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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 136 155 it is the complementary color RGB 186 119 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 136 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 69 136 155: RGB 74 136 150, RGB 91 154 169, RGB 108 172 188, RGB 125 190 207 and RGB 142 208 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 136 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 69 136 155: RGB 69 136 155, RGB 52 118 136, RGB 35 100 117, RGB 18 82 98 and RGB 1 64 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 12 / 0 / 39

HEX #45889B

RGB 69 136 155

HSL 193.26, 0.38%, 0.44%

LAB 53.21, -15.65, -16.63

 

Complementary color

CMYK 0 / 36 / 46 / 27

HEX #BA7764

RGB 186 119 100

HSL 13.26, 0.38%, 0.56%

LAB 56.64, 24.08, 21.35

 

CMYK 51 / 9 / 0 / 41

HEX #4A8896

RGB 74 136 150

HSL 191.05, 0.34%, 0.44%

LAB 53.24, -16, -13.67

 

CMYK 46 / 9 / 0 / 34

HEX #5B9AA9

RGB 91 154 169

HSL 191.54, 0.31%, 0.51%

LAB 60.07, -16.16, -14.16

 

CMYK 43 / 9 / 0 / 26

HEX #6CACBC

RGB 108 172 188

HSL 192, 0.37%, 0.58%

LAB 66.77, -16.27, -14.63

 

CMYK 40 / 8 / 0 / 19

HEX #7DBECF

RGB 125 190 207

HSL 192.44, 0.46%, 0.65%

LAB 73.35, -16.34, -15.08

 

CMYK 37 / 8 / 0 / 11

HEX #8ED0E2

RGB 142 208 226

HSL 192.86, 0.59%, 0.72%

LAB 79.81, -16.38, -15.52

 

CMYK 55 / 12 / 0 / 39

HEX #45889B

RGB 69 136 155

HSL 193.26, 0.38%, 0.44%

LAB 53.21, -15.65, -16.63

 

CMYK 62 / 13 / 0 / 47

HEX #347688

RGB 52 118 136

HSL 192.86, 0.45%, 0.37%

LAB 46.26, -15.21, -16.13

 

CMYK 70 / 15 / 0 / 54

HEX #236475

RGB 35 100 117

HSL 192.44, 0.54%, 0.3%

LAB 39.17, -14.53, -15.58

 

CMYK 82 / 16 / 0 / 62

HEX #125262

RGB 18 82 98

HSL 192, 0.69%, 0.23%

LAB 31.91, -13.45, -14.93

 

CMYK 99 / 19 / 0 / 69

HEX #01404F

RGB 1 64 79

HSL 191.54, 0.98%, 0.16%

LAB 24.44, -11.91, -14.19

 

CMYK 55 / 12 / 0 / 39

HEX #45889B

RGB 69 136 155

HSL 193.26, 0.38%, 0.44%

LAB 53.21, -15.65, -16.63

 

CMYK 55 / 21 / 0 / 40

HEX #457A9A

RGB 69 122 154

HSL 202.59, 0.38%, 0.44%

LAB 48.91, -8.09, -22.64

 

CMYK 55 / 31 / 0 / 40

HEX #456B9A

RGB 69 107 154

HSL 213.18, 0.38%, 0.44%

LAB 44.4, 0.84, -29.64

 

CMYK 55 / 40 / 0 / 40

HEX #455D9A

RGB 69 93 154

HSL 223.06, 0.38%, 0.44%

LAB 40.29, 9.6, -36.11

 

CMYK 55 / 49 / 0 / 40

HEX #454F9A

RGB 69 79 154

HSL 232.94, 0.38%, 0.44%

LAB 36.35, 18.63, -42.39

 

CMYK 55 / 12 / 0 / 39

HEX #45889B

RGB 69 136 155

HSL 193.26, 0.38%, 0.44%

LAB 53.21, -15.65, -16.63

 

CMYK 55 / 12 / 0 / 19

HEX #5CB5CE

RGB 92 181 206

HSL 193.16, 0.54%, 0.58%

LAB 69.31, -19.61, -20.78

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 55 / 11 / 0 / 79

HEX #182F35

RGB 24 47 53

HSL 192.41, 0.38%, 0.15%

LAB 17.85, -7.04, -6.66

 

CMYK 56 / 13 / 0 / 59

HEX #2E5B68

RGB 46 91 104

HSL 193.45, 0.39%, 0.29%

LAB 36.1, -11.41, -12.2

 

CMYK 55 / 12 / 0 / 39

HEX #45889B

RGB 69 136 155

HSL 193.26, 0.38%, 0.44%

LAB 53.21, -15.65, -16.63

 

CMYK 32 / 55 / 0 / 40

HEX #69459A

RGB 105 69 154

HSL 265.41, 0.38%, 0.44%

LAB 37.1, 33.83, -41

 

CMYK 0 / 10 / 55 / 40

HEX #9A8B45

RGB 154 139 69

HSL 49.41, 0.38%, 0.44%

LAB 57.81, -3.75, 39

 

CMYK 55 / 12 / 0 / 39

HEX #45889B

RGB 69 136 155

HSL 193.26, 0.38%, 0.44%

LAB 53.21, -15.65, -16.63

 

CMYK 0 / 55 / 12 / 40

HEX #9A4588

RGB 154 69 136

HSL 312.71, 0.38%, 0.44%

LAB 42.62, 44.23, -20.97

 

CMYK 12 / 0 / 55 / 40

HEX #889A45

RGB 136 154 69

HSL 72.71, 0.38%, 0.44%

LAB 60.58, -19.5, 41.85

 

CMYK 55 / 12 / 0 / 39

HEX #45889B

RGB 69 136 155

HSL 193.26, 0.38%, 0.44%

LAB 53.21, -15.65, -16.63

 

CMYK 32 / 55 / 0 / 40

HEX #69459A

RGB 105 69 154

HSL 265.41, 0.38%, 0.44%

LAB 37.1, 33.83, -41

 

CMYK 0 / 43 / 55 / 40

HEX #9A5845

RGB 154 88 69

HSL 13.41, 0.38%, 0.44%

LAB 44.63, 25.21, 22.76

 

CMYK 23 / 0 / 55 / 40

HEX #779A45

RGB 119 154 69

HSL 84.71, 0.38%, 0.44%

LAB 59.4, -26.43, 40.17

 

CMYK 55 / 12 / 0 / 39

HEX #45889B

RGB 69 136 155

HSL 193.26, 0.38%, 0.44%

LAB 53.21, -15.65, -16.63

 

CMYK 16 / 55 / 0 / 40

HEX #82459A

RGB 130 69 154

HSL 283.06, 0.38%, 0.44%

LAB 40.14, 40.65, -35.98

 

CMYK 0 / 43 / 55 / 40

HEX #9A5845

RGB 154 88 69

HSL 13.41, 0.38%, 0.44%

LAB 44.63, 25.21, 22.76

 

CMYK 40 / 0 / 55 / 40

HEX #5D9A45

RGB 93 154 69

HSL 103.06, 0.38%, 0.44%

LAB 57.91, -36.08, 38.05

 

Description

Color code: RGB 69 136 155 | qconv.com Color code: RGB 69 136 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 136 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 136 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 12 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 12% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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