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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 117 50 it is the complementary color RGB 190 138 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 117 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 65 117 50: RGB 70 117 45, RGB 87 135 64, RGB 104 153 83, RGB 121 171 102 and RGB 138 189 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 117 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 65 117 50: RGB 65 117 50, RGB 48 99 31, RGB 31 81 12, RGB 14 63 0 and RGB 0 45 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

Complementary color

CMYK 7 / 33 / 0 / 20

HEX #BE8ACD

RGB 190 138 205

HSL 286.57, 0.4%, 0.67%

LAB 64.59, 31.47, -26.87

 

CMYK 40 / 0 / 62 / 54

HEX #46752D

RGB 70 117 45

HSL 99.17, 0.44%, 0.32%

LAB 44.54, -30.04, 34.06

 

CMYK 36 / 0 / 53 / 47

HEX #578740

RGB 87 135 64

HSL 100.56, 0.36%, 0.39%

LAB 51.52, -30.05, 32.85

 

CMYK 32 / 0 / 46 / 40

HEX #689953

RGB 104 153 83

HSL 102, 0.3%, 0.46%

LAB 58.37, -29.94, 31.57

 

CMYK 29 / 0 / 40 / 33

HEX #79AB66

RGB 121 171 102

HSL 103.48, 0.29%, 0.54%

LAB 65.08, -29.79, 30.33

 

CMYK 27 / 0 / 36 / 26

HEX #8ABD79

RGB 138 189 121

HSL 105, 0.34%, 0.61%

LAB 71.68, -29.61, 29.14

 

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

CMYK 52 / 0 / 69 / 61

HEX #30631F

RGB 48 99 31

HSL 105, 0.52%, 0.25%

LAB 37.21, -31.06, 32.38

 

CMYK 62 / 0 / 85 / 68

HEX #1F510C

RGB 31 81 12

HSL 103.48, 0.74%, 0.18%

LAB 29.92, -30.42, 32.8

 

CMYK 78 / 0 / 100 / 75

HEX #0E3F00

RGB 14 63 0

HSL 106.67, 1%, 0.12%

LAB 22.47, -28.75, 30.15

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

CMYK 54 / 0 / 57 / 54

HEX #367532

RGB 54 117 50

HSL 116.42, 0.4%, 0.33%

LAB 43.85, -34.76, 30.53

 

CMYK 57 / 0 / 51 / 54

HEX #327539

RGB 50 117 57

HSL 126.27, 0.4%, 0.33%

LAB 43.79, -34.88, 26.69

 

CMYK 57 / 0 / 42 / 54

HEX #327544

RGB 50 117 68

HSL 136.12, 0.4%, 0.33%

LAB 43.97, -32.99, 20.78

 

CMYK 57 / 0 / 32 / 54

HEX #32754F

RGB 50 117 79

HSL 145.97, 0.4%, 0.33%

LAB 44.18, -30.77, 14.71

 

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

CMYK 45 / 0 / 57 / 34

HEX #5DA848

RGB 93 168 72

HSL 106.88, 0.4%, 0.47%

LAB 62.34, -41.83, 41.81

 

CMYK 44 / 0 / 57 / 14

HEX #7ADB5E

RGB 122 219 94

HSL 106.56, 0.63%, 0.61%

LAB 79.39, -51.5, 51.81

 

CMYK 47 / 0 / 60 / 94

HEX #080F06

RGB 8 15 6

HSL 106.67, 0.43%, 0.04%

LAB 3.67, -3.38, 2.97

 

CMYK 44 / 0 / 58 / 74

HEX #25421C

RGB 37 66 28

HSL 105.79, 0.4%, 0.18%

LAB 24.87, -19.55, 19.62

 

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

CMYK 57 / 0 / 2 / 54

HEX #327573

RGB 50 117 115

HSL 178.21, 0.4%, 0.33%

LAB 45.14, -21.55, -5.32

 

CMYK 0 / 57 / 21 / 54

HEX #75325D

RGB 117 50 93

HSL 321.49, 0.4%, 0.33%

LAB 31.47, 34.93, -11.66

 

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

CMYK 57 / 44 / 0 / 54

HEX #324275

RGB 50 66 117

HSL 225.67, 0.4%, 0.33%

LAB 29.05, 10, -31.31

 

CMYK 0 / 57 / 44 / 54

HEX #753242

RGB 117 50 66

HSL 345.67, 0.4%, 0.33%

LAB 30.54, 31.13, 4.54

 

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

CMYK 57 / 0 / 2 / 54

HEX #327573

RGB 50 117 115

HSL 178.21, 0.4%, 0.33%

LAB 45.14, -21.55, -5.32

 

CMYK 13 / 57 / 0 / 54

HEX #663275

RGB 102 50 117

HSL 286.57, 0.4%, 0.33%

LAB 30.38, 34.81, -28.87

 

CMYK 0 / 57 / 56 / 54

HEX #753234

RGB 117 50 52

HSL 358.21, 0.4%, 0.33%

LAB 30.18, 29.64, 13.21

 

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

CMYK 57 / 15 / 0 / 54

HEX #326375

RGB 50 99 117

HSL 196.12, 0.4%, 0.33%

LAB 39.39, -10.95, -15.19

 

CMYK 13 / 57 / 0 / 54

HEX #663275

RGB 102 50 117

HSL 286.57, 0.4%, 0.33%

LAB 30.38, 34.81, -28.87

 

CMYK 0 / 42 / 57 / 54

HEX #754432

RGB 117 68 50

HSL 16.12, 0.4%, 0.33%

LAB 34.29, 19.13, 19.86

 

Description

Color code: RGB 65 117 50 | qconv.com Color code: RGB 65 117 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 117 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 117 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 57 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 57% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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