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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 144 251 it is the complementary color RGB 188 111 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 144 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 67 144 251: RGB 72 144 246, RGB 89 162 255, RGB 106 180 255, RGB 123 198 255 and RGB 140 216 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 144 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 67 144 251: RGB 67 144 251, RGB 50 126 232, RGB 33 108 213, RGB 16 90 194 and RGB 0 72 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 43 / 0 / 2

HEX #4390FB

RGB 67 144 251

HSL 214.89, 0.96%, 0.62%

LAB 59.98, 11.78, -60.19

 

Complementary color

CMYK 0 / 41 / 98 / 26

HEX #BC6F04

RGB 188 111 4

HSL 34.89, 0.96%, 0.38%

LAB 54.1, 24.26, 60.59

 

CMYK 71 / 41 / 0 / 4

HEX #4890F6

RGB 72 144 246

HSL 215.17, 0.91%, 0.62%

LAB 59.87, 10.67, -57.61

 

CMYK 65 / 36 / 0 / 0

HEX #59A2FF

RGB 89 162 255

HSL 213.61, 1%, 0.67%

LAB 65.89, 5.71, -52.92

 

CMYK 58 / 29 / 0 / 0

HEX #6AB4FF

RGB 106 180 255

HSL 210.2, 1%, 0.71%

LAB 71.51, -1.5, -44.03

 

CMYK 52 / 22 / 0 / 0

HEX #7BC6FF

RGB 123 198 255

HSL 205.91, 1%, 0.74%

LAB 77.17, -7.87, -35.16

 

CMYK 45 / 15 / 0 / 0

HEX #8CD8FF

RGB 140 216 255

HSL 200.35, 1%, 0.77%

LAB 82.86, -13.51, -26.35

 

CMYK 73 / 43 / 0 / 2

HEX #4390FB

RGB 67 144 251

HSL 214.89, 0.96%, 0.62%

LAB 59.98, 11.78, -60.19

 

CMYK 78 / 46 / 0 / 9

HEX #327EE8

RGB 50 126 232

HSL 214.95, 0.8%, 0.55%

LAB 53.41, 13.92, -60.23

 

CMYK 85 / 49 / 0 / 16

HEX #216CD5

RGB 33 108 213

HSL 215, 0.73%, 0.48%

LAB 46.78, 16.53, -60.21

 

CMYK 92 / 54 / 0 / 24

HEX #105AC2

RGB 16 90 194

HSL 215.06, 0.85%, 0.41%

LAB 40.11, 19.71, -60.09

 

CMYK 100 / 59 / 0 / 31

HEX #0048AF

RGB 0 72 175

HSL 215.31, 1%, 0.34%

LAB 33.41, 23.49, -59.83

 

CMYK 73 / 43 / 0 / 2

HEX #4390FB

RGB 67 144 251

HSL 214.89, 0.96%, 0.62%

LAB 59.98, 11.78, -60.19

 

CMYK 74 / 55 / 0 / 2

HEX #4172FB

RGB 65 114 251

HSL 224.19, 0.96%, 0.62%

LAB 51.98, 29.94, -73.1

 

CMYK 74 / 67 / 0 / 2

HEX #4153FB

RGB 65 83 251

HSL 234.19, 0.96%, 0.62%

LAB 44.63, 48.84, -85.12

 

CMYK 69 / 74 / 0 / 2

HEX #4D41FB

RGB 77 65 251

HSL 243.87, 0.96%, 0.62%

LAB 41.73, 59.86, -89.87

 

CMYK 57 / 74 / 0 / 2

HEX #6C41FB

RGB 108 65 251

HSL 253.87, 0.96%, 0.62%

LAB 44.14, 63.21, -85.81

 

CMYK 73 / 43 / 0 / 2

HEX #4390FB

RGB 67 144 251

HSL 214.89, 0.96%, 0.62%

LAB 59.98, 11.78, -60.19

 

CMYK 72 / 43 / 0 / 82

HEX #0D1B2F

RGB 13 27 47

HSL 215.29, 0.57%, 0.12%

LAB 9.6, 1.76, -15.18

 

CMYK 73 / 43 / 0 / 62

HEX #1A3862

RGB 26 56 98

HSL 215, 0.58%, 0.24%

LAB 23.44, 4.57, -28.16

 

CMYK 73 / 43 / 0 / 42

HEX #285595

RGB 40 85 149

HSL 215.23, 0.58%, 0.37%

LAB 36.21, 7.39, -39.67

 

CMYK 74 / 43 / 0 / 22

HEX #3573C8

RGB 53 115 200

HSL 214.69, 0.58%, 0.5%

LAB 48.5, 9.26, -50

 

CMYK 73 / 43 / 0 / 2

HEX #4390FB

RGB 67 144 251

HSL 214.89, 0.96%, 0.62%

LAB 59.98, 11.78, -60.19

 

CMYK 18 / 74 / 0 / 2

HEX #CF41FB

RGB 207 65 251

HSL 285.81, 0.96%, 0.62%

LAB 56.1, 79.03, -65.81

 

CMYK 12 / 0 / 74 / 2

HEX #DCFB41

RGB 220 251 65

HSL 70, 0.96%, 0.62%

LAB 93.71, -32.43, 79.58

 

CMYK 73 / 43 / 0 / 2

HEX #4390FB

RGB 67 144 251

HSL 214.89, 0.96%, 0.62%

LAB 59.98, 11.78, -60.19

 

CMYK 0 / 74 / 42 / 2

HEX #FB4191

RGB 251 65 145

HSL 334.19, 0.96%, 0.62%

LAB 58.35, 74.3, -1.08

 

CMYK 42 / 0 / 74 / 2

HEX #91FB41

RGB 145 251 65

HSL 94.19, 0.96%, 0.62%

LAB 89.58, -59.33, 74.19

 

CMYK 73 / 43 / 0 / 2

HEX #4390FB

RGB 67 144 251

HSL 214.89, 0.96%, 0.62%

LAB 59.98, 11.78, -60.19

 

CMYK 18 / 74 / 0 / 2

HEX #CF41FB

RGB 207 65 251

HSL 285.81, 0.96%, 0.62%

LAB 56.1, 79.03, -65.81

 

CMYK 0 / 32 / 74 / 2

HEX #FBAA41

RGB 251 170 65

HSL 33.87, 0.96%, 0.62%

LAB 75.85, 21.04, 63.34

 

CMYK 57 / 0 / 74 / 2

HEX #6CFB41

RGB 108 251 65

HSL 106.13, 0.96%, 0.62%

LAB 88.24, -69.57, 72.43

 

CMYK 73 / 43 / 0 / 2

HEX #4390FB

RGB 67 144 251

HSL 214.89, 0.96%, 0.62%

LAB 59.98, 11.78, -60.19

 

CMYK 0 / 74 / 5 / 2

HEX #FB41EE

RGB 251 65 238

HSL 304.19, 0.96%, 0.62%

LAB 62.05, 85.48, -48.68

 

CMYK 0 / 32 / 74 / 2

HEX #FBAA41

RGB 251 170 65

HSL 33.87, 0.96%, 0.62%

LAB 75.85, 21.04, 63.34

 

CMYK 74 / 0 / 69 / 2

HEX #41FB4D

RGB 65 251 77

HSL 123.87, 0.96%, 0.62%

LAB 87.32, -76.93, 67.05

 

Description

Color code: RGB 67 144 251 | qconv.com Color code: RGB 67 144 251 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 144 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 144 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 43 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 43% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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