #31930B

RGB 49 147 11

HSL 103.24, 0.86%, 0.31%

LAB 53.54, -50.59, 54.22

 

CMYK 82 / 0 / 93 / 42

HEX #1A930B

RGB 26 147 11

HSL 113.38, 0.86%, 0.31%

LAB 53.07, -54.65, 53.64

 

CMYK 93 / 0 / 88 / 42

HEX #0B9311

RGB 11 147 17

HSL 122.65, 0.86%, 0.31%

LAB 52.93, -55.87, 52.26

 

CMYK 93 / 0 / 73 / 42

HEX #0B9328

RGB 11 147 40

HSL 132.79, 0.86%, 0.31%

LAB 53.05, -54.3, 45.11

 

CMYK 52 / 0 / 92 / 43

HEX #46910B

RGB 70 145 11

HSL 93.58, 0.86%, 0.31%

LAB 53.58, -44.2, 54.53

 

CMYK 52 / 0 / 92 / 23

HEX #5FC40F

RGB 95 196 15

HSL 93.48, 0.86%, 0.41%

LAB 70.83, -55.88, 68.63

 

CMYK 52 / 0 / 92 / 3

HEX #77F713

RGB 119 247 19

HSL 93.68, 0.93%, 0.52%

LAB 87.24, -67.24, 81.94

 

CMYK 51 / 0 / 93 / 83

HEX #152B03

RGB 21 43 3

HSL 93, 0.87%, 0.09%

LAB 14.92, -17.19, 20.16

 

CMYK 52 / 0 / 93 / 63

HEX #2D5E07

RGB 45 94 7

HSL 93.79, 0.86%, 0.2%

LAB 35.16, -31.64, 39.35

 

CMYK 52 / 0 / 92 / 43

HEX #46910B

RGB 70 145 11

HSL 93.58, 0.86%, 0.31%

LAB 53.58, -44.2, 54.53

 

CMYK 93 / 0 / 23 / 42

HEX #0B9371

RGB 11 147 113

HSL 165, 0.86%, 0.31%

LAB 54.17, -41.22, 8.86

 

CMYK 0 / 93 / 14 / 42

HEX #930B7E

RGB 147 11 126

HSL 309.26, 0.86%, 0.31%

LAB 33.88, 60.62, -28.51

 

CMYK 52 / 0 / 92 / 43

HEX #46910B

RGB 70 145 11

HSL 93.58, 0.86%, 0.31%

LAB 53.58, -44.2, 54.53

 

CMYK 93 / 51 / 0 / 42

HEX #0B4893

RGB 11 72 147

HSL 213.09, 0.86%, 0.31%

LAB 31.38, 12.35, -46.27

 

CMYK 0 / 93 / 51 / 42

HEX #930B48

RGB 147 11 72

HSL 333.09, 0.86%, 0.31%

LAB 31.6, 54.54, 2.87

 

CMYK 52 / 0 / 92 / 43

HEX #46910B

RGB 70 145 11

HSL 93.58, 0.86%, 0.31%

LAB 53.58, -44.2, 54.53

 

CMYK 93 / 0 / 23 / 42

HEX #0B9371

RGB 11 147 113

HSL 165, 0.86%, 0.31%

LAB 54.17, -41.22, 8.86

 

CMYK 42 / 93 / 0 / 42

HEX #550B93

RGB 85 11 147

HSL 272.65, 0.86%, 0.31%

LAB 24.57, 54.15, -57.16

 

CMYK 0 / 93 / 69 / 42

HEX #930B2D

RGB 147 11 45

HSL 345, 0.86%, 0.31%

LAB 30.95, 52.73, 19.9

 

CMYK 52 / 0 / 92 / 43

HEX #46910B

RGB 70 145 11

HSL 93.58, 0.86%, 0.31%

LAB 53.58, -44.2, 54.53

 

CMYK 93 / 5 / 0 / 42

HEX #0B8C93

RGB 11 140 147

HSL 183.09, 0.86%, 0.31%

LAB 52.88, -27.99, -12.63

 

CMYK 42 / 93 / 0 / 42

HEX #550B93

RGB 85 11 147

HSL 272.65, 0.86%, 0.31%

LAB 24.57, 54.15, -57.16

 

CMYK 0 / 88 / 93 / 42

HEX #93110B

RGB 147 17 11

HSL 2.65, 0.86%, 0.31%

LAB 30.94, 50.51, 39.79

 

Description

Color code: RGB 70 145 11 | qconv.com Color code: RGB 70 145 11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 145 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 145 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 92 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 92% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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