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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 168 253 it is the complementary color RGB 186 87 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 168 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 69 168 253: RGB 74 168 248, RGB 91 186 255, RGB 108 204 255, RGB 125 222 255 and RGB 142 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 168 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 69 168 253: RGB 69 168 253, RGB 52 150 234, RGB 35 132 215, RGB 18 114 196 and RGB 1 96 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 34 / 0 / 1

HEX #45A8FD

RGB 69 168 253

HSL 207.72, 0.98%, 0.63%

LAB 66.8, -1.29, -50.45

 

Complementary color

CMYK 0 / 53 / 99 / 27

HEX #BA5702

RGB 186 87 2

HSL 27.72, 0.98%, 0.37%

LAB 48.59, 36.18, 57.37

 

CMYK 70 / 32 / 0 / 3

HEX #4AA8F8

RGB 74 168 248

HSL 207.59, 0.93%, 0.63%

LAB 66.7, -2.34, -47.86

 

CMYK 64 / 27 / 0 / 0

HEX #5BBAFF

RGB 91 186 255

HSL 205.24, 1%, 0.68%

LAB 72.6, -7.45, -42.36

 

CMYK 58 / 20 / 0 / 0

HEX #6CCCFF

RGB 108 204 255

HSL 200.82, 1%, 0.71%

LAB 78.22, -14.07, -33.58

 

CMYK 51 / 13 / 0 / 0

HEX #7DDEFF

RGB 125 222 255

HSL 195.23, 1%, 0.75%

LAB 83.87, -19.91, -24.87

 

CMYK 44 / 6 / 0 / 0

HEX #8EF0FF

RGB 142 240 255

HSL 187.96, 1%, 0.78%

LAB 89.53, -25.08, -16.25

 

CMYK 73 / 34 / 0 / 1

HEX #45A8FD

RGB 69 168 253

HSL 207.72, 0.98%, 0.63%

LAB 66.8, -1.29, -50.45

 

CMYK 78 / 36 / 0 / 8

HEX #3496EA

RGB 52 150 234

HSL 207.69, 0.81%, 0.56%

LAB 60.32, 0.41, -50.3

 

CMYK 84 / 39 / 0 / 16

HEX #2384D7

RGB 35 132 215

HSL 207.67, 0.72%, 0.49%

LAB 53.78, 2.51, -50.12

 

CMYK 91 / 42 / 0 / 23

HEX #1272C4

RGB 18 114 196

HSL 207.64, 0.83%, 0.42%

LAB 47.17, 5.12, -49.87

 

CMYK 99 / 46 / 0 / 31

HEX #0160B1

RGB 1 96 177

HSL 207.61, 0.99%, 0.35%

LAB 40.49, 8.27, -49.55

 

CMYK 73 / 34 / 0 / 1

HEX #45A8FD

RGB 69 168 253

HSL 207.72, 0.98%, 0.63%

LAB 66.8, -1.29, -50.45

 

CMYK 73 / 45 / 0 / 1

HEX #448BFD

RGB 68 139 253

HSL 216.97, 0.98%, 0.63%

LAB 58.78, 15.63, -63.22

 

CMYK 73 / 57 / 0 / 1

HEX #446CFD

RGB 68 108 253

HSL 227.03, 0.98%, 0.63%

LAB 50.74, 34.7, -76.22

 

CMYK 73 / 70 / 0 / 1

HEX #444DFD

RGB 68 77 253

HSL 237.08, 0.98%, 0.63%

LAB 43.7, 53.22, -87.76

 

CMYK 65 / 73 / 0 / 1

HEX #5944FD

RGB 89 68 253

HSL 246.81, 0.98%, 0.63%

LAB 43.29, 60.12, -88.39

 

CMYK 73 / 34 / 0 / 1

HEX #45A8FD

RGB 69 168 253

HSL 207.72, 0.98%, 0.63%

LAB 66.8, -1.29, -50.45

 

CMYK 73 / 33 / 0 / 81

HEX #0D2131

RGB 13 33 49

HSL 206.67, 0.58%, 0.12%

LAB 11.92, -1.9, -12.98

 

CMYK 73 / 34 / 0 / 61

HEX #1B4264

RGB 27 66 100

HSL 207.95, 0.57%, 0.25%

LAB 26.88, -1.28, -24.01

 

CMYK 73 / 34 / 0 / 41

HEX #296497

RGB 41 100 151

HSL 207.82, 0.57%, 0.38%

LAB 40.93, -1.3, -33.39

 

CMYK 73 / 34 / 0 / 21

HEX #3786CA

RGB 55 134 202

HSL 207.76, 0.58%, 0.5%

LAB 54.16, -1.3, -42.13

 

CMYK 73 / 34 / 0 / 1

HEX #45A8FD

RGB 69 168 253

HSL 207.72, 0.98%, 0.63%

LAB 66.8, -1.29, -50.45

 

CMYK 26 / 73 / 0 / 1

HEX #BC44FD

RGB 188 68 253

HSL 278.92, 0.98%, 0.63%

LAB 53.94, 74.9, -70.54

 

CMYK 4 / 0 / 73 / 1

HEX #F3FD44

RGB 243 253 68

HSL 63.24, 0.98%, 0.63%

LAB 95.88, -24.08, 81.27

 

CMYK 73 / 34 / 0 / 1

HEX #45A8FD

RGB 69 168 253

HSL 207.72, 0.98%, 0.63%

LAB 66.8, -1.29, -50.45

 

CMYK 0 / 73 / 33 / 1

HEX #FD44A9

RGB 253 68 169

HSL 327.24, 0.98%, 0.63%

LAB 59.78, 76.27, -12.93

 

CMYK 33 / 0 / 73 / 1

HEX #A9FD44

RGB 169 253 68

HSL 87.24, 0.98%, 0.63%

LAB 91.28, -52.09, 75.26

 

CMYK 73 / 34 / 0 / 1

HEX #45A8FD

RGB 69 168 253

HSL 207.72, 0.98%, 0.63%

LAB 66.8, -1.29, -50.45

 

CMYK 26 / 73 / 0 / 1

HEX #BC44FD

RGB 188 68 253

HSL 278.92, 0.98%, 0.63%

LAB 53.94, 74.9, -70.54

 

CMYK 0 / 40 / 73 / 1

HEX #FD9744

RGB 253 151 68

HSL 26.92, 0.98%, 0.63%

LAB 71.85, 31.9, 58.09

 

CMYK 48 / 0 / 73 / 1

HEX #84FD44

RGB 132 253 68

HSL 99.24, 0.98%, 0.63%

LAB 89.66, -63.77, 73.13

 

CMYK 73 / 34 / 0 / 1

HEX #45A8FD

RGB 69 168 253

HSL 207.72, 0.98%, 0.63%

LAB 66.8, -1.29, -50.45

 

CMYK 4 / 73 / 0 / 1

HEX #F344FD

RGB 243 68 253

HSL 296.76, 0.98%, 0.63%

LAB 61.9, 85.29, -57.33

 

CMYK 0 / 40 / 73 / 1

HEX #FD9744

RGB 253 151 68

HSL 26.92, 0.98%, 0.63%

LAB 71.85, 31.9, 58.09

 

CMYK 70 / 0 / 73 / 1

HEX #4DFD44

RGB 77 253 68

HSL 117.08, 0.98%, 0.63%

LAB 88.09, -76.38, 71.04

 

Description

Color code: RGB 69 168 253 | qconv.com Color code: RGB 69 168 253 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 168 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 168 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 34 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 34% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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