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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 58 85 it is the complementary color RGB 188 197 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 58 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 67 58 85: RGB 72 58 80, RGB 89 76 99, RGB 106 94 118, RGB 123 112 137 and RGB 140 130 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 58 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 67 58 85: RGB 67 58 85, RGB 50 40 66, RGB 33 22 47, RGB 16 4 28 and RGB 0 0 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 32 / 0 / 67

HEX #433A55

RGB 67 58 85

HSL 260, 0.19%, 0.28%

LAB 26.38, 10.36, -14.85

 

Complementary color

CMYK 5 / 0 / 14 / 23

HEX #BCC5AA

RGB 188 197 170

HSL 80, 0.19%, 0.72%

LAB 78.18, -7.9, 12.5

 

CMYK 10 / 28 / 0 / 69

HEX #483A50

RGB 72 58 80

HSL 278.18, 0.16%, 0.27%

LAB 26.69, 10.95, -11.05

 

CMYK 10 / 23 / 0 / 61

HEX #594C63

RGB 89 76 99

HSL 273.91, 0.13%, 0.34%

LAB 34.38, 10.36, -11.4

 

CMYK 10 / 20 / 0 / 54

HEX #6A5E76

RGB 106 94 118

HSL 270, 0.11%, 0.42%

LAB 41.81, 9.86, -11.76

 

CMYK 10 / 18 / 0 / 46

HEX #7B7089

RGB 123 112 137

HSL 266.4, 0.1%, 0.49%

LAB 49.01, 9.42, -12.13

 

CMYK 10 / 17 / 0 / 39

HEX #8C829C

RGB 140 130 156

HSL 263.08, 0.12%, 0.56%

LAB 56.03, 9.03, -12.51

 

CMYK 21 / 32 / 0 / 67

HEX #433A55

RGB 67 58 85

HSL 260, 0.19%, 0.28%

LAB 26.38, 10.36, -14.85

 

CMYK 24 / 39 / 0 / 74

HEX #322842

RGB 50 40 66

HSL 263.08, 0.25%, 0.21%

LAB 18.32, 11.1, -14.73

 

CMYK 30 / 53 / 0 / 82

HEX #21162F

RGB 33 22 47

HSL 266.4, 0.36%, 0.14%

LAB 9.82, 12.07, -14.71

 

CMYK 43 / 86 / 0 / 89

HEX #10041C

RGB 16 4 28

HSL 270, 0.75%, 0.06%

LAB 2.54, 8.18, -11.64

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 21 / 32 / 0 / 67

HEX #433A55

RGB 67 58 85

HSL 260, 0.19%, 0.28%

LAB 26.38, 10.36, -14.85

 

CMYK 15 / 32 / 0 / 67

HEX #473954

RGB 71 57 84

HSL 271.11, 0.19%, 0.28%

LAB 26.47, 12.23, -14.02

 

CMYK 11 / 32 / 0 / 67

HEX #4B3954

RGB 75 57 84

HSL 280, 0.19%, 0.28%

LAB 26.91, 13.74, -13.3

 

CMYK 5 / 32 / 0 / 67

HEX #503954

RGB 80 57 84

HSL 291.11, 0.19%, 0.28%

LAB 27.5, 15.63, -12.35

 

CMYK 0 / 32 / 0 / 67

HEX #543954

RGB 84 57 84

HSL 300, 0.19%, 0.28%

LAB 27.98, 17.16, -11.56

 

CMYK 21 / 32 / 0 / 67

HEX #433A55

RGB 67 58 85

HSL 260, 0.19%, 0.28%

LAB 26.38, 10.36, -14.85

 

CMYK 21 / 32 / 0 / 47

HEX #6B5D88

RGB 107 93 136

HSL 259.53, 0.19%, 0.45%

LAB 42.36, 15.15, -21.84

 

CMYK 21 / 32 / 0 / 27

HEX #9380BB

RGB 147 128 187

HSL 259.32, 0.3%, 0.62%

LAB 57.3, 19.59, -28.3

 

CMYK 21 / 32 / 0 / 7

HEX #BCA2EE

RGB 188 162 238

HSL 260.53, 0.69%, 0.78%

LAB 71.35, 24.64, -34.65

 

CMYK 21 / 32 / 0 / 87

HEX #1B1722

RGB 27 23 34

HSL 261.82, 0.19%, 0.11%

LAB 8.66, 4.94, -6.9

 

CMYK 21 / 32 / 0 / 67

HEX #433A55

RGB 67 58 85

HSL 260, 0.19%, 0.28%

LAB 26.38, 10.36, -14.85

 

CMYK 0 / 32 / 17 / 67

HEX #543946

RGB 84 57 70

HSL 331.11, 0.19%, 0.28%

LAB 27.44, 14.28, -3.18

 

CMYK 30 / 0 / 32 / 67

HEX #3B5439

RGB 59 84 57

HSL 115.56, 0.19%, 0.28%

LAB 33.06, -15.62, 12.83

 

CMYK 21 / 32 / 0 / 67

HEX #433A55

RGB 67 58 85

HSL 260, 0.19%, 0.28%

LAB 26.38, 10.36, -14.85

 

CMYK 0 / 21 / 32 / 67

HEX #544239

RGB 84 66 57

HSL 20, 0.19%, 0.28%

LAB 29.61, 6.24, 8.42

 

CMYK 32 / 0 / 21 / 67

HEX #395442

RGB 57 84 66

HSL 140, 0.19%, 0.28%

LAB 33.14, -14.51, 7.32

 

CMYK 21 / 32 / 0 / 67

HEX #433A55

RGB 67 58 85

HSL 260, 0.19%, 0.28%

LAB 26.38, 10.36, -14.85

 

CMYK 0 / 32 / 17 / 67

HEX #543946

RGB 84 57 70

HSL 331.11, 0.19%, 0.28%

LAB 27.44, 14.28, -3.18

 

CMYK 11 / 0 / 32 / 67

HEX #4B5439

RGB 75 84 57

HSL 80, 0.19%, 0.28%

LAB 34.26, -8.95, 14.64

 

CMYK 32 / 0 / 14 / 67

HEX #395448

RGB 57 84 72

HSL 153.33, 0.19%, 0.28%

LAB 33.3, -13.13, 3.78

 

CMYK 21 / 32 / 0 / 67

HEX #433A55

RGB 67 58 85

HSL 260, 0.19%, 0.28%

LAB 26.38, 10.36, -14.85

 

CMYK 0 / 32 / 26 / 67

HEX #54393E

RGB 84 57 62

HSL 348.89, 0.19%, 0.28%

LAB 27.18, 12.83, 1.72

 

CMYK 11 / 0 / 32 / 67

HEX #4B5439

RGB 75 84 57

HSL 80, 0.19%, 0.28%

LAB 34.26, -8.95, 14.64

 

CMYK 32 / 0 / 5 / 67

HEX #395450

RGB 57 84 80

HSL 171.11, 0.19%, 0.28%

LAB 33.54, -11.13, -0.93

 

Description

Color code: RGB 67 58 85 | qconv.com Color code: RGB 67 58 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 58 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 58 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 32 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 32% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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