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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 75 81 it is the complementary color RGB 188 180 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 75 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 67 75 81: RGB 72 75 76, RGB 89 93 95, RGB 106 111 114, RGB 123 129 133 and RGB 140 147 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 75 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 67 75 81: RGB 67 75 81, RGB 50 57 62, RGB 33 39 43, RGB 16 21 24 and RGB 0 3 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 7 / 0 / 68

HEX #434B51

RGB 67 75 81

HSL 205.71, 0.09%, 0.29%

LAB 31.39, -1.76, -4.65

 

Complementary color

CMYK 0 / 4 / 7 / 26

HEX #BCB4AE

RGB 188 180 174

HSL 25.71, 0.09%, 0.71%

LAB 73.8, 1.77, 4.06

 

CMYK 5 / 1 / 0 / 70

HEX #484B4C

RGB 72 75 76

HSL 195, 0.03%, 0.29%

LAB 31.65, -0.99, -1.02

 

CMYK 6 / 2 / 0 / 63

HEX #595D5F

RGB 89 93 95

HSL 200, 0.03%, 0.36%

LAB 39.21, -1.13, -1.7

 

CMYK 7 / 3 / 0 / 55

HEX #6A6F72

RGB 106 111 114

HSL 202.5, 0.04%, 0.43%

LAB 46.51, -1.26, -2.33

 

CMYK 8 / 3 / 0 / 48

HEX #7B8185

RGB 123 129 133

HSL 204, 0.04%, 0.5%

LAB 53.61, -1.38, -2.94

 

CMYK 8 / 3 / 0 / 40

HEX #8C9398

RGB 140 147 152

HSL 205, 0.06%, 0.57%

LAB 60.52, -1.5, -3.52

 

CMYK 17 / 7 / 0 / 68

HEX #434B51

RGB 67 75 81

HSL 205.71, 0.09%, 0.29%

LAB 31.39, -1.76, -4.65

 

CMYK 19 / 8 / 0 / 76

HEX #32393E

RGB 50 57 62

HSL 205, 0.11%, 0.22%

LAB 23.51, -1.65, -4.1

 

CMYK 23 / 9 / 0 / 83

HEX #21272B

RGB 33 39 43

HSL 204, 0.13%, 0.15%

LAB 15.22, -1.56, -3.53

 

CMYK 33 / 13 / 0 / 91

HEX #101518

RGB 16 21 24

HSL 202.5, 0.2%, 0.08%

LAB 6.44, -1.25, -2.74

 

CMYK 100 / 40 / 0 / 98

HEX #000305

RGB 0 3 5

HSL 204, 1%, 0.01%

LAB 0.69, -0.51, -1.03

 

CMYK 17 / 7 / 0 / 68

HEX #434B51

RGB 67 75 81

HSL 205.71, 0.09%, 0.29%

LAB 31.39, -1.76, -4.65

 

CMYK 16 / 10 / 0 / 69

HEX #434850

RGB 67 72 80

HSL 216.92, 0.09%, 0.29%

LAB 30.42, -0.11, -5.47

 

CMYK 16 / 13 / 0 / 69

HEX #434650

RGB 67 70 80

HSL 226.15, 0.09%, 0.29%

LAB 29.79, 1.17, -6.4

 

CMYK 16 / 15 / 0 / 69

HEX #434450

RGB 67 68 80

HSL 235.38, 0.09%, 0.29%

LAB 29.18, 2.46, -7.33

 

CMYK 15 / 16 / 0 / 69

HEX #444350

RGB 68 67 80

HSL 244.62, 0.09%, 0.29%

LAB 28.96, 3.5, -7.64

 

CMYK 17 / 7 / 0 / 68

HEX #434B51

RGB 67 75 81

HSL 205.71, 0.09%, 0.29%

LAB 31.39, -1.76, -4.65

 

CMYK 17 / 8 / 0 / 48

HEX #6D7A84

RGB 109 122 132

HSL 206.09, 0.1%, 0.47%

LAB 50.5, -2.54, -7.08

 

CMYK 17 / 8 / 0 / 28

HEX #97A9B7

RGB 151 169 183

HSL 206.25, 0.18%, 0.65%

LAB 68.3, -3.27, -9.31

 

CMYK 17 / 7 / 0 / 8

HEX #C2D9EA

RGB 194 217 234

HSL 205.5, 0.49%, 0.84%

LAB 85.52, -4.17, -10.92

 

CMYK 17 / 7 / 0 / 88

HEX #191C1E

RGB 25 28 30

HSL 204, 0.09%, 0.11%

LAB 10.04, -0.86, -1.86

 

CMYK 17 / 7 / 0 / 68

HEX #434B51

RGB 67 75 81

HSL 205.71, 0.09%, 0.29%

LAB 31.39, -1.76, -4.65

 

CMYK 6 / 16 / 0 / 69

HEX #4B4350

RGB 75 67 80

HSL 276.92, 0.09%, 0.29%

LAB 29.64, 6.25, -6.56

 

CMYK 0 / 0 / 16 / 69

HEX #505043

RGB 80 80 67

HSL 60, 0.09%, 0.29%

LAB 33.66, -2.61, 7.68

 

CMYK 17 / 7 / 0 / 68

HEX #434B51

RGB 67 75 81

HSL 205.71, 0.09%, 0.29%

LAB 31.39, -1.76, -4.65

 

CMYK 0 / 16 / 6 / 69

HEX #50434B

RGB 80 67 75

HSL 323.08, 0.09%, 0.29%

LAB 29.98, 7.17, -2.75

 

CMYK 6 / 0 / 16 / 69

HEX #4B5043

RGB 75 80 67

HSL 83.08, 0.09%, 0.29%

LAB 33.22, -4.75, 6.99

 

CMYK 17 / 7 / 0 / 68

HEX #434B51

RGB 67 75 81

HSL 205.71, 0.09%, 0.29%

LAB 31.39, -1.76, -4.65

 

CMYK 6 / 16 / 0 / 69

HEX #4B4350

RGB 75 67 80

HSL 276.92, 0.09%, 0.29%

LAB 29.64, 6.25, -6.56

 

CMYK 0 / 10 / 16 / 69

HEX #504843

RGB 80 72 67

HSL 23.08, 0.09%, 0.29%

LAB 31.22, 2.38, 4.21

 

CMYK 10 / 0 / 16 / 69

HEX #485043

RGB 72 80 67

HSL 96.92, 0.09%, 0.29%

LAB 32.96, -6.01, 6.59

 

CMYK 17 / 7 / 0 / 68

HEX #434B51

RGB 67 75 81

HSL 205.71, 0.09%, 0.29%

LAB 31.39, -1.76, -4.65

 

CMYK 1 / 16 / 0 / 69

HEX #4F4350

RGB 79 67 80

HSL 295.38, 0.09%, 0.29%

LAB 30.05, 7.85, -5.9

 

CMYK 0 / 10 / 16 / 69

HEX #504843

RGB 80 72 67

HSL 23.08, 0.09%, 0.29%

LAB 31.22, 2.38, 4.21

 

CMYK 15 / 0 / 16 / 69

HEX #445043

RGB 68 80 67

HSL 115.38, 0.09%, 0.29%

LAB 32.64, -7.66, 6.09

 

Description

Color code: RGB 67 75 81 | qconv.com Color code: RGB 67 75 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 75 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 75 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 7 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 7% 0% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - Maps of Britain from...
Link: http://www.ordnancesurvey.co.uk

21% - 株式会社 村山事務器
Link: http://www.murayamajimuki.jp

17% - 株式会社オーエス | オーエスは常に進化...
Link: http://oscorporation.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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