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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 139 131 it is the complementary color RGB 186 116 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 139 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 69 139 131: RGB 74 139 126, RGB 91 157 145, RGB 108 175 164, RGB 125 193 183 and RGB 142 211 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 139 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 69 139 131: RGB 69 139 131, RGB 52 121 112, RGB 35 103 93, RGB 18 85 74 and RGB 1 67 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 6 / 45

HEX #458B83

RGB 69 139 131

HSL 173.14, 0.34%, 0.41%

LAB 53.35, -24.1, -2.51

 

Complementary color

CMYK 0 / 38 / 33 / 27

HEX #BA747C

RGB 186 116 124

HSL 353.14, 0.34%, 0.59%

LAB 56.47, 28.56, 7.26

 

CMYK 47 / 0 / 9 / 45

HEX #4A8B7E

RGB 74 139 126

HSL 168, 0.31%, 0.42%

LAB 53.41, -24.15, 0.5

 

CMYK 42 / 0 / 8 / 38

HEX #5B9D91

RGB 91 157 145

HSL 169.09, 0.27%, 0.49%

LAB 60.23, -24.02, -0.33

 

CMYK 38 / 0 / 6 / 31

HEX #6CAFA4

RGB 108 175 164

HSL 170.15, 0.3%, 0.55%

LAB 66.92, -23.88, -1.08

 

CMYK 35 / 0 / 5 / 24

HEX #7DC1B7

RGB 125 193 183

HSL 171.18, 0.35%, 0.62%

LAB 73.49, -23.73, -1.79

 

CMYK 33 / 0 / 4 / 17

HEX #8ED3CA

RGB 142 211 202

HSL 172.17, 0.44%, 0.69%

LAB 79.96, -23.59, -2.46

 

CMYK 50 / 0 / 6 / 45

HEX #458B83

RGB 69 139 131

HSL 173.14, 0.34%, 0.41%

LAB 53.35, -24.1, -2.51

 

CMYK 57 / 0 / 7 / 53

HEX #347970

RGB 52 121 112

HSL 172.17, 0.4%, 0.34%

LAB 46.41, -24.04, -1.64

 

CMYK 66 / 0 / 10 / 60

HEX #23675D

RGB 35 103 93

HSL 171.18, 0.49%, 0.27%

LAB 39.32, -23.82, -0.65

 

CMYK 79 / 0 / 13 / 67

HEX #12554A

RGB 18 85 74

HSL 170.15, 0.65%, 0.2%

LAB 32.08, -23.27, 0.53

 

CMYK 99 / 0 / 18 / 74

HEX #014337

RGB 1 67 55

HSL 169.09, 0.97%, 0.13%

LAB 24.63, -22.39, 1.94

 

CMYK 50 / 0 / 6 / 45

HEX #458B83

RGB 69 139 131

HSL 173.14, 0.34%, 0.41%

LAB 53.35, -24.1, -2.51

 

CMYK 51 / 3 / 0 / 45

HEX #45888C

RGB 69 136 140

HSL 183.38, 0.34%, 0.41%

LAB 52.69, -20.06, -8.71

 

CMYK 51 / 11 / 0 / 45

HEX #457C8C

RGB 69 124 140

HSL 193.52, 0.34%, 0.41%

LAB 48.98, -13.54, -14.31

 

CMYK 51 / 20 / 0 / 45

HEX #45708C

RGB 69 112 140

HSL 203.66, 0.34%, 0.41%

LAB 45.29, -6.67, -19.94

 

CMYK 51 / 29 / 0 / 45

HEX #45648C

RGB 69 100 140

HSL 213.8, 0.34%, 0.41%

LAB 41.65, 0.57, -25.57

 

CMYK 50 / 0 / 6 / 45

HEX #458B83

RGB 69 139 131

HSL 173.14, 0.34%, 0.41%

LAB 53.35, -24.1, -2.51

 

CMYK 51 / 0 / 6 / 25

HEX #5EBEB3

RGB 94 190 179

HSL 173.13, 0.42%, 0.56%

LAB 71.19, -31.02, -3.15

 

CMYK 50 / 0 / 6 / 5

HEX #78F1E3

RGB 120 241 227

HSL 173.06, 0.81%, 0.71%

LAB 88.18, -37.36, -3.7

 

CMYK 51 / 0 / 5 / 85

HEX #122523

RGB 18 37 35

HSL 173.68, 0.35%, 0.11%

LAB 13.07, -8.39, -1.12

 

CMYK 50 / 0 / 6 / 65

HEX #2C5853

RGB 44 88 83

HSL 173.18, 0.33%, 0.26%

LAB 34.27, -16.61, -1.82

 

CMYK 50 / 0 / 6 / 45

HEX #458B83

RGB 69 139 131

HSL 173.14, 0.34%, 0.41%

LAB 53.35, -24.1, -2.51

 

CMYK 47 / 51 / 0 / 45

HEX #4A458C

RGB 74 69 140

HSL 244.23, 0.34%, 0.41%

LAB 33.15, 21.7, -38.97

 

CMYK 0 / 26 / 51 / 45

HEX #8C6745

RGB 140 103 69

HSL 28.73, 0.34%, 0.41%

LAB 46.59, 10.5, 24.92

 

CMYK 50 / 0 / 6 / 45

HEX #458B83

RGB 69 139 131

HSL 173.14, 0.34%, 0.41%

LAB 53.35, -24.1, -2.51

 

CMYK 6 / 51 / 0 / 45

HEX #83458C

RGB 131 69 140

HSL 292.39, 0.34%, 0.41%

LAB 39.54, 37.96, -28.44

 

CMYK 0 / 6 / 51 / 45

HEX #8C8345

RGB 140 131 69

HSL 52.39, 0.34%, 0.41%

LAB 54.28, -5.5, 34.48

 

CMYK 50 / 0 / 6 / 45

HEX #458B83

RGB 69 139 131

HSL 173.14, 0.34%, 0.41%

LAB 53.35, -24.1, -2.51

 

CMYK 47 / 51 / 0 / 45

HEX #4A458C

RGB 74 69 140

HSL 244.23, 0.34%, 0.41%

LAB 33.15, 21.7, -38.97

 

CMYK 0 / 51 / 45 / 45

HEX #8C454D

RGB 140 69 77

HSL 353.24, 0.34%, 0.41%

LAB 38.49, 30.94, 9.26

 

CMYK 4 / 0 / 51 / 45

HEX #868C45

RGB 134 140 69

HSL 65.07, 0.34%, 0.41%

LAB 56.34, -13.02, 36.83

 

CMYK 50 / 0 / 6 / 45

HEX #458B83

RGB 69 139 131

HSL 173.14, 0.34%, 0.41%

LAB 53.35, -24.1, -2.51

 

CMYK 31 / 51 / 0 / 45

HEX #60458C

RGB 96 69 140

HSL 262.82, 0.34%, 0.41%

LAB 35.27, 27.61, -35.46

 

CMYK 0 / 51 / 45 / 45

HEX #8C454D

RGB 140 69 77

HSL 353.24, 0.34%, 0.41%

LAB 38.49, 30.94, 9.26

 

CMYK 20 / 0 / 51 / 45

HEX #708C45

RGB 112 140 69

HSL 83.66, 0.34%, 0.41%

LAB 54.69, -22.24, 34.45

 

Description

Color code: RGB 69 139 131 | qconv.com Color code: RGB 69 139 131 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 139 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 139 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 6 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 6% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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