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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 81 98 it is the complementary color RGB 188 174 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 81 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 67 81 98: RGB 72 81 93, RGB 89 99 112, RGB 106 117 131, RGB 123 135 150 and RGB 140 153 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 81 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 67 81 98: RGB 67 81 98, RGB 50 63 79, RGB 33 45 60, RGB 16 27 41 and RGB 0 9 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 17 / 0 / 62

HEX #435162

RGB 67 81 98

HSL 212.9, 0.19%, 0.32%

LAB 33.9, -0.99, -11.68

 

Complementary color

CMYK 0 / 7 / 16 / 26

HEX #BCAE9D

RGB 188 174 157

HSL 32.9, 0.19%, 0.68%

LAB 71.82, 2.17, 10.53

 

CMYK 23 / 13 / 0 / 64

HEX #48515D

RGB 72 81 93

HSL 214.29, 0.13%, 0.32%

LAB 34.09, -0.6, -8.2

 

CMYK 21 / 12 / 0 / 56

HEX #596370

RGB 89 99 112

HSL 213.91, 0.11%, 0.39%

LAB 41.56, -0.76, -8.62

 

CMYK 19 / 11 / 0 / 49

HEX #6A7583

RGB 106 117 131

HSL 213.6, 0.11%, 0.46%

LAB 48.79, -0.9, -9.06

 

CMYK 18 / 10 / 0 / 41

HEX #7B8796

RGB 123 135 150

HSL 213.33, 0.11%, 0.54%

LAB 55.83, -1.04, -9.49

 

CMYK 17 / 9 / 0 / 34

HEX #8C99A9

RGB 140 153 169

HSL 213.1, 0.14%, 0.61%

LAB 62.7, -1.18, -9.92

 

CMYK 32 / 17 / 0 / 62

HEX #435162

RGB 67 81 98

HSL 212.9, 0.19%, 0.32%

LAB 33.9, -0.99, -11.68

 

CMYK 37 / 20 / 0 / 69

HEX #323F4F

RGB 50 63 79

HSL 213.1, 0.22%, 0.25%

LAB 26.15, -0.74, -11.39

 

CMYK 45 / 25 / 0 / 76

HEX #212D3C

RGB 33 45 60

HSL 213.33, 0.29%, 0.18%

LAB 18.04, -0.41, -11.16

 

CMYK 61 / 34 / 0 / 84

HEX #101B29

RGB 16 27 41

HSL 213.6, 0.44%, 0.11%

LAB 9.43, 0.14, -11.02

 

CMYK 100 / 59 / 0 / 91

HEX #000916

RGB 0 9 22

HSL 215.45, 1%, 0.04%

LAB 2.29, 0.07, -7.43

 

CMYK 32 / 17 / 0 / 62

HEX #435162

RGB 67 81 98

HSL 212.9, 0.19%, 0.32%

LAB 33.9, -0.99, -11.68

 

CMYK 32 / 23 / 0 / 62

HEX #424B61

RGB 66 75 97

HSL 222.58, 0.19%, 0.32%

LAB 31.93, 2.2, -14.06

 

CMYK 32 / 28 / 0 / 62

HEX #424661

RGB 66 70 97

HSL 232.26, 0.19%, 0.32%

LAB 30.4, 5.44, -16.41

 

CMYK 31 / 32 / 0 / 62

HEX #434261

RGB 67 66 97

HSL 241.94, 0.19%, 0.32%

LAB 29.29, 8.41, -18.12

 

CMYK 26 / 32 / 0 / 62

HEX #484261

RGB 72 66 97

HSL 251.61, 0.19%, 0.32%

LAB 29.76, 10.12, -17.36

 

CMYK 32 / 17 / 0 / 62

HEX #435162

RGB 67 81 98

HSL 212.9, 0.19%, 0.32%

LAB 33.9, -0.99, -11.68

 

CMYK 32 / 17 / 0 / 42

HEX #667B95

RGB 102 123 149

HSL 213.19, 0.19%, 0.49%

LAB 50.87, -1.19, -16.53

 

CMYK 32 / 18 / 0 / 22

HEX #89A5C8

RGB 137 165 200

HSL 213.33, 0.36%, 0.66%

LAB 66.82, -1.38, -21.05

 

CMYK 31 / 18 / 0 / 2

HEX #ACCFFB

RGB 172 207 251

HSL 213.42, 0.91%, 0.83%

LAB 82.03, -1.56, -25.33

 

CMYK 32 / 17 / 0 / 82

HEX #20272F

RGB 32 39 47

HSL 212, 0.19%, 0.15%

LAB 15.29, -0.77, -6.26

 

CMYK 32 / 17 / 0 / 62

HEX #435162

RGB 67 81 98

HSL 212.9, 0.19%, 0.32%

LAB 33.9, -0.99, -11.68

 

CMYK 9 / 32 / 0 / 62

HEX #584261

RGB 88 66 97

HSL 282.58, 0.19%, 0.32%

LAB 31.43, 15.88, -14.65

 

CMYK 5 / 0 / 32 / 62

HEX #5C6142

RGB 92 97 66

HSL 69.68, 0.19%, 0.32%

LAB 39.95, -7.71, 17.07

 

CMYK 32 / 17 / 0 / 62

HEX #435162

RGB 67 81 98

HSL 212.9, 0.19%, 0.32%

LAB 33.9, -0.99, -11.68

 

CMYK 0 / 32 / 18 / 62

HEX #614250

RGB 97 66 80

HSL 332.9, 0.19%, 0.32%

LAB 31.85, 15.83, -3

 

CMYK 18 / 0 / 32 / 62

HEX #506142

RGB 80 97 66

HSL 92.9, 0.19%, 0.32%

LAB 38.98, -12.81, 15.61

 

CMYK 32 / 17 / 0 / 62

HEX #435162

RGB 67 81 98

HSL 212.9, 0.19%, 0.32%

LAB 33.9, -0.99, -11.68

 

CMYK 9 / 32 / 0 / 62

HEX #584261

RGB 88 66 97

HSL 282.58, 0.19%, 0.32%

LAB 31.43, 15.88, -14.65

 

CMYK 0 / 15 / 32 / 62

HEX #615242

RGB 97 82 66

HSL 30.97, 0.19%, 0.32%

LAB 35.93, 3.49, 11.7

 

CMYK 24 / 0 / 32 / 62

HEX #4A6142

RGB 74 97 66

HSL 104.52, 0.19%, 0.32%

LAB 38.55, -15.25, 14.95

 

CMYK 32 / 17 / 0 / 62

HEX #435162

RGB 67 81 98

HSL 212.9, 0.19%, 0.32%

LAB 33.9, -0.99, -11.68

 

CMYK 0 / 32 / 1 / 62

HEX #614260

RGB 97 66 96

HSL 301.94, 0.19%, 0.32%

LAB 32.44, 19.01, -12.37

 

CMYK 0 / 15 / 32 / 62

HEX #615242

RGB 97 82 66

HSL 30.97, 0.19%, 0.32%

LAB 35.93, 3.49, 11.7

 

CMYK 32 / 0 / 31 / 62

HEX #426143

RGB 66 97 67

HSL 121.94, 0.19%, 0.32%

LAB 38.04, -18.16, 13.58

 

Description

Color code: RGB 67 81 98 | qconv.com Color code: RGB 67 81 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 81 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 81 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 17 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 17% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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