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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 230 120 it is the complementary color RGB 187 25 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 230 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 68 230 120: RGB 73 230 115, RGB 90 248 134, RGB 107 255 153, RGB 124 255 172 and RGB 141 255 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 230 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 68 230 120: RGB 68 230 120, RGB 51 212 101, RGB 34 194 82, RGB 17 176 63 and RGB 0 158 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 48 / 10

HEX #44E678

RGB 68 230 120

HSL 139.26, 0.76%, 0.58%

LAB 81.39, -64.6, 41.65

 

Complementary color

CMYK 0 / 87 / 28 / 27

HEX #BB1987

RGB 187 25 135

HSL 319.26, 0.76%, 0.42%

LAB 42.78, 67.92, -19.65

 

CMYK 68 / 0 / 50 / 10

HEX #49E673

RGB 73 230 115

HSL 136.05, 0.76%, 0.59%

LAB 81.43, -64.53, 44.13

 

CMYK 64 / 0 / 46 / 3

HEX #5AF886

RGB 90 248 134

HSL 136.71, 0.92%, 0.66%

LAB 87.5, -65.02, 42.7

 

CMYK 58 / 0 / 40 / 0

HEX #6BFF99

RGB 107 255 153

HSL 138.65, 1%, 0.71%

LAB 90.3, -61.19, 37.13

 

CMYK 51 / 0 / 33 / 0

HEX #7CFFAC

RGB 124 255 172

HSL 141.98, 1%, 0.74%

LAB 91.14, -54.12, 28.87

 

CMYK 45 / 0 / 25 / 0

HEX #8DFFBF

RGB 141 255 191

HSL 146.32, 1%, 0.78%

LAB 92.11, -46.44, 20.66

 

CMYK 70 / 0 / 48 / 10

HEX #44E678

RGB 68 230 120

HSL 139.26, 0.76%, 0.58%

LAB 81.39, -64.6, 41.65

 

CMYK 76 / 0 / 52 / 17

HEX #33D465

RGB 51 212 101

HSL 138.63, 0.65%, 0.52%

LAB 75.28, -63.74, 43.17

 

CMYK 82 / 0 / 58 / 24

HEX #22C252

RGB 34 194 82

HSL 138, 0.7%, 0.45%

LAB 69.14, -62.43, 44.7

 

CMYK 90 / 0 / 64 / 31

HEX #11B03F

RGB 17 176 63

HSL 137.36, 0.82%, 0.38%

LAB 62.95, -60.52, 46.16

 

CMYK 100 / 0 / 72 / 38

HEX #009E2C

RGB 0 158 44

HSL 136.71, 1%, 0.31%

LAB 56.72, -57.95, 47.33

 

CMYK 70 / 0 / 48 / 10

HEX #44E678

RGB 68 230 120

HSL 139.26, 0.76%, 0.58%

LAB 81.39, -64.6, 41.65

 

CMYK 71 / 0 / 37 / 10

HEX #42E591

RGB 66 229 145

HSL 149.08, 0.76%, 0.58%

LAB 81.42, -60.27, 29.22

 

CMYK 71 / 0 / 25 / 10

HEX #42E5AC

RGB 66 229 172

HSL 159.02, 0.76%, 0.58%

LAB 81.93, -54.72, 15.94

 

CMYK 71 / 0 / 13 / 10

HEX #42E5C7

RGB 66 229 199

HSL 168.96, 0.76%, 0.58%

LAB 82.55, -48.31, 2.62

 

CMYK 71 / 0 / 1 / 10

HEX #42E5E2

RGB 66 229 226

HSL 178.9, 0.76%, 0.58%

LAB 83.28, -41.15, -10.6

 

CMYK 70 / 0 / 48 / 10

HEX #44E678

RGB 68 230 120

HSL 139.26, 0.76%, 0.58%

LAB 81.39, -64.6, 41.65

 

CMYK 69 / 0 / 46 / 90

HEX #081A0E

RGB 8 26 14

HSL 140, 0.53%, 0.07%

LAB 7.43, -9.53, 5.01

 

CMYK 70 / 0 / 48 / 70

HEX #174D28

RGB 23 77 40

HSL 138.89, 0.54%, 0.2%

LAB 28.49, -27.19, 16.86

 

CMYK 70 / 0 / 48 / 50

HEX #268043

RGB 38 128 67

HSL 139.33, 0.54%, 0.33%

LAB 47.31, -40.58, 25.58

 

CMYK 70 / 0 / 48 / 30

HEX #35B35D

RGB 53 179 93

HSL 139.05, 0.54%, 0.45%

LAB 64.79, -53.03, 34.1

 

CMYK 70 / 0 / 48 / 10

HEX #44E678

RGB 68 230 120

HSL 139.26, 0.76%, 0.58%

LAB 81.39, -64.6, 41.65

 

CMYK 71 / 37 / 0 / 10

HEX #4291E5

RGB 66 145 229

HSL 210.92, 0.76%, 0.58%

LAB 59.04, 3.27, -49.55

 

CMYK 0 / 71 / 65 / 10

HEX #E54250

RGB 229 66 80

HSL 354.85, 0.76%, 0.58%

LAB 53.1, 62.96, 29.54

 

CMYK 70 / 0 / 48 / 10

HEX #44E678

RGB 68 230 120

HSL 139.26, 0.76%, 0.58%

LAB 81.39, -64.6, 41.65

 

CMYK 48 / 71 / 0 / 10

HEX #7642E5

RGB 118 66 229

HSL 259.14, 0.76%, 0.58%

LAB 43.37, 58.2, -74.64

 

CMYK 0 / 48 / 71 / 10

HEX #E57642

RGB 229 118 66

HSL 19.14, 0.76%, 0.58%

LAB 61.66, 39.24, 47.26

 

CMYK 70 / 0 / 48 / 10

HEX #44E678

RGB 68 230 120

HSL 139.26, 0.76%, 0.58%

LAB 81.39, -64.6, 41.65

 

CMYK 71 / 37 / 0 / 10

HEX #4291E5

RGB 66 145 229

HSL 210.92, 0.76%, 0.58%

LAB 59.04, 3.27, -49.55

 

CMYK 0 / 71 / 23 / 10

HEX #E542B1

RGB 229 66 177

HSL 319.14, 0.76%, 0.58%

LAB 55.82, 71.88, -23.99

 

CMYK 0 / 34 / 71 / 10

HEX #E59642

RGB 229 150 66

HSL 30.92, 0.76%, 0.58%

LAB 68.65, 22.5, 54.75

 

CMYK 70 / 0 / 48 / 10

HEX #44E678

RGB 68 230 120

HSL 139.26, 0.76%, 0.58%

LAB 81.39, -64.6, 41.65

 

CMYK 71 / 58 / 0 / 10

HEX #4260E5

RGB 66 96 229

HSL 228.96, 0.76%, 0.58%

LAB 45.88, 33.48, -70.7

 

CMYK 0 / 71 / 23 / 10

HEX #E542B1

RGB 229 66 177

HSL 319.14, 0.76%, 0.58%

LAB 55.82, 71.88, -23.99

 

CMYK 0 / 13 / 71 / 10

HEX #E5C742

RGB 229 199 66

HSL 48.96, 0.76%, 0.58%

LAB 80.68, -3.33, 66.97

 

Description

Color code: RGB 68 230 120 | qconv.com Color code: RGB 68 230 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 230 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 230 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 48 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 48% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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