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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 188 219 it is the complementary color RGB 189 67 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 188 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 66 188 219: RGB 71 188 214, RGB 88 206 233, RGB 105 224 252, RGB 122 242 255 and RGB 139 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 188 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 66 188 219: RGB 66 188 219, RGB 49 170 200, RGB 32 152 181, RGB 15 134 162 and RGB 0 116 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

Complementary color

CMYK 0 / 65 / 81 / 26

HEX #BD4324

RGB 189 67 36

HSL 12.16, 0.68%, 0.44%

LAB 45.58, 47.55, 43.64

 

CMYK 67 / 12 / 0 / 16

HEX #47BCD6

RGB 71 188 214

HSL 190.91, 0.64%, 0.56%

LAB 70.98, -24.5, -22.67

 

CMYK 62 / 12 / 0 / 9

HEX #58CEE9

RGB 88 206 233

HSL 191.17, 0.77%, 0.63%

LAB 77.34, -25.14, -23.22

 

CMYK 58 / 11 / 0 / 1

HEX #69E0FC

RGB 105 224 252

HSL 191.43, 0.96%, 0.7%

LAB 83.62, -25.64, -23.73

 

CMYK 52 / 5 / 0 / 0

HEX #7AF2FF

RGB 122 242 255

HSL 185.86, 1%, 0.74%

LAB 89.33, -30.32, -16.62

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

CMYK 76 / 15 / 0 / 22

HEX #31AAC8

RGB 49 170 200

HSL 191.92, 0.61%, 0.49%

LAB 64.62, -22.66, -24.74

 

CMYK 82 / 16 / 0 / 29

HEX #2098B5

RGB 32 152 181

HSL 191.68, 0.7%, 0.42%

LAB 58.13, -21.33, -24.07

 

CMYK 91 / 17 / 0 / 36

HEX #0F86A2

RGB 15 134 162

HSL 191.43, 0.83%, 0.35%

LAB 51.57, -19.57, -23.32

 

CMYK 100 / 19 / 0 / 44

HEX #00748F

RGB 0 116 143

HSL 191.33, 1%, 0.28%

LAB 44.91, -17.37, -22.46

 

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

CMYK 70 / 26 / 0 / 14

HEX #42A3DB

RGB 66 163 219

HSL 201.96, 0.68%, 0.56%

LAB 63.73, -10.44, -36.62

 

CMYK 70 / 37 / 0 / 14

HEX #4289DB

RGB 66 137 219

HSL 212.16, 0.68%, 0.56%

LAB 56.25, 4.51, -48.39

 

CMYK 70 / 49 / 0 / 14

HEX #4270DB

RGB 66 112 219

HSL 221.96, 0.68%, 0.56%

LAB 49.33, 19.86, -59.46

 

CMYK 70 / 61 / 0 / 14

HEX #4256DB

RGB 66 86 219

HSL 232.16, 0.68%, 0.56%

LAB 42.66, 36.21, -70.28

 

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

CMYK 67 / 13 / 0 / 94

HEX #050D0F

RGB 5 13 15

HSL 192, 0.5%, 0.04%

LAB 3.2, -1.81, -1.7

 

CMYK 70 / 14 / 0 / 74

HEX #143942

RGB 20 57 66

HSL 191.74, 0.53%, 0.17%

LAB 21.83, -9.84, -9.5

 

CMYK 70 / 15 / 0 / 54

HEX #236475

RGB 35 100 117

HSL 192.44, 0.54%, 0.3%

LAB 39.17, -14.53, -15.58

 

CMYK 70 / 14 / 0 / 34

HEX #3390A8

RGB 51 144 168

HSL 192.31, 0.53%, 0.43%

LAB 55.56, -19.18, -20.58

 

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

CMYK 42 / 70 / 0 / 14

HEX #7F42DB

RGB 127 66 219

HSL 263.92, 0.68%, 0.56%

LAB 43.54, 57.12, -68.62

 

CMYK 0 / 14 / 70 / 14

HEX #DBBC42

RGB 219 188 66

HSL 47.84, 0.68%, 0.56%

LAB 76.93, -1.9, 62.92

 

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

CMYK 0 / 70 / 14 / 14

HEX #DB42BC

RGB 219 66 188

HSL 312.16, 0.68%, 0.56%

LAB 54.64, 70.94, -32.31

 

CMYK 14 / 0 / 70 / 14

HEX #BCDB42

RGB 188 219 66

HSL 72.16, 0.68%, 0.56%

LAB 82.78, -30.23, 67.96

 

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

CMYK 42 / 70 / 0 / 14

HEX #7F42DB

RGB 127 66 219

HSL 263.92, 0.68%, 0.56%

LAB 43.54, 57.12, -68.62

 

CMYK 0 / 56 / 70 / 14

HEX #DB6142

RGB 219 97 66

HSL 12.16, 0.68%, 0.56%

LAB 56.09, 45.83, 40.63

 

CMYK 28 / 0 / 70 / 14

HEX #9EDB42

RGB 158 219 66

HSL 83.92, 0.68%, 0.56%

LAB 80.92, -41.77, 65.48

 

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

CMYK 21 / 70 / 0 / 14

HEX #AD42DB

RGB 173 66 219

HSL 281.96, 0.68%, 0.56%

LAB 49.37, 65.96, -58.91

 

CMYK 0 / 56 / 70 / 14

HEX #DB6142

RGB 219 97 66

HSL 12.16, 0.68%, 0.56%

LAB 56.09, 45.83, 40.63

 

CMYK 49 / 0 / 70 / 14

HEX #70DB42

RGB 112 219 66

HSL 101.96, 0.68%, 0.56%

LAB 78.75, -57.01, 62.58

 

Description

Color code: RGB 66 188 219 | qconv.com Color code: RGB 66 188 219 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 188 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 188 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 14 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 14% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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