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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 215 145 it is the complementary color RGB 186 40 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 215 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 69 215 145: RGB 74 215 140, RGB 91 233 159, RGB 108 251 178, RGB 125 255 197 and RGB 142 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 215 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 69 215 145: RGB 69 215 145, RGB 52 197 126, RGB 35 179 107, RGB 18 161 88 and RGB 1 143 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 33 / 16

HEX #45D791

RGB 69 215 145

HSL 151.23, 0.65%, 0.56%

LAB 77.23, -54.49, 23.57

 

Complementary color

CMYK 0 / 78 / 41 / 27

HEX #BA286E

RGB 186 40 110

HSL 331.23, 0.65%, 0.44%

LAB 42.89, 61.43, -4.06

 

CMYK 66 / 0 / 35 / 16

HEX #4AD78C

RGB 74 215 140

HSL 148.09, 0.64%, 0.57%

LAB 77.25, -54.62, 26.22

 

CMYK 61 / 0 / 32 / 9

HEX #5BE99F

RGB 91 233 159

HSL 148.73, 0.76%, 0.64%

LAB 83.45, -54.85, 24.87

 

CMYK 57 / 0 / 29 / 2

HEX #6CFBB2

RGB 108 251 178

HSL 149.37, 0.95%, 0.7%

LAB 89.58, -54.93, 23.62

 

CMYK 51 / 0 / 23 / 0

HEX #7DFFC5

RGB 125 255 197

HSL 153.23, 1%, 0.75%

LAB 91.64, -49.12, 16.86

 

CMYK 44 / 0 / 15 / 0

HEX #8EFFD8

RGB 142 255 216

HSL 159.29, 1%, 0.78%

LAB 92.68, -41.16, 8.64

 

CMYK 68 / 0 / 33 / 16

HEX #45D791

RGB 69 215 145

HSL 151.23, 0.65%, 0.56%

LAB 77.23, -54.49, 23.57

 

CMYK 74 / 0 / 36 / 23

HEX #34C57E

RGB 52 197 126

HSL 150.62, 0.58%, 0.49%

LAB 70.99, -53.95, 25.03

 

CMYK 80 / 0 / 40 / 30

HEX #23B36B

RGB 35 179 107

HSL 150, 0.67%, 0.42%

LAB 64.69, -53.08, 26.62

 

CMYK 89 / 0 / 45 / 37

HEX #12A158

RGB 18 161 88

HSL 149.37, 0.8%, 0.35%

LAB 58.34, -51.71, 28.36

 

CMYK 99 / 0 / 52 / 44

HEX #018F45

RGB 1 143 69

HSL 148.73, 0.99%, 0.28%

LAB 51.93, -49.81, 30.22

 

CMYK 68 / 0 / 33 / 16

HEX #45D791

RGB 69 215 145

HSL 151.23, 0.65%, 0.56%

LAB 77.23, -54.49, 23.57

 

CMYK 68 / 0 / 21 / 16

HEX #45D7A9

RGB 69 215 169

HSL 161.1, 0.65%, 0.56%

LAB 77.72, -49.3, 11.59

 

CMYK 68 / 0 / 10 / 16

HEX #45D7C1

RGB 69 215 193

HSL 170.96, 0.65%, 0.56%

LAB 78.3, -43.42, -0.38

 

CMYK 68 / 1 / 0 / 16

HEX #45D5D7

RGB 69 213 215

HSL 180.82, 0.65%, 0.56%

LAB 78.32, -36.56, -12.13

 

CMYK 68 / 13 / 0 / 16

HEX #45BCD7

RGB 69 188 215

HSL 191.1, 0.65%, 0.56%

LAB 70.97, -24.49, -23.25

 

CMYK 68 / 0 / 33 / 16

HEX #45D791

RGB 69 215 145

HSL 151.23, 0.65%, 0.56%

LAB 77.23, -54.49, 23.57

 

CMYK 64 / 0 / 36 / 96

HEX #040B07

RGB 4 11 7

HSL 145.71, 0.47%, 0.03%

LAB 2.53, -2.4, 0.88

 

CMYK 68 / 0 / 32 / 76

HEX #143E2A

RGB 20 62 42

HSL 151.43, 0.51%, 0.16%

LAB 22.87, -20.25, 8.06

 

CMYK 68 / 0 / 33 / 56

HEX #24714C

RGB 36 113 76

HSL 151.17, 0.52%, 0.29%

LAB 42.32, -32.83, 13.84

 

CMYK 68 / 0 / 32 / 36

HEX #35A46F

RGB 53 164 111

HSL 151.35, 0.51%, 0.43%

LAB 60.3, -43.81, 18.62

 

CMYK 68 / 0 / 33 / 16

HEX #45D791

RGB 69 215 145

HSL 151.23, 0.65%, 0.56%

LAB 77.23, -54.49, 23.57

 

CMYK 68 / 48 / 0 / 16

HEX #456FD7

RGB 69 111 215

HSL 222.74, 0.65%, 0.56%

LAB 48.93, 19.5, -57.82

 

CMYK 0 / 60 / 68 / 16

HEX #D75645

RGB 215 86 69

HSL 6.99, 0.65%, 0.56%

LAB 53.53, 49.69, 35.84

 

CMYK 68 / 0 / 33 / 16

HEX #45D791

RGB 69 215 145

HSL 151.23, 0.65%, 0.56%

LAB 77.23, -54.49, 23.57

 

CMYK 33 / 68 / 0 / 16

HEX #9145D7

RGB 145 69 215

HSL 271.23, 0.65%, 0.56%

LAB 45.88, 58.13, -62.44

 

CMYK 0 / 33 / 68 / 16

HEX #D79145

RGB 215 145 69

HSL 31.23, 0.65%, 0.56%

LAB 65.85, 19.46, 49.86

 

CMYK 68 / 0 / 33 / 16

HEX #45D791

RGB 69 215 145

HSL 151.23, 0.65%, 0.56%

LAB 77.23, -54.49, 23.57

 

CMYK 68 / 48 / 0 / 16

HEX #456FD7

RGB 69 111 215

HSL 222.74, 0.65%, 0.56%

LAB 48.93, 19.5, -57.82

 

CMYK 0 / 68 / 35 / 16

HEX #D7458C

RGB 215 69 140

HSL 330.82, 0.65%, 0.56%

LAB 52.51, 62.71, -7.46

 

CMYK 0 / 19 / 68 / 16

HEX #D7AE45

RGB 215 174 69

HSL 43.15, 0.65%, 0.56%

LAB 72.99, 3.9, 57.51

 

CMYK 68 / 0 / 33 / 16

HEX #45D791

RGB 69 215 145

HSL 151.23, 0.65%, 0.56%

LAB 77.23, -54.49, 23.57

 

CMYK 67 / 68 / 0 / 16

HEX #4845D7

RGB 72 69 215

HSL 241.23, 0.65%, 0.56%

LAB 38.8, 45.89, -74.29

 

CMYK 0 / 68 / 35 / 16

HEX #D7458C

RGB 215 69 140

HSL 330.82, 0.65%, 0.56%

LAB 52.51, 62.71, -7.46

 

CMYK 1 / 0 / 68 / 16

HEX #D5D745

RGB 213 215 69

HSL 60.82, 0.65%, 0.56%

LAB 83.54, -17.97, 68.23

 

Description

Color code: RGB 69 215 145 | qconv.com Color code: RGB 69 215 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 215 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 215 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 33 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 33% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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