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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 231 48 it is the complementary color RGB 191 24 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 231 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 64 231 48: RGB 69 231 43, RGB 86 249 62, RGB 103 255 81, RGB 120 255 100 and RGB 137 255 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 231 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 64 231 48: RGB 64 231 48, RGB 47 213 29, RGB 30 195 10, RGB 13 177 0 and RGB 0 159 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 79 / 9

HEX #40E730

RGB 64 231 48

HSL 114.75, 0.79%, 0.55%

LAB 80.99, -73.07, 70.2

 

Complementary color

CMYK 8 / 88 / 0 / 19

HEX #BF18CF

RGB 191 24 207

HSL 294.75, 0.79%, 0.45%

LAB 47.28, 78.93, -55.25

 

CMYK 70 / 0 / 81 / 9

HEX #45E72B

RGB 69 231 43

HSL 111.7, 0.8%, 0.54%

LAB 81.07, -72.5, 71.64

 

CMYK 65 / 0 / 75 / 2

HEX #56F93E

RGB 86 249 62

HSL 112.3, 0.94%, 0.61%

LAB 87.03, -73.9, 72

 

CMYK 60 / 0 / 68 / 0

HEX #67FF51

RGB 103 255 81

HSL 112.41, 1%, 0.66%

LAB 89.39, -70.92, 68.02

 

CMYK 53 / 0 / 61 / 0

HEX #78FF64

RGB 120 255 100

HSL 112.26, 1%, 0.7%

LAB 90.06, -65.14, 61.39

 

CMYK 46 / 0 / 53 / 0

HEX #89FF77

RGB 137 255 119

HSL 112.06, 1%, 0.73%

LAB 90.86, -58.57, 54.19

 

CMYK 72 / 0 / 79 / 9

HEX #40E730

RGB 64 231 48

HSL 114.75, 0.79%, 0.55%

LAB 80.99, -73.07, 70.2

 

CMYK 78 / 0 / 86 / 16

HEX #2FD51D

RGB 47 213 29

HSL 114.13, 0.76%, 0.47%

LAB 75, -71.09, 69.28

 

CMYK 85 / 0 / 95 / 24

HEX #1EC30A

RGB 30 195 10

HSL 113.51, 0.9%, 0.4%

LAB 68.99, -68.41, 67.11

 

CMYK 93 / 0 / 100 / 31

HEX #0DB100

RGB 13 177 0

HSL 115.59, 1%, 0.35%

LAB 62.95, -64.88, 63.34

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 72 / 0 / 79 / 9

HEX #40E730

RGB 64 231 48

HSL 114.75, 0.79%, 0.55%

LAB 80.99, -73.07, 70.2

 

CMYK 79 / 0 / 73 / 10

HEX #31E63D

RGB 49 230 61

HSL 123.98, 0.78%, 0.55%

LAB 80.51, -74.02, 65.62

 

CMYK 79 / 0 / 60 / 10

HEX #31E65B

RGB 49 230 91

HSL 133.92, 0.78%, 0.55%

LAB 80.74, -71.14, 54.18

 

CMYK 79 / 0 / 47 / 10

HEX #31E67A

RGB 49 230 122

HSL 144.2, 0.78%, 0.55%

LAB 81.1, -66.84, 40.25

 

CMYK 79 / 0 / 34 / 10

HEX #31E698

RGB 49 230 152

HSL 154.14, 0.78%, 0.55%

LAB 81.57, -61.4, 25.79

 

CMYK 72 / 0 / 79 / 9

HEX #40E730

RGB 64 231 48

HSL 114.75, 0.79%, 0.55%

LAB 80.99, -73.07, 70.2

 

CMYK 74 / 0 / 78 / 89

HEX #071B06

RGB 7 27 6

HSL 117.14, 0.64%, 0.06%

LAB 7.61, -11.8, 8.71

 

CMYK 72 / 0 / 79 / 69

HEX #164E10

RGB 22 78 16

HSL 114.19, 0.66%, 0.18%

LAB 28.53, -31.35, 29.74

 

CMYK 72 / 0 / 79 / 49

HEX #24811B

RGB 36 129 27

HSL 114.71, 0.65%, 0.31%

LAB 47.18, -46.33, 44.19

 

CMYK 72 / 0 / 79 / 29

HEX #32B425

RGB 50 180 37

HSL 114.55, 0.66%, 0.43%

LAB 64.53, -60.12, 57.74

 

CMYK 72 / 0 / 79 / 9

HEX #40E730

RGB 64 231 48

HSL 114.75, 0.79%, 0.55%

LAB 80.99, -73.07, 70.2

 

CMYK 79 / 8 / 0 / 10

HEX #31D4E6

RGB 49 212 230

HSL 185.97, 0.78%, 0.55%

LAB 78.14, -33.94, -20.47

 

CMYK 0 / 79 / 39 / 10

HEX #E6318C

RGB 230 49 140

HSL 329.83, 0.78%, 0.55%

LAB 52.85, 73.05, -6.66

 

CMYK 72 / 0 / 79 / 9

HEX #40E730

RGB 64 231 48

HSL 114.75, 0.79%, 0.55%

LAB 80.99, -73.07, 70.2

 

CMYK 79 / 71 / 0 / 10

HEX #3143E6

RGB 49 67 230

HSL 234.03, 0.78%, 0.55%

LAB 38.52, 49.77, -83.37

 

CMYK 0 / 79 / 71 / 10

HEX #E63143

RGB 230 49 67

HSL 354.03, 0.78%, 0.55%

LAB 51.18, 67.94, 34.85

 

CMYK 72 / 0 / 79 / 9

HEX #40E730

RGB 64 231 48

HSL 114.75, 0.79%, 0.55%

LAB 80.99, -73.07, 70.2

 

CMYK 79 / 8 / 0 / 10

HEX #31D4E6

RGB 49 212 230

HSL 185.97, 0.78%, 0.55%

LAB 78.14, -33.94, -20.47

 

CMYK 8 / 79 / 0 / 10

HEX #D431E6

RGB 212 49 230

HSL 294.03, 0.78%, 0.55%

LAB 53.93, 81.03, -57.5

 

CMYK 0 / 71 / 79 / 10

HEX #E64331

RGB 230 67 49

HSL 5.97, 0.78%, 0.55%

LAB 53.01, 61.57, 46.82

 

CMYK 72 / 0 / 79 / 9

HEX #40E730

RGB 64 231 48

HSL 114.75, 0.79%, 0.55%

LAB 80.99, -73.07, 70.2

 

CMYK 79 / 31 / 0 / 10

HEX #319EE6

RGB 49 158 230

HSL 203.87, 0.78%, 0.55%

LAB 62.36, -5.93, -44.88

 

CMYK 8 / 79 / 0 / 10

HEX #D431E6

RGB 212 49 230

HSL 294.03, 0.78%, 0.55%

LAB 53.93, 81.03, -57.5

 

CMYK 0 / 47 / 79 / 10

HEX #E67A31

RGB 230 122 49

HSL 24.2, 0.78%, 0.55%

LAB 62.48, 36.89, 56.09

 

Description

Color code: RGB 64 231 48 | qconv.com Color code: RGB 64 231 48 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 231 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 231 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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