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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 33 36 it is the complementary color RGB 188 222 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 33 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 67 33 36: RGB 72 33 31, RGB 89 51 50, RGB 106 69 69, RGB 123 87 88 and RGB 140 105 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 33 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 67 33 36: RGB 67 33 36, RGB 50 15 17, RGB 33 0 0, RGB 16 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 46 / 74

HEX #432124

RGB 67 33 36

HSL 354.71, 0.34%, 0.2%

LAB 17.5, 16.67, 5.28

 

Complementary color

CMYK 15 / 0 / 1 / 13

HEX #BCDEDB

RGB 188 222 219

HSL 174.71, 0.34%, 0.8%

LAB 86.03, -11.71, -2.28

 

CMYK 0 / 54 / 57 / 72

HEX #48211F

RGB 72 33 31

HSL 2.93, 0.4%, 0.2%

LAB 18.21, 18.32, 9.9

 

CMYK 0 / 43 / 44 / 65

HEX #593332

RGB 89 51 50

HSL 1.54, 0.28%, 0.27%

LAB 25.93, 17.02, 7.98

 

CMYK 0 / 35 / 35 / 58

HEX #6A4545

RGB 106 69 69

HSL 0, 0.21%, 0.34%

LAB 33.46, 15.95, 6.53

 

CMYK 0 / 29 / 28 / 52

HEX #7B5758

RGB 123 87 88

HSL 358.33, 0.17%, 0.41%

LAB 40.79, 15.06, 5.35

 

CMYK 0 / 25 / 24 / 45

HEX #8C696B

RGB 140 105 107

HSL 356.57, 0.14%, 0.48%

LAB 47.93, 14.31, 4.32

 

CMYK 0 / 51 / 46 / 74

HEX #432124

RGB 67 33 36

HSL 354.71, 0.34%, 0.2%

LAB 17.5, 16.67, 5.28

 

CMYK 0 / 70 / 66 / 80

HEX #320F11

RGB 50 15 17

HSL 356.57, 0.54%, 0.13%

LAB 9.48, 17.96, 7.04

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 51 / 46 / 74

HEX #432124

RGB 67 33 36

HSL 354.71, 0.34%, 0.2%

LAB 17.5, 16.67, 5.28

 

CMYK 0 / 49 / 51 / 73

HEX #442321

RGB 68 35 33

HSL 3.43, 0.35%, 0.2%

LAB 18.1, 15.45, 8.25

 

CMYK 0 / 40 / 51 / 73

HEX #442921

RGB 68 41 33

HSL 13.71, 0.35%, 0.2%

LAB 19.74, 11.52, 10.47

 

CMYK 0 / 31 / 51 / 73

HEX #442F21

RGB 68 47 33

HSL 24, 0.35%, 0.2%

LAB 21.48, 7.54, 12.77

 

CMYK 0 / 22 / 51 / 73

HEX #443521

RGB 68 53 33

HSL 34.29, 0.35%, 0.2%

LAB 23.29, 3.58, 15.13

 

CMYK 0 / 51 / 46 / 74

HEX #432124

RGB 67 33 36

HSL 354.71, 0.34%, 0.2%

LAB 17.5, 16.67, 5.28

 

CMYK 0 / 51 / 47 / 54

HEX #763A3F

RGB 118 58 63

HSL 355, 0.34%, 0.35%

LAB 32.34, 26.75, 9.06

 

CMYK 0 / 51 / 46 / 34

HEX #A9535B

RGB 169 83 91

HSL 354.42, 0.34%, 0.49%

LAB 46.15, 36.04, 11.96

 

CMYK 0 / 51 / 46 / 14

HEX #DC6C76

RGB 220 108 118

HSL 354.64, 0.62%, 0.64%

LAB 59.2, 44.66, 15.24

 

CMYK 0 / 50 / 44 / 94

HEX #100809

RGB 16 8 9

HSL 352.5, 0.33%, 0.05%

LAB 2.74, 2.51, 0.46

 

CMYK 0 / 51 / 46 / 74

HEX #432124

RGB 67 33 36

HSL 354.71, 0.34%, 0.2%

LAB 17.5, 16.67, 5.28

 

CMYK 6 / 0 / 51 / 73

HEX #404421

RGB 64 68 33

HSL 66.86, 0.35%, 0.2%

LAB 27.67, -7.93, 20.54

 

CMYK 51 / 25 / 0 / 73

HEX #213344

RGB 33 51 68

HSL 209.14, 0.35%, 0.2%

LAB 20.47, -1.79, -12.88

 

CMYK 0 / 51 / 46 / 74

HEX #432124

RGB 67 33 36

HSL 354.71, 0.34%, 0.2%

LAB 17.5, 16.67, 5.28

 

CMYK 46 / 0 / 51 / 73

HEX #254421

RGB 37 68 33

HSL 113.14, 0.35%, 0.2%

LAB 25.68, -19.81, 17.63

 

CMYK 51 / 46 / 0 / 73

HEX #212544

RGB 33 37 68

HSL 233.14, 0.35%, 0.2%

LAB 15.82, 8.14, -20.15

 

CMYK 0 / 51 / 46 / 74

HEX #432124

RGB 67 33 36

HSL 354.71, 0.34%, 0.2%

LAB 17.5, 16.67, 5.28

 

CMYK 6 / 0 / 51 / 73

HEX #404421

RGB 64 68 33

HSL 66.86, 0.35%, 0.2%

LAB 27.67, -7.93, 20.54

 

CMYK 51 / 0 / 6 / 73

HEX #214440

RGB 33 68 64

HSL 173.14, 0.35%, 0.2%

LAB 26.24, -13.84, -1.52

 

CMYK 46 / 51 / 0 / 73

HEX #252144

RGB 37 33 68

HSL 246.86, 0.35%, 0.2%

LAB 14.94, 12.28, -21.51

 

CMYK 0 / 51 / 46 / 74

HEX #432124

RGB 67 33 36

HSL 354.71, 0.34%, 0.2%

LAB 17.5, 16.67, 5.28

 

CMYK 21 / 0 / 51 / 73

HEX #364421

RGB 54 68 33

HSL 84, 0.35%, 0.2%

LAB 26.82, -12.64, 19.3

 

CMYK 51 / 0 / 6 / 73

HEX #214440

RGB 33 68 64

HSL 173.14, 0.35%, 0.2%

LAB 26.24, -13.84, -1.52

 

CMYK 31 / 51 / 0 / 73

HEX #2F2144

RGB 47 33 68

HSL 264, 0.35%, 0.2%

LAB 16.05, 15.52, -19.69

 

Description

Color code: RGB 67 33 36 | qconv.com Color code: RGB 67 33 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 33 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 33 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 46 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 46% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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