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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 66 55 it is the complementary color RGB 190 189 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 66 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 65 66 55: RGB 70 66 50, RGB 87 84 69, RGB 104 102 88, RGB 121 120 107 and RGB 138 138 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 66 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 65 66 55: RGB 65 66 55, RGB 48 48 36, RGB 31 30 17, RGB 14 12 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 17 / 74

HEX #414237

RGB 65 66 55

HSL 65.45, 0.09%, 0.24%

LAB 27.56, -2.72, 6.56

 

Complementary color

CMYK 5 / 5 / 0 / 22

HEX #BEBDC8

RGB 190 189 200

HSL 245.45, 0.09%, 0.76%

LAB 76.99, 2.43, -5.41

 

CMYK 0 / 6 / 29 / 73

HEX #464232

RGB 70 66 50

HSL 48, 0.17%, 0.24%

LAB 27.92, -1.36, 10.37

 

CMYK 0 / 3 / 21 / 66

HEX #575445

RGB 87 84 69

HSL 50, 0.12%, 0.31%

LAB 35.59, -1.66, 9.22

 

CMYK 0 / 2 / 15 / 59

HEX #686658

RGB 104 102 88

HSL 52.5, 0.08%, 0.38%

LAB 42.99, -1.89, 8.2

 

CMYK 0 / 1 / 12 / 53

HEX #79786B

RGB 121 120 107

HSL 55.71, 0.06%, 0.45%

LAB 50.17, -2.09, 7.28

 

CMYK 0 / 0 / 9 / 46

HEX #8A8A7E

RGB 138 138 126

HSL 60, 0.05%, 0.52%

LAB 57.16, -2.26, 6.42

 

CMYK 2 / 0 / 17 / 74

HEX #414237

RGB 65 66 55

HSL 65.45, 0.09%, 0.24%

LAB 27.56, -2.72, 6.56

 

CMYK 0 / 0 / 25 / 81

HEX #303024

RGB 48 48 36

HSL 60, 0.14%, 0.16%

LAB 19.51, -2.53, 7.71

 

CMYK 0 / 3 / 45 / 88

HEX #1F1E11

RGB 31 30 17

HSL 55.71, 0.29%, 0.09%

LAB 11, -2.22, 8.74

 

CMYK 0 / 14 / 100 / 95

HEX #0E0C00

RGB 14 12 0

HSL 51.43, 1%, 0.03%

LAB 3.22, -1.07, 4.8

 

CMYK 2 / 0 / 17 / 74

HEX #414237

RGB 65 66 55

HSL 65.45, 0.09%, 0.24%

LAB 27.56, -2.72, 6.56

 

CMYK 5 / 0 / 17 / 74

HEX #3F4237

RGB 63 66 55

HSL 76.36, 0.09%, 0.24%

LAB 27.38, -3.61, 6.28

 

CMYK 6 / 0 / 17 / 74

HEX #3E4237

RGB 62 66 55

HSL 81.82, 0.09%, 0.24%

LAB 27.29, -4.05, 6.14

 

CMYK 9 / 0 / 17 / 74

HEX #3C4237

RGB 60 66 55

HSL 92.73, 0.09%, 0.24%

LAB 27.11, -4.92, 5.86

 

CMYK 12 / 0 / 17 / 74

HEX #3A4237

RGB 58 66 55

HSL 103.64, 0.09%, 0.24%

LAB 26.94, -5.78, 5.6

 

CMYK 2 / 0 / 17 / 74

HEX #414237

RGB 65 66 55

HSL 65.45, 0.09%, 0.24%

LAB 27.56, -2.72, 6.56

 

CMYK 2 / 0 / 16 / 54

HEX #737562

RGB 115 117 98

HSL 66.32, 0.09%, 0.42%

LAB 48.57, -4.36, 10.24

 

CMYK 2 / 0 / 17 / 34

HEX #A5A88C

RGB 165 168 140

HSL 66.43, 0.14%, 0.6%

LAB 67.95, -6.02, 14.13

 

CMYK 1 / 0 / 16 / 14

HEX #D8DBB7

RGB 216 219 183

HSL 65, 0.33%, 0.79%

LAB 86.35, -7.05, 17.39

 

CMYK 0 / 0 / 13 / 94

HEX #0F0F0D

RGB 15 15 13

HSL 60, 0.07%, 0.05%

LAB 4.27, -0.34, 0.94

 

CMYK 2 / 0 / 17 / 74

HEX #414237

RGB 65 66 55

HSL 65.45, 0.09%, 0.24%

LAB 27.56, -2.72, 6.56

 

CMYK 17 / 0 / 12 / 74

HEX #37423A

RGB 55 66 58

HSL 136.36, 0.09%, 0.24%

LAB 26.78, -6.39, 3.37

 

CMYK 5 / 17 / 0 / 74

HEX #3F3742

RGB 63 55 66

HSL 283.64, 0.09%, 0.24%

LAB 24.27, 5.97, -5.52

 

CMYK 2 / 0 / 17 / 74

HEX #414237

RGB 65 66 55

HSL 65.45, 0.09%, 0.24%

LAB 27.56, -2.72, 6.56

 

CMYK 17 / 2 / 0 / 74

HEX #374142

RGB 55 65 66

HSL 185.45, 0.09%, 0.24%

LAB 26.7, -3.83, -1.99

 

CMYK 0 / 17 / 2 / 74

HEX #423741

RGB 66 55 65

HSL 305.45, 0.09%, 0.24%

LAB 24.55, 6.98, -4.39

 

CMYK 2 / 0 / 17 / 74

HEX #414237

RGB 65 66 55

HSL 65.45, 0.09%, 0.24%

LAB 27.56, -2.72, 6.56

 

CMYK 17 / 0 / 12 / 74

HEX #37423A

RGB 55 66 58

HSL 136.36, 0.09%, 0.24%

LAB 26.78, -6.39, 3.37

 

CMYK 15 / 17 / 0 / 74

HEX #383742

RGB 56 55 66

HSL 245.45, 0.09%, 0.24%

LAB 23.56, 3.12, -6.65

 

CMYK 0 / 17 / 5 / 74

HEX #42373F

RGB 66 55 63

HSL 316.36, 0.09%, 0.24%

LAB 24.48, 6.54, -3.16

 

CMYK 2 / 0 / 17 / 74

HEX #414237

RGB 65 66 55

HSL 65.45, 0.09%, 0.24%

LAB 27.56, -2.72, 6.56

 

CMYK 17 / 0 / 6 / 74

HEX #37423E

RGB 55 66 62

HSL 158.18, 0.09%, 0.24%

LAB 26.9, -5.45, 0.92

 

CMYK 15 / 17 / 0 / 74

HEX #383742

RGB 56 55 66

HSL 245.45, 0.09%, 0.24%

LAB 23.56, 3.12, -6.65

 

CMYK 0 / 17 / 9 / 74

HEX #42373C

RGB 66 55 60

HSL 332.73, 0.09%, 0.24%

LAB 24.38, 5.89, -1.31

 

Description

Color code: RGB 65 66 55 | qconv.com Color code: RGB 65 66 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 66 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 66 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 17 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 17% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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