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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 45 157 it is the complementary color RGB 187 210 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 45 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 68 45 157: RGB 73 45 152, RGB 90 63 171, RGB 107 81 190, RGB 124 99 209 and RGB 141 117 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 45 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 68 45 157: RGB 68 45 157, RGB 51 27 138, RGB 34 9 119, RGB 17 0 100 and RGB 0 0 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 71 / 0 / 38

HEX #442D9D

RGB 68 45 157

HSL 252.32, 0.55%, 0.4%

LAB 28.22, 40.68, -57.38

 

Complementary color

CMYK 11 / 0 / 53 / 18

HEX #BBD262

RGB 187 210 98

HSL 72.32, 0.55%, 0.6%

LAB 80.48, -24.04, 52.19

 

CMYK 52 / 70 / 0 / 40

HEX #492D98

RGB 73 45 152

HSL 255.7, 0.54%, 0.39%

LAB 28.27, 40, -54.22

 

CMYK 47 / 63 / 0 / 33

HEX #5A3FAB

RGB 90 63 171

HSL 255, 0.46%, 0.46%

LAB 35.34, 38.58, -54.12

 

CMYK 44 / 57 / 0 / 25

HEX #6B51BE

RGB 107 81 190

HSL 254.31, 0.46%, 0.53%

LAB 42.35, 37.21, -53.91

 

CMYK 41 / 53 / 0 / 18

HEX #7C63D1

RGB 124 99 209

HSL 253.64, 0.54%, 0.6%

LAB 49.27, 35.94, -53.67

 

CMYK 38 / 49 / 0 / 11

HEX #8D75E4

RGB 141 117 228

HSL 252.97, 0.67%, 0.68%

LAB 56.07, 34.8, -53.44

 

CMYK 57 / 71 / 0 / 38

HEX #442D9D

RGB 68 45 157

HSL 252.32, 0.55%, 0.4%

LAB 28.22, 40.68, -57.38

 

CMYK 63 / 80 / 0 / 46

HEX #331B8A

RGB 51 27 138

HSL 252.97, 0.67%, 0.32%

LAB 21.29, 42.08, -57.1

 

CMYK 71 / 92 / 0 / 53

HEX #220977

RGB 34 9 119

HSL 253.64, 0.86%, 0.25%

LAB 14.78, 42.52, -55.88

 

CMYK 83 / 100 / 0 / 61

HEX #110064

RGB 17 0 100

HSL 250.2, 1%, 0.2%

LAB 9.31, 40.2, -52.57

 

CMYK 100 / 100 / 0 / 68

HEX #000051

RGB 0 0 81

HSL 240, 1%, 0.16%

LAB 5.37, 32.91, -46.3

 

CMYK 57 / 71 / 0 / 38

HEX #442D9D

RGB 68 45 157

HSL 252.32, 0.55%, 0.4%

LAB 28.22, 40.68, -57.38

 

CMYK 45 / 72 / 0 / 38

HEX #572D9E

RGB 87 45 158

HSL 262.3, 0.56%, 0.4%

LAB 30.33, 44.26, -54.46

 

CMYK 34 / 72 / 0 / 38

HEX #692D9E

RGB 105 45 158

HSL 271.86, 0.56%, 0.4%

LAB 32.59, 47.76, -50.69

 

CMYK 22 / 72 / 0 / 38

HEX #7C2D9E

RGB 124 45 158

HSL 281.95, 0.56%, 0.4%

LAB 35.26, 51.75, -46.23

 

CMYK 9 / 72 / 0 / 38

HEX #8F2D9E

RGB 143 45 158

HSL 292.04, 0.56%, 0.4%

LAB 38.17, 55.94, -41.4

 

CMYK 57 / 71 / 0 / 38

HEX #442D9D

RGB 68 45 157

HSL 252.32, 0.55%, 0.4%

LAB 28.22, 40.68, -57.38

 

CMYK 57 / 71 / 0 / 18

HEX #5A3CD0

RGB 90 60 208

HSL 252.16, 0.61%, 0.53%

LAB 37.77, 51.14, -71.89

 

CMYK 50 / 75 / 0 / 98

HEX #020104

RGB 2 1 4

HSL 260, 0.6%, 0.01%

LAB 0.39, 0.68, -1.04

 

CMYK 56 / 71 / 0 / 78

HEX #181037

RGB 24 16 55

HSL 252.31, 0.55%, 0.14%

LAB 7.59, 16.38, -24.17

 

CMYK 57 / 72 / 0 / 58

HEX #2E1E6A

RGB 46 30 106

HSL 252.63, 0.56%, 0.27%

LAB 18.14, 29.5, -41.85

 

CMYK 57 / 71 / 0 / 38

HEX #442D9D

RGB 68 45 157

HSL 252.32, 0.55%, 0.4%

LAB 28.22, 40.68, -57.38

 

CMYK 0 / 72 / 28 / 38

HEX #9E2D71

RGB 158 45 113

HSL 323.89, 0.56%, 0.4%

LAB 38.44, 52.57, -13.12

 

CMYK 57 / 0 / 72 / 38

HEX #449E2D

RGB 68 158 45

HSL 107.79, 0.56%, 0.4%

LAB 57.92, -47.89, 48.55

 

CMYK 57 / 71 / 0 / 38

HEX #442D9D

RGB 68 45 157

HSL 252.32, 0.55%, 0.4%

LAB 28.22, 40.68, -57.38

 

CMYK 0 / 57 / 72 / 38

HEX #9E442D

RGB 158 68 45

HSL 12.21, 0.56%, 0.4%

LAB 40.56, 35.92, 31.91

 

CMYK 72 / 0 / 57 / 38

HEX #2D9E44

RGB 45 158 68

HSL 132.21, 0.56%, 0.4%

LAB 57.49, -50.52, 37.63

 

CMYK 57 / 71 / 0 / 38

HEX #442D9D

RGB 68 45 157

HSL 252.32, 0.55%, 0.4%

LAB 28.22, 40.68, -57.38

 

CMYK 0 / 72 / 28 / 38

HEX #9E2D71

RGB 158 45 113

HSL 323.89, 0.56%, 0.4%

LAB 38.44, 52.57, -13.12

 

CMYK 15 / 0 / 72 / 38

HEX #879E2D

RGB 135 158 45

HSL 72.21, 0.56%, 0.4%

LAB 61.48, -23.77, 53.32

 

CMYK 72 / 0 / 43 / 38

HEX #2D9E5A

RGB 45 158 90

HSL 143.89, 0.56%, 0.4%

LAB 57.8, -46.97, 26.67

 

CMYK 57 / 71 / 0 / 38

HEX #442D9D

RGB 68 45 157

HSL 252.32, 0.55%, 0.4%

LAB 28.22, 40.68, -57.38

 

CMYK 0 / 72 / 50 / 38

HEX #9E2D4F

RGB 158 45 79

HSL 341.95, 0.56%, 0.4%

LAB 37.32, 48.83, 6.77

 

CMYK 15 / 0 / 72 / 38

HEX #879E2D

RGB 135 158 45

HSL 72.21, 0.56%, 0.4%

LAB 61.48, -23.77, 53.32

 

CMYK 72 / 0 / 22 / 38

HEX #2D9E7C

RGB 45 158 124

HSL 161.95, 0.56%, 0.4%

LAB 58.48, -39.6, 8.81

 

Description

Color code: RGB 68 45 157 | qconv.com Color code: RGB 68 45 157 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 45 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 45 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 71 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 71% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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