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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 85 72 it is the complementary color RGB 190 170 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 85 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 65 85 72: RGB 70 85 67, RGB 87 103 86, RGB 104 121 105, RGB 121 139 124 and RGB 138 157 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 85 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 65 85 72: RGB 65 85 72, RGB 48 67 53, RGB 31 49 34, RGB 14 31 15 and RGB 0 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 15 / 67

HEX #415548

RGB 65 85 72

HSL 141, 0.13%, 0.29%

LAB 34.17, -10.74, 5.08

 

Complementary color

CMYK 0 / 11 / 4 / 25

HEX #BEAAB7

RGB 190 170 183

HSL 321, 0.13%, 0.71%

LAB 71.63, 9.52, -4.02

 

CMYK 18 / 0 / 21 / 67

HEX #465543

RGB 70 85 67

HSL 110, 0.12%, 0.3%

LAB 34.4, -9.82, 8.6

 

CMYK 16 / 0 / 17 / 60

HEX #576756

RGB 87 103 86

HSL 116.47, 0.09%, 0.37%

LAB 41.84, -9.71, 7.59

 

CMYK 14 / 0 / 13 / 53

HEX #687969

RGB 104 121 105

HSL 123.53, 0.08%, 0.44%

LAB 49.05, -9.63, 6.68

 

CMYK 13 / 0 / 11 / 45

HEX #798B7C

RGB 121 139 124

HSL 130, 0.07%, 0.51%

LAB 56.07, -9.56, 5.84

 

CMYK 12 / 0 / 9 / 38

HEX #8A9D8F

RGB 138 157 143

HSL 135.79, 0.09%, 0.58%

LAB 62.93, -9.52, 5.05

 

CMYK 24 / 0 / 15 / 67

HEX #415548

RGB 65 85 72

HSL 141, 0.13%, 0.29%

LAB 34.17, -10.74, 5.08

NCS® S7010-G10Y

CMYK 28 / 0 / 21 / 74

HEX #304335

RGB 48 67 53

HSL 135.79, 0.17%, 0.23%

LAB 26.45, -10.97, 6.09

 

CMYK 37 / 0 / 31 / 81

HEX #1F3122

RGB 31 49 34

HSL 130, 0.23%, 0.16%

LAB 18.38, -11.26, 7.28

 

CMYK 55 / 0 / 52 / 88

HEX #0E1F0F

RGB 14 31 15

HSL 123.53, 0.38%, 0.09%

LAB 9.86, -11.47, 8.05

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 24 / 0 / 15 / 67

HEX #415548

RGB 65 85 72

HSL 141, 0.13%, 0.29%

LAB 34.17, -10.74, 5.08

NCS® S7010-G10Y

CMYK 23 / 0 / 11 / 67

HEX #40534A

RGB 64 83 74

HSL 151.58, 0.13%, 0.29%

LAB 33.5, -9.49, 2.86

 

CMYK 23 / 0 / 7 / 67

HEX #40534D

RGB 64 83 77

HSL 161.05, 0.13%, 0.29%

LAB 33.59, -8.78, 1.09

 

CMYK 23 / 0 / 4 / 67

HEX #405350

RGB 64 83 80

HSL 170.53, 0.13%, 0.29%

LAB 33.68, -8.05, -0.67

 

CMYK 23 / 0 / 0 / 67

HEX #405353

RGB 64 83 83

HSL 180, 0.13%, 0.29%

LAB 33.78, -7.3, -2.42

 

CMYK 24 / 0 / 15 / 67

HEX #415548

RGB 65 85 72

HSL 141, 0.13%, 0.29%

LAB 34.17, -10.74, 5.08

NCS® S7010-G10Y

CMYK 24 / 0 / 15 / 47

HEX #688873

RGB 104 136 115

HSL 140.63, 0.13%, 0.47%

LAB 53.8, -15.84, 7.62

 

CMYK 24 / 0 / 16 / 27

HEX #8FBB9E

RGB 143 187 158

HSL 140.45, 0.24%, 0.65%

LAB 72.13, -20.56, 9.97

 

CMYK 24 / 0 / 15 / 7

HEX #B6EECA

RGB 182 238 202

HSL 141.43, 0.62%, 0.82%

LAB 89.56, -24.83, 11.69

 

CMYK 24 / 0 / 15 / 87

HEX #1A221D

RGB 26 34 29

HSL 142.5, 0.13%, 0.12%

LAB 12.3, -4.93, 2.18

 

CMYK 24 / 0 / 15 / 67

HEX #415548

RGB 65 85 72

HSL 141, 0.13%, 0.29%

LAB 34.17, -10.74, 5.08

NCS® S7010-G10Y

CMYK 23 / 13 / 0 / 67

HEX #404853

RGB 64 72 83

HSL 214.74, 0.13%, 0.29%

LAB 30.28, -0.46, -7.63

 

CMYK 0 / 23 / 22 / 67

HEX #534041

RGB 83 64 65

HSL 356.84, 0.13%, 0.29%

LAB 29.13, 8.42, 2.54

 

CMYK 24 / 0 / 15 / 67

HEX #415548

RGB 65 85 72

HSL 141, 0.13%, 0.29%

LAB 34.17, -10.74, 5.08

NCS® S7010-G10Y

CMYK 14 / 23 / 0 / 67

HEX #474053

RGB 71 64 83

HSL 262.11, 0.13%, 0.29%

LAB 28.46, 7.37, -10.32

 

CMYK 0 / 14 / 23 / 67

HEX #534740

RGB 83 71 64

HSL 22.11, 0.13%, 0.29%

LAB 31.15, 3.78, 6.08

 

CMYK 24 / 0 / 15 / 67

HEX #415548

RGB 65 85 72

HSL 141, 0.13%, 0.29%

LAB 34.17, -10.74, 5.08

NCS® S7010-G10Y

CMYK 23 / 13 / 0 / 67

HEX #404853

RGB 64 72 83

HSL 214.74, 0.13%, 0.29%

LAB 30.28, -0.46, -7.63

 

CMYK 0 / 23 / 8 / 67

HEX #53404C

RGB 83 64 76

HSL 322.11, 0.13%, 0.29%

LAB 29.48, 10.56, -4.1

 

CMYK 0 / 11 / 23 / 67

HEX #534A40

RGB 83 74 64

HSL 31.58, 0.13%, 0.29%

LAB 32.05, 1.89, 7.35

 

CMYK 24 / 0 / 15 / 67

HEX #415548

RGB 65 85 72

HSL 141, 0.13%, 0.29%

LAB 34.17, -10.74, 5.08

NCS® S7010-G10Y

CMYK 23 / 19 / 0 / 67

HEX #404353

RGB 64 67 83

HSL 230.53, 0.13%, 0.29%

LAB 28.72, 2.77, -9.99

 

CMYK 0 / 23 / 8 / 67

HEX #53404C

RGB 83 64 76

HSL 322.11, 0.13%, 0.29%

LAB 29.48, 10.56, -4.1

 

CMYK 0 / 4 / 23 / 67

HEX #535040

RGB 83 80 64

HSL 50.53, 0.13%, 0.29%

LAB 33.87, -1.83, 9.89

 

Description

Color code: RGB 65 85 72 | qconv.com Color code: RGB 65 85 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 85 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 85 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 15 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 15% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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