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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 91 209 it is the complementary color RGB 189 164 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 91 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 66 91 209: RGB 71 91 204, RGB 88 109 223, RGB 105 127 242, RGB 122 145 255 and RGB 139 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 91 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 66 91 209: RGB 66 91 209, RGB 49 73 190, RGB 32 55 171, RGB 15 37 152 and RGB 0 19 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 56 / 0 / 18

HEX #425BD1

RGB 66 91 209

HSL 229.51, 0.61%, 0.54%

LAB 43.13, 29.57, -63.79

 

Complementary color

CMYK 0 / 13 / 76 / 26

HEX #BDA42E

RGB 189 164 46

HSL 49.51, 0.61%, 0.46%

LAB 67.7, -3.23, 60.53

 

CMYK 65 / 55 / 0 / 20

HEX #475BCC

RGB 71 91 204

HSL 230.98, 0.57%, 0.54%

LAB 43.04, 28.56, -61.05

 

CMYK 61 / 51 / 0 / 13

HEX #586DDF

RGB 88 109 223

HSL 230.67, 0.68%, 0.61%

LAB 49.91, 26.65, -60.73

 

CMYK 57 / 48 / 0 / 5

HEX #697FF2

RGB 105 127 242

HSL 230.36, 0.84%, 0.68%

LAB 56.68, 25.05, -60.43

 

CMYK 52 / 43 / 0 / 0

HEX #7A91FF

RGB 122 145 255

HSL 229.62, 1%, 0.74%

LAB 63.02, 21.84, -57.39

 

CMYK 45 / 36 / 0 / 0

HEX #8BA3FF

RGB 139 163 255

HSL 227.59, 1%, 0.77%

LAB 68.68, 15.21, -48.35

 

CMYK 68 / 56 / 0 / 18

HEX #425BD1

RGB 66 91 209

HSL 229.51, 0.61%, 0.54%

LAB 43.13, 29.57, -63.79

 

CMYK 74 / 62 / 0 / 25

HEX #3149BE

RGB 49 73 190

HSL 229.79, 0.59%, 0.47%

LAB 36.24, 32.05, -64.01

 

CMYK 81 / 68 / 0 / 33

HEX #2037AB

RGB 32 55 171

HSL 230.07, 0.68%, 0.4%

LAB 29.36, 34.98, -64.06

 

CMYK 90 / 76 / 0 / 40

HEX #0F2598

RGB 15 37 152

HSL 230.36, 0.82%, 0.33%

LAB 22.62, 38.26, -63.65

 

CMYK 100 / 86 / 0 / 48

HEX #001385

RGB 0 19 133

HSL 231.43, 1%, 0.26%

LAB 16.3, 41.2, -62.32

 

CMYK 68 / 56 / 0 / 18

HEX #425BD1

RGB 66 91 209

HSL 229.51, 0.61%, 0.54%

LAB 43.13, 29.57, -63.79

 

CMYK 68 / 67 / 0 / 18

HEX #4244D1

RGB 66 68 209

HSL 239.16, 0.61%, 0.54%

LAB 37.66, 43.78, -72.72

 

CMYK 58 / 68 / 0 / 18

HEX #5742D1

RGB 87 66 209

HSL 248.81, 0.61%, 0.54%

LAB 38.77, 47.76, -70.84

 

CMYK 47 / 68 / 0 / 18

HEX #6F42D1

RGB 111 66 209

HSL 258.88, 0.61%, 0.54%

LAB 41.02, 51.66, -67.06

 

CMYK 35 / 68 / 0 / 18

HEX #8742D1

RGB 135 66 209

HSL 268.95, 0.61%, 0.54%

LAB 43.73, 56.14, -62.54

 

CMYK 68 / 56 / 0 / 18

HEX #425BD1

RGB 66 91 209

HSL 229.51, 0.61%, 0.54%

LAB 43.13, 29.57, -63.79

 

CMYK 60 / 60 / 0 / 98

HEX #020205

RGB 2 2 5

HSL 240, 0.43%, 0.01%

LAB 0.61, 0.42, -1.14

 

CMYK 68 / 57 / 0 / 78

HEX #121838

RGB 18 24 56

HSL 230.53, 0.51%, 0.15%

LAB 9.54, 9.17, -21.78

 

CMYK 68 / 56 / 0 / 58

HEX #222F6B

RGB 34 47 107

HSL 229.32, 0.52%, 0.28%

LAB 21.71, 16.05, -36.76

 

CMYK 68 / 56 / 0 / 38

HEX #32459E

RGB 50 69 158

HSL 229.44, 0.52%, 0.41%

LAB 32.71, 23.03, -50.73

 

CMYK 68 / 56 / 0 / 18

HEX #425BD1

RGB 66 91 209

HSL 229.51, 0.61%, 0.54%

LAB 43.13, 29.57, -63.79

 

CMYK 0 / 68 / 1 / 18

HEX #D142CE

RGB 209 66 206

HSL 301.26, 0.61%, 0.54%

LAB 53.93, 71.34, -43.9

 

CMYK 29 / 0 / 68 / 18

HEX #95D142

RGB 149 209 66

HSL 85.17, 0.61%, 0.54%

LAB 77.51, -40.7, 61.84

 

CMYK 68 / 56 / 0 / 18

HEX #425BD1

RGB 66 91 209

HSL 229.51, 0.61%, 0.54%

LAB 43.13, 29.57, -63.79

 

CMYK 0 / 68 / 56 / 18

HEX #D1425C

RGB 209 66 92

HSL 349.09, 0.61%, 0.54%

LAB 49.77, 57.61, 17.36

 

CMYK 56 / 0 / 68 / 18

HEX #5CD142

RGB 92 209 66

HSL 109.09, 0.61%, 0.54%

LAB 74.99, -58.75, 58.44

 

CMYK 68 / 56 / 0 / 18

HEX #425BD1

RGB 66 91 209

HSL 229.51, 0.61%, 0.54%

LAB 43.13, 29.57, -63.79

 

CMYK 0 / 68 / 1 / 18

HEX #D142CE

RGB 209 66 206

HSL 301.26, 0.61%, 0.54%

LAB 53.93, 71.34, -43.9

 

CMYK 0 / 12 / 68 / 18

HEX #D1B742

RGB 209 183 66

HSL 49.09, 0.61%, 0.54%

LAB 74.71, -3.58, 60.36

 

CMYK 68 / 0 / 67 / 18

HEX #42D144

RGB 66 209 68

HSL 120.84, 0.61%, 0.54%

LAB 74.3, -64.28, 56.71

 

CMYK 68 / 56 / 0 / 18

HEX #425BD1

RGB 66 91 209

HSL 229.51, 0.61%, 0.54%

LAB 43.13, 29.57, -63.79

 

CMYK 0 / 68 / 22 / 18

HEX #D142A3

RGB 209 66 163

HSL 319.3, 0.61%, 0.54%

LAB 51.95, 65.01, -22.03

 

CMYK 0 / 12 / 68 / 18

HEX #D1B742

RGB 209 183 66

HSL 49.09, 0.61%, 0.54%

LAB 74.71, -3.58, 60.36

 

CMYK 68 / 0 / 47 / 18

HEX #42D16F

RGB 66 209 111

HSL 138.88, 0.61%, 0.54%

LAB 74.77, -58.87, 37.7

 

Description

Color code: RGB 66 91 209 | qconv.com Color code: RGB 66 91 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 91 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 91 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 56 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 56% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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