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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 116 89 it is the complementary color RGB 190 139 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 116 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 65 116 89: RGB 70 116 84, RGB 87 134 103, RGB 104 152 122, RGB 121 170 141 and RGB 138 188 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 116 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 65 116 89: RGB 65 116 89, RGB 48 98 70, RGB 31 80 51, RGB 14 62 32 and RGB 0 44 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 23 / 55

HEX #417459

RGB 65 116 89

HSL 148.24, 0.28%, 0.35%

LAB 44.71, -23.86, 9.65

 

Complementary color

CMYK 0 / 27 / 13 / 25

HEX #BE8BA6

RGB 190 139 166

HSL 328.24, 0.28%, 0.65%

LAB 63.48, 23.65, -6.58

 

CMYK 40 / 0 / 28 / 55

HEX #467454

RGB 70 116 84

HSL 138.26, 0.25%, 0.36%

LAB 44.85, -23.34, 12.83

 

CMYK 35 / 0 / 23 / 47

HEX #578667

RGB 87 134 103

HSL 140.43, 0.21%, 0.43%

LAB 51.9, -23.05, 11.71

 

CMYK 32 / 0 / 20 / 40

HEX #68987A

RGB 104 152 122

HSL 142.5, 0.19%, 0.5%

LAB 58.79, -22.77, 10.7

 

CMYK 29 / 0 / 17 / 33

HEX #79AA8D

RGB 121 170 141

HSL 144.49, 0.22%, 0.57%

LAB 65.54, -22.52, 9.76

 

CMYK 27 / 0 / 15 / 26

HEX #8ABCA0

RGB 138 188 160

HSL 146.4, 0.27%, 0.64%

LAB 72.17, -22.3, 8.89

 

CMYK 44 / 0 / 23 / 55

HEX #417459

RGB 65 116 89

HSL 148.24, 0.28%, 0.35%

LAB 44.71, -23.86, 9.65

 

CMYK 51 / 0 / 29 / 62

HEX #306246

RGB 48 98 70

HSL 146.4, 0.34%, 0.29%

LAB 37.49, -24.1, 10.85

 

CMYK 61 / 0 / 36 / 69

HEX #1F5033

RGB 31 80 51

HSL 144.49, 0.44%, 0.22%

LAB 30.08, -24.24, 12.25

 

CMYK 77 / 0 / 48 / 76

HEX #0E3E20

RGB 14 62 32

HSL 142.5, 0.63%, 0.15%

LAB 22.45, -24.03, 13.92

 

CMYK 100 / 0 / 70 / 83

HEX #002C0D

RGB 0 44 13

HSL 137.73, 1%, 0.09%

LAB 14.57, -23.19, 15.36

 

CMYK 44 / 0 / 23 / 55

HEX #417459

RGB 65 116 89

HSL 148.24, 0.28%, 0.35%

LAB 44.71, -23.86, 9.65

 

CMYK 44 / 0 / 17 / 55

HEX #40725F

RGB 64 114 95

HSL 157.2, 0.28%, 0.35%

LAB 44.16, -21.74, 5.29

 

CMYK 44 / 0 / 9 / 55

HEX #407268

RGB 64 114 104

HSL 168, 0.28%, 0.35%

LAB 44.41, -19.49, 0.26

 

CMYK 44 / 0 / 2 / 55

HEX #407270

RGB 64 114 112

HSL 177.6, 0.28%, 0.35%

LAB 44.65, -17.36, -4.18

 

CMYK 44 / 6 / 0 / 55

HEX #406B72

RGB 64 107 114

HSL 188.4, 0.28%, 0.35%

LAB 42.49, -12.9, -8.6

 

CMYK 44 / 0 / 23 / 55

HEX #417459

RGB 65 116 89

HSL 148.24, 0.28%, 0.35%

LAB 44.71, -23.86, 9.65

 

CMYK 44 / 0 / 23 / 35

HEX #5EA780

RGB 94 167 128

HSL 147.95, 0.29%, 0.51%

LAB 62.99, -31.95, 13.17

 

CMYK 44 / 0 / 23 / 15

HEX #7ADAA7

RGB 122 218 167

HSL 148.13, 0.56%, 0.67%

LAB 80.22, -39.82, 16.41

 

CMYK 43 / 0 / 21 / 95

HEX #080E0B

RGB 8 14 11

HSL 150, 0.27%, 0.04%

LAB 3.52, -2.17, 0.71

 

CMYK 45 / 0 / 23 / 75

HEX #244132

RGB 36 65 50

HSL 148.97, 0.29%, 0.2%

LAB 24.91, -14.99, 5.78

 

CMYK 44 / 0 / 23 / 55

HEX #417459

RGB 65 116 89

HSL 148.24, 0.28%, 0.35%

LAB 44.71, -23.86, 9.65

 

CMYK 44 / 30 / 0 / 55

HEX #405072

RGB 64 80 114

HSL 220.8, 0.28%, 0.35%

LAB 34.07, 3.49, -21.47

 

CMYK 0 / 41 / 44 / 55

HEX #724340

RGB 114 67 64

HSL 3.6, 0.28%, 0.35%

LAB 33.9, 19.93, 10.5

 

CMYK 44 / 0 / 23 / 55

HEX #417459

RGB 65 116 89

HSL 148.24, 0.28%, 0.35%

LAB 44.71, -23.86, 9.65

 

CMYK 24 / 44 / 0 / 55

HEX #574072

RGB 87 64 114

HSL 267.6, 0.28%, 0.35%

LAB 31.6, 21.05, -25.18

 

CMYK 0 / 24 / 44 / 55

HEX #725740

RGB 114 87 64

HSL 27.6, 0.28%, 0.35%

LAB 39.18, 7.82, 17.64

 

CMYK 44 / 0 / 23 / 55

HEX #417459

RGB 65 116 89

HSL 148.24, 0.28%, 0.35%

LAB 44.71, -23.86, 9.65

 

CMYK 44 / 30 / 0 / 55

HEX #405072

RGB 64 80 114

HSL 220.8, 0.28%, 0.35%

LAB 34.07, 3.49, -21.47

 

CMYK 0 / 44 / 21 / 55

HEX #72405A

RGB 114 64 90

HSL 328.8, 0.28%, 0.35%

LAB 33.95, 25.53, -6.05

 

CMYK 0 / 15 / 44 / 55

HEX #726140

RGB 114 97 64

HSL 39.6, 0.28%, 0.35%

LAB 42, 1.82, 21.34

 

CMYK 44 / 0 / 23 / 55

HEX #417459

RGB 65 116 89

HSL 148.24, 0.28%, 0.35%

LAB 44.71, -23.86, 9.65

 

CMYK 44 / 43 / 0 / 55

HEX #404172

RGB 64 65 114

HSL 238.8, 0.28%, 0.35%

LAB 29.63, 13.33, -28.44

 

CMYK 0 / 44 / 21 / 55

HEX #72405A

RGB 114 64 90

HSL 328.8, 0.28%, 0.35%

LAB 33.95, 25.53, -6.05

 

CMYK 0 / 2 / 44 / 55

HEX #727040

RGB 114 112 64

HSL 57.6, 0.28%, 0.35%

LAB 46.36, -6.89, 26.91

 

Description

Color code: RGB 65 116 89 | qconv.com Color code: RGB 65 116 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 116 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 116 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 23 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 23% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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