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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 124 200 it is the complementary color RGB 188 131 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 124 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 67 124 200: RGB 72 124 195, RGB 89 142 214, RGB 106 160 233, RGB 123 178 252 and RGB 140 196 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 124 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 67 124 200: RGB 67 124 200, RGB 50 106 181, RGB 33 88 162, RGB 16 70 143 and RGB 0 52 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 38 / 0 / 22

HEX #437CC8

RGB 67 124 200

HSL 214.29, 0.55%, 0.52%

LAB 51.59, 5.82, -45.05

 

Complementary color

CMYK 0 / 30 / 71 / 26

HEX #BC8337

RGB 188 131 55

HSL 34.29, 0.55%, 0.48%

LAB 59.16, 14.74, 48.31

 

CMYK 63 / 36 / 0 / 24

HEX #487CC3

RGB 72 124 195

HSL 214.63, 0.51%, 0.52%

LAB 51.53, 4.96, -42.26

 

CMYK 58 / 34 / 0 / 16

HEX #598ED6

RGB 89 142 214

HSL 214.56, 0.6%, 0.59%

LAB 58.34, 3.84, -42.21

 

CMYK 55 / 31 / 0 / 9

HEX #6AA0E9

RGB 106 160 233

HSL 214.49, 0.74%, 0.66%

LAB 65.03, 2.93, -42.19

 

CMYK 51 / 29 / 0 / 1

HEX #7BB2FC

RGB 123 178 252

HSL 214.42, 0.96%, 0.74%

LAB 71.61, 2.18, -42.19

 

CMYK 45 / 23 / 0 / 0

HEX #8CC4FF

RGB 140 196 255

HSL 210.78, 1%, 0.77%

LAB 77.45, -2.94, -34.67

 

CMYK 67 / 38 / 0 / 22

HEX #437CC8

RGB 67 124 200

HSL 214.29, 0.55%, 0.52%

LAB 51.59, 5.82, -45.05

 

CMYK 72 / 41 / 0 / 29

HEX #326AB5

RGB 50 106 181

HSL 214.35, 0.57%, 0.45%

LAB 44.69, 7.45, -45.1

 

CMYK 80 / 46 / 0 / 36

HEX #2158A2

RGB 33 88 162

HSL 214.42, 0.66%, 0.38%

LAB 37.68, 9.57, -45.14

 

CMYK 89 / 51 / 0 / 44

HEX #10468F

RGB 16 70 143

HSL 214.49, 0.8%, 0.31%

LAB 30.58, 12.37, -45.11

 

CMYK 100 / 58 / 0 / 51

HEX #00347C

RGB 0 52 124

HSL 214.84, 1%, 0.24%

LAB 23.38, 15.94, -44.97

 

CMYK 67 / 38 / 0 / 22

HEX #437CC8

RGB 67 124 200

HSL 214.29, 0.55%, 0.52%

LAB 51.59, 5.82, -45.05

 

CMYK 67 / 49 / 0 / 22

HEX #4165C7

RGB 65 101 199

HSL 223.88, 0.54%, 0.52%

LAB 45.02, 19.49, -54.98

 

CMYK 67 / 61 / 0 / 22

HEX #414EC7

RGB 65 78 199

HSL 234.18, 0.54%, 0.52%

LAB 39.06, 34.13, -64.63

 

CMYK 63 / 67 / 0 / 22

HEX #4A41C7

RGB 74 65 199

HSL 244.03, 0.54%, 0.52%

LAB 36.67, 43.32, -68.52

 

CMYK 52 / 67 / 0 / 22

HEX #6041C7

RGB 96 65 199

HSL 253.88, 0.54%, 0.52%

LAB 38.54, 46.77, -65.39

 

CMYK 67 / 38 / 0 / 22

HEX #437CC8

RGB 67 124 200

HSL 214.29, 0.55%, 0.52%

LAB 51.59, 5.82, -45.05

 

CMYK 67 / 38 / 0 / 2

HEX #549CFB

RGB 84 156 251

HSL 214.13, 0.95%, 0.66%

LAB 63.86, 7.06, -53.98

 

CMYK 66 / 38 / 0 / 82

HEX #101D2F

RGB 16 29 47

HSL 214.84, 0.49%, 0.12%

LAB 10.51, 1.04, -13.73

 

CMYK 66 / 38 / 0 / 62

HEX #213D62

RGB 33 61 98

HSL 214.15, 0.5%, 0.26%

LAB 25.39, 2.48, -25.04

 

CMYK 66 / 38 / 0 / 42

HEX #325C95

RGB 50 92 149

HSL 214.55, 0.5%, 0.39%

LAB 38.73, 4.52, -35.64

 

CMYK 67 / 38 / 0 / 22

HEX #437CC8

RGB 67 124 200

HSL 214.29, 0.55%, 0.52%

LAB 51.59, 5.82, -45.05

 

CMYK 16 / 67 / 0 / 22

HEX #A841C7

RGB 168 65 199

HSL 286.12, 0.54%, 0.52%

LAB 47.27, 61.33, -50.83

 

CMYK 11 / 0 / 67 / 22

HEX #B1C741

RGB 177 199 65

HSL 69.85, 0.54%, 0.52%

LAB 76.42, -25.21, 61.68

 

CMYK 67 / 38 / 0 / 22

HEX #437CC8

RGB 67 124 200

HSL 214.29, 0.55%, 0.52%

LAB 51.59, 5.82, -45.05

 

CMYK 0 / 67 / 38 / 22

HEX #C7417B

RGB 199 65 123

HSL 334.03, 0.54%, 0.52%

LAB 48.7, 57.79, -3.18

 

CMYK 38 / 0 / 67 / 22

HEX #7BC741

RGB 123 199 65

HSL 94.03, 0.54%, 0.52%

LAB 73.18, -45.69, 57.3

 

CMYK 67 / 38 / 0 / 22

HEX #437CC8

RGB 67 124 200

HSL 214.29, 0.55%, 0.52%

LAB 51.59, 5.82, -45.05

 

CMYK 16 / 67 / 0 / 22

HEX #A841C7

RGB 168 65 199

HSL 286.12, 0.54%, 0.52%

LAB 47.27, 61.33, -50.83

 

CMYK 0 / 29 / 67 / 22

HEX #C78D41

RGB 199 141 65

HSL 34.03, 0.54%, 0.52%

LAB 62.99, 14.58, 48.1

 

CMYK 52 / 0 / 67 / 22

HEX #60C741

RGB 96 199 65

HSL 106.12, 0.54%, 0.52%

LAB 72.04, -54.06, 55.75

 

CMYK 67 / 38 / 0 / 22

HEX #437CC8

RGB 67 124 200

HSL 214.29, 0.55%, 0.52%

LAB 51.59, 5.82, -45.05

 

CMYK 0 / 67 / 5 / 22

HEX #C741BE

RGB 199 65 190

HSL 304.03, 0.54%, 0.52%

LAB 51.43, 66.85, -38.74

 

CMYK 0 / 29 / 67 / 22

HEX #C78D41

RGB 199 141 65

HSL 34.03, 0.54%, 0.52%

LAB 62.99, 14.58, 48.1

 

CMYK 67 / 0 / 63 / 22

HEX #41C74A

RGB 65 199 74

HSL 124.03, 0.54%, 0.52%

LAB 71.19, -60.5, 50.8

 

Description

Color code: RGB 67 124 200 | qconv.com Color code: RGB 67 124 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 124 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 124 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 38 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 38% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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