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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 184 173 it is the complementary color RGB 186 71 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 184 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 69 184 173: RGB 74 184 168, RGB 91 202 187, RGB 108 220 206, RGB 125 238 225 and RGB 142 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 184 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 69 184 173: RGB 69 184 173, RGB 52 166 154, RGB 35 148 135, RGB 18 130 116 and RGB 1 112 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 6 / 28

HEX #45B8AD

RGB 69 184 173

HSL 174.26, 0.45%, 0.5%

LAB 68.43, -34.7, -4

 

Complementary color

CMYK 0 / 62 / 56 / 27

HEX #BA4752

RGB 186 71 82

HSL 354.26, 0.45%, 0.5%

LAB 46.38, 47.24, 18.18

 

CMYK 60 / 0 / 9 / 28

HEX #4AB8A8

RGB 74 184 168

HSL 171.27, 0.44%, 0.51%

LAB 68.43, -35.13, -1.23

 

CMYK 55 / 0 / 7 / 21

HEX #5BCABB

RGB 91 202 187

HSL 171.89, 0.51%, 0.57%

LAB 74.86, -35.29, -2.12

 

CMYK 51 / 0 / 6 / 14

HEX #6CDCCE

RGB 108 220 206

HSL 172.5, 0.62%, 0.64%

LAB 81.2, -35.37, -2.94

 

CMYK 47 / 0 / 5 / 7

HEX #7DEEE1

RGB 125 238 225

HSL 173.1, 0.77%, 0.71%

LAB 87.46, -35.38, -3.7

 

CMYK 44 / 0 / 4 / 0

HEX #8EFFF4

RGB 142 255 244

HSL 174.16, 1%, 0.78%

LAB 93.36, -34.89, -4.82

 

CMYK 63 / 0 / 6 / 28

HEX #45B8AD

RGB 69 184 173

HSL 174.26, 0.45%, 0.5%

LAB 68.43, -34.7, -4

 

CMYK 69 / 0 / 7 / 35

HEX #34A69A

RGB 52 166 154

HSL 173.68, 0.52%, 0.43%

LAB 61.94, -34.24, -3.04

 

CMYK 76 / 0 / 9 / 42

HEX #239487

RGB 35 148 135

HSL 173.1, 0.62%, 0.36%

LAB 55.37, -33.53, -1.97

 

CMYK 86 / 0 / 11 / 49

HEX #128274

RGB 18 130 116

HSL 172.5, 0.76%, 0.29%

LAB 48.7, -32.43, -0.74

 

CMYK 99 / 0 / 13 / 56

HEX #017061

RGB 1 112 97

HSL 171.89, 0.98%, 0.22%

LAB 41.93, -30.92, 0.67

 

CMYK 63 / 0 / 6 / 28

HEX #45B8AD

RGB 69 184 173

HSL 174.26, 0.45%, 0.5%

LAB 68.43, -34.7, -4

 

CMYK 62 / 4 / 0 / 28

HEX #46B1B8

RGB 70 177 184

HSL 183.68, 0.45%, 0.5%

LAB 66.68, -28.09, -12.69

 

CMYK 62 / 14 / 0 / 28

HEX #469EB8

RGB 70 158 184

HSL 193.68, 0.45%, 0.5%

LAB 60.97, -18.38, -21.34

 

CMYK 62 / 25 / 0 / 28

HEX #468AB8

RGB 70 138 184

HSL 204.21, 0.45%, 0.5%

LAB 55.01, -7.37, -30.53

 

CMYK 62 / 35 / 0 / 28

HEX #4677B8

RGB 70 119 184

HSL 214.21, 0.45%, 0.5%

LAB 49.44, 3.84, -39.25

 

CMYK 63 / 0 / 6 / 28

HEX #45B8AD

RGB 69 184 173

HSL 174.26, 0.45%, 0.5%

LAB 68.43, -34.7, -4

 

CMYK 63 / 0 / 6 / 8

HEX #58EBDD

RGB 88 235 221

HSL 174.29, 0.79%, 0.63%

LAB 85.36, -42.11, -4.82

 

CMYK 61 / 0 / 6 / 88

HEX #0C1F1D

RGB 12 31 29

HSL 173.68, 0.44%, 0.08%

LAB 10.16, -8.43, -1.05

 

CMYK 62 / 0 / 6 / 68

HEX #1F524D

RGB 31 82 77

HSL 174.12, 0.45%, 0.22%

LAB 31.49, -18.33, -2.19

 

CMYK 62 / 0 / 6 / 48

HEX #32857D

RGB 50 133 125

HSL 174.22, 0.45%, 0.36%

LAB 50.61, -26.85, -3.13

 

CMYK 63 / 0 / 6 / 28

HEX #45B8AD

RGB 69 184 173

HSL 174.26, 0.45%, 0.5%

LAB 68.43, -34.7, -4

 

CMYK 56 / 62 / 0 / 28

HEX #5146B8

RGB 81 70 184

HSL 245.79, 0.45%, 0.5%

LAB 37.1, 36.66, -59.01

 

CMYK 0 / 31 / 62 / 28

HEX #B87F46

RGB 184 127 70

HSL 30, 0.45%, 0.5%

LAB 57.86, 16.16, 39.34

 

CMYK 63 / 0 / 6 / 28

HEX #45B8AD

RGB 69 184 173

HSL 174.26, 0.45%, 0.5%

LAB 68.43, -34.7, -4

 

CMYK 6 / 62 / 0 / 28

HEX #AD46B8

RGB 173 70 184

HSL 294.21, 0.45%, 0.5%

LAB 47.91, 57.51, -41.06

 

CMYK 0 / 6 / 62 / 28

HEX #B8AD46

RGB 184 173 70

HSL 54.21, 0.45%, 0.5%

LAB 69.84, -8.84, 52.84

 

CMYK 63 / 0 / 6 / 28

HEX #45B8AD

RGB 69 184 173

HSL 174.26, 0.45%, 0.5%

LAB 68.43, -34.7, -4

 

CMYK 56 / 62 / 0 / 28

HEX #5146B8

RGB 81 70 184

HSL 245.79, 0.45%, 0.5%

LAB 37.1, 36.66, -59.01

 

CMYK 0 / 62 / 56 / 28

HEX #B84651

RGB 184 70 81

HSL 354.21, 0.45%, 0.5%

LAB 45.86, 46.93, 18.02

 

CMYK 6 / 0 / 62 / 28

HEX #ADB846

RGB 173 184 70

HSL 65.79, 0.45%, 0.5%

LAB 71.97, -19.15, 54.87

 

CMYK 63 / 0 / 6 / 28

HEX #45B8AD

RGB 69 184 173

HSL 174.26, 0.45%, 0.5%

LAB 68.43, -34.7, -4

 

CMYK 37 / 62 / 0 / 28

HEX #7446B8

RGB 116 70 184

HSL 264.21, 0.45%, 0.5%

LAB 40.5, 43.84, -53.34

 

CMYK 0 / 62 / 56 / 28

HEX #B84651

RGB 184 70 81

HSL 354.21, 0.45%, 0.5%

LAB 45.86, 46.93, 18.02

 

CMYK 25 / 0 / 62 / 28

HEX #8AB846

RGB 138 184 70

HSL 84.21, 0.45%, 0.5%

LAB 69.56, -33.24, 51.56

 

Description

Color code: RGB 69 184 173 | qconv.com Color code: RGB 69 184 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 184 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 184 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 6 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 6% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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