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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 177 189 it is the complementary color RGB 190 78 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 177 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 65 177 189: RGB 70 177 184, RGB 87 195 203, RGB 104 213 222, RGB 121 231 241 and RGB 138 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 177 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 65 177 189: RGB 65 177 189, RGB 48 159 170, RGB 31 141 151, RGB 14 123 132 and RGB 0 105 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 6 / 0 / 26

HEX #41B1BD

RGB 65 177 189

HSL 185.81, 0.49%, 0.5%

LAB 66.7, -27.45, -15.43

 

Complementary color

CMYK 0 / 59 / 65 / 25

HEX #BE4E42

RGB 190 78 66

HSL 5.81, 0.49%, 0.5%

LAB 47.99, 44.28, 29.91

 

CMYK 62 / 4 / 0 / 28

HEX #46B1B8

RGB 70 177 184

HSL 183.68, 0.45%, 0.5%

LAB 66.68, -28.09, -12.69

 

CMYK 57 / 4 / 0 / 20

HEX #57C3CB

RGB 87 195 203

HSL 184.14, 0.53%, 0.57%

LAB 73.13, -28.48, -13.38

 

CMYK 53 / 4 / 0 / 13

HEX #68D5DE

RGB 104 213 222

HSL 184.58, 0.64%, 0.64%

LAB 79.5, -28.74, -14.01

 

CMYK 50 / 4 / 0 / 5

HEX #79E7F1

RGB 121 231 241

HSL 185, 0.81%, 0.71%

LAB 85.79, -28.93, -14.6

 

CMYK 46 / 2 / 0 / 0

HEX #8AF9FF

RGB 138 249 255

HSL 183.08, 1%, 0.77%

LAB 91.85, -30.3, -12.78

 

CMYK 66 / 6 / 0 / 26

HEX #41B1BD

RGB 65 177 189

HSL 185.81, 0.49%, 0.5%

LAB 66.7, -27.45, -15.43

 

CMYK 72 / 6 / 0 / 33

HEX #309FAA

RGB 48 159 170

HSL 185.41, 0.56%, 0.43%

LAB 60.18, -26.72, -14.7

 

CMYK 79 / 7 / 0 / 41

HEX #1F8D97

RGB 31 141 151

HSL 185, 0.66%, 0.36%

LAB 53.57, -25.69, -13.87

 

CMYK 89 / 7 / 0 / 48

HEX #0E7B84

RGB 14 123 132

HSL 184.58, 0.81%, 0.29%

LAB 46.88, -24.23, -12.91

 

CMYK 100 / 7 / 0 / 56

HEX #006971

RGB 0 105 113

HSL 184.25, 1%, 0.22%

LAB 40.07, -22.28, -11.81

 

CMYK 66 / 6 / 0 / 26

HEX #41B1BD

RGB 65 177 189

HSL 185.81, 0.49%, 0.5%

LAB 66.7, -27.45, -15.43

 

CMYK 66 / 16 / 0 / 26

HEX #419EBD

RGB 65 158 189

HSL 195, 0.49%, 0.5%

LAB 61, -17.68, -24.11

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 66 / 38 / 0 / 26

HEX #4175BD

RGB 65 117 189

HSL 214.84, 0.49%, 0.5%

LAB 48.91, 5.89, -42.99

 

CMYK 66 / 49 / 0 / 26

HEX #4160BD

RGB 65 96 189

HSL 225, 0.49%, 0.5%

LAB 43.01, 19.11, -52.42

 

CMYK 66 / 6 / 0 / 26

HEX #41B1BD

RGB 65 177 189

HSL 185.81, 0.49%, 0.5%

LAB 66.7, -27.45, -15.43

 

CMYK 65 / 6 / 0 / 6

HEX #53E1F0

RGB 83 225 240

HSL 185.73, 0.84%, 0.63%

LAB 82.9, -33.12, -18.53

 

CMYK 67 / 6 / 0 / 86

HEX #0C2224

RGB 12 34 36

HSL 185, 0.5%, 0.09%

LAB 11.62, -7.97, -4.03

 

CMYK 66 / 7 / 0 / 66

HEX #1E5157

RGB 30 81 87

HSL 186.32, 0.49%, 0.23%

LAB 31.46, -14.78, -8.6

 

CMYK 66 / 7 / 0 / 46

HEX #2F818A

RGB 47 129 138

HSL 185.93, 0.49%, 0.36%

LAB 49.67, -21.46, -12.17

 

CMYK 66 / 6 / 0 / 26

HEX #41B1BD

RGB 65 177 189

HSL 185.81, 0.49%, 0.5%

LAB 66.7, -27.45, -15.43

 

CMYK 47 / 66 / 0 / 26

HEX #6441BD

RGB 100 65 189

HSL 256.94, 0.49%, 0.5%

LAB 38.14, 44.63, -60.18

 

CMYK 0 / 21 / 66 / 26

HEX #BD9641

RGB 189 150 65

HSL 41.13, 0.49%, 0.5%

LAB 64.17, 5.31, 49.08

 

CMYK 66 / 6 / 0 / 26

HEX #41B1BD

RGB 65 177 189

HSL 185.81, 0.49%, 0.5%

LAB 66.7, -27.45, -15.43

 

CMYK 0 / 66 / 5 / 26

HEX #BD41B3

RGB 189 65 179

HSL 304.84, 0.49%, 0.5%

LAB 49.32, 62.68, -35.76

 

CMYK 5 / 0 / 66 / 26

HEX #B3BD41

RGB 179 189 65

HSL 64.84, 0.49%, 0.5%

LAB 73.78, -19.47, 59.01

 

CMYK 66 / 6 / 0 / 26

HEX #41B1BD

RGB 65 177 189

HSL 185.81, 0.49%, 0.5%

LAB 66.7, -27.45, -15.43

 

CMYK 47 / 66 / 0 / 26

HEX #6441BD

RGB 100 65 189

HSL 256.94, 0.49%, 0.5%

LAB 38.14, 44.63, -60.18

 

CMYK 0 / 60 / 66 / 26

HEX #BD4B41

RGB 189 75 65

HSL 4.84, 0.49%, 0.5%

LAB 47.28, 45.27, 29.57

 

CMYK 19 / 0 / 66 / 26

HEX #9ABD41

RGB 154 189 65

HSL 76.94, 0.49%, 0.5%

LAB 71.99, -29.72, 56.59

 

CMYK 66 / 6 / 0 / 26

HEX #41B1BD

RGB 65 177 189

HSL 185.81, 0.49%, 0.5%

LAB 66.7, -27.45, -15.43

 

CMYK 28 / 66 / 0 / 26

HEX #8941BD

RGB 137 65 189

HSL 274.84, 0.49%, 0.5%

LAB 42.42, 52.33, -53.04

 

CMYK 0 / 60 / 66 / 26

HEX #BD4B41

RGB 189 75 65

HSL 4.84, 0.49%, 0.5%

LAB 47.28, 45.27, 29.57

 

CMYK 38 / 0 / 66 / 26

HEX #75BD41

RGB 117 189 65

HSL 94.84, 0.49%, 0.5%

LAB 69.87, -43.52, 53.69

 

Description

Color code: RGB 65 177 189 | qconv.com Color code: RGB 65 177 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 177 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 177 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 6 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 6% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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