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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 243 23 it is the complementary color RGB 186 12 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 243 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 69 243 23: RGB 74 243 18, RGB 91 255 37, RGB 108 255 56, RGB 125 255 75 and RGB 142 255 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 243 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 69 243 23: RGB 69 243 23, RGB 52 225 4, RGB 35 207 0, RGB 18 189 0 and RGB 1 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 91 / 5

HEX #45F317

RGB 69 243 23

HSL 107.45, 0.9%, 0.52%

LAB 84.7, -76.85, 78.78

 

Complementary color

CMYK 20 / 95 / 0 / 9

HEX #BA0CE8

RGB 186 12 232

HSL 287.45, 0.9%, 0.48%

LAB 47.66, 83.8, -68.96

 

CMYK 70 / 0 / 93 / 5

HEX #4AF312

RGB 74 243 18

HSL 105.07, 0.9%, 0.51%

LAB 84.79, -76.12, 79.54

 

CMYK 64 / 0 / 85 / 0

HEX #5BFF25

RGB 91 255 37

HSL 105.14, 1%, 0.57%

LAB 88.86, -76.04, 80.14

 

CMYK 58 / 0 / 78 / 0

HEX #6CFF38

RGB 108 255 56

HSL 104.32, 1%, 0.61%

LAB 89.39, -71.45, 76.24

 

CMYK 51 / 0 / 71 / 0

HEX #7DFF4B

RGB 125 255 75

HSL 103.33, 1%, 0.65%

LAB 90.04, -65.97, 71.06

 

CMYK 44 / 0 / 63 / 0

HEX #8EFF5E

RGB 142 255 94

HSL 102.11, 1%, 0.68%

LAB 90.82, -59.67, 64.91

 

CMYK 72 / 0 / 91 / 5

HEX #45F317

RGB 69 243 23

HSL 107.45, 0.9%, 0.52%

LAB 84.7, -76.85, 78.78

 

CMYK 77 / 0 / 98 / 12

HEX #34E104

RGB 52 225 4

HSL 106.97, 0.97%, 0.45%

LAB 78.8, -74.51, 75.83

 

CMYK 83 / 0 / 100 / 19

HEX #23CF00

RGB 35 207 0

HSL 109.86, 1%, 0.41%

LAB 72.88, -71.5, 71.37

 

CMYK 90 / 0 / 100 / 26

HEX #12BD00

RGB 18 189 0

HSL 114.29, 1%, 0.37%

LAB 66.92, -67.92, 66.53

 

CMYK 99 / 0 / 100 / 33

HEX #01AB00

RGB 1 171 0

HSL 119.65, 1%, 0.34%

LAB 60.9, -63.83, 61.66

 

CMYK 72 / 0 / 91 / 5

HEX #45F317

RGB 69 243 23

HSL 107.45, 0.9%, 0.52%

LAB 84.7, -76.85, 78.78

 

CMYK 86 / 0 / 91 / 5

HEX #21F216

RGB 33 242 22

HSL 117, 0.89%, 0.52%

LAB 83.91, -80.91, 78.05

 

CMYK 91 / 0 / 80 / 5

HEX #16F230

RGB 22 242 48

HSL 127.09, 0.89%, 0.52%

LAB 83.91, -80.58, 72.75

 

CMYK 91 / 0 / 65 / 5

HEX #16F254

RGB 22 242 84

HSL 136.91, 0.89%, 0.52%

LAB 84.13, -77.76, 60.82

 

CMYK 91 / 0 / 50 / 5

HEX #16F279

RGB 22 242 121

HSL 147, 0.89%, 0.52%

LAB 84.51, -73.05, 44.95

 

CMYK 72 / 0 / 91 / 5

HEX #45F317

RGB 69 243 23

HSL 107.45, 0.9%, 0.52%

LAB 84.7, -76.85, 78.78

 

CMYK 72 / 0 / 90 / 85

HEX #0B2704

RGB 11 39 4

HSL 108, 0.81%, 0.08%

LAB 12.8, -18.95, 16.87

 

CMYK 71 / 0 / 90 / 65

HEX #1A5A09

RGB 26 90 9

HSL 107.41, 0.82%, 0.19%

LAB 33.03, -35.54, 36.61

 

CMYK 72 / 0 / 91 / 45

HEX #288D0D

RGB 40 141 13

HSL 107.34, 0.83%, 0.3%

LAB 51.3, -50.39, 51.85

 

CMYK 71 / 0 / 91 / 25

HEX #37C012

RGB 55 192 18

HSL 107.24, 0.83%, 0.41%

LAB 68.43, -63.89, 65.71

 

CMYK 72 / 0 / 91 / 5

HEX #45F317

RGB 69 243 23

HSL 107.45, 0.9%, 0.52%

LAB 84.7, -76.85, 78.78

 

CMYK 91 / 0 / 1 / 5

HEX #16F2EF

RGB 22 242 239

HSL 179.18, 0.89%, 0.52%

LAB 86.95, -46.52, -12.01

 

CMYK 0 / 91 / 35 / 5

HEX #F2169E

RGB 242 22 158

HSL 322.91, 0.89%, 0.52%

LAB 53.94, 82.59, -15.51

 

CMYK 72 / 0 / 91 / 5

HEX #45F317

RGB 69 243 23

HSL 107.45, 0.9%, 0.52%

LAB 84.7, -76.85, 78.78

 

CMYK 91 / 71 / 0 / 5

HEX #1646F2

RGB 22 70 242

HSL 226.91, 0.89%, 0.52%

LAB 39.52, 50.72, -88.54

 

CMYK 0 / 91 / 71 / 5

HEX #F21646

RGB 242 22 70

HSL 346.91, 0.89%, 0.52%

LAB 51.72, 76.5, 34.29

 

CMYK 72 / 0 / 91 / 5

HEX #45F317

RGB 69 243 23

HSL 107.45, 0.9%, 0.52%

LAB 84.7, -76.85, 78.78

 

CMYK 91 / 0 / 1 / 5

HEX #16F2EF

RGB 22 242 239

HSL 179.18, 0.89%, 0.52%

LAB 86.95, -46.52, -12.01

 

CMYK 19 / 91 / 0 / 5

HEX #C316F2

RGB 195 22 242

HSL 287.18, 0.89%, 0.52%

LAB 50.2, 85.63, -70.41

 

CMYK 0 / 91 / 89 / 5

HEX #F2161A

RGB 242 22 26

HSL 358.91, 0.89%, 0.52%

LAB 51.3, 75.31, 57.06

 

CMYK 72 / 0 / 91 / 5

HEX #45F317

RGB 69 243 23

HSL 107.45, 0.9%, 0.52%

LAB 84.7, -76.85, 78.78

 

CMYK 91 / 26 / 0 / 5

HEX #16B4F2

RGB 22 180 242

HSL 196.91, 0.89%, 0.52%

LAB 68.91, -15.73, -41.19

 

CMYK 19 / 91 / 0 / 5

HEX #C316F2

RGB 195 22 242

HSL 287.18, 0.89%, 0.52%

LAB 50.2, 85.63, -70.41

 

CMYK 0 / 65 / 91 / 5

HEX #F25416

RGB 242 84 22

HSL 16.91, 0.89%, 0.52%

LAB 57.34, 58.35, 62.66

 

Description

Color code: RGB 69 243 23 | qconv.com Color code: RGB 69 243 23 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 243 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 243 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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