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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 167 240 it is the complementary color RGB 191 88 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 167 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 64 167 240: RGB 69 167 235, RGB 86 185 254, RGB 103 203 255, RGB 120 221 255 and RGB 137 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 167 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 64 167 240: RGB 64 167 240, RGB 47 149 221, RGB 30 131 202, RGB 13 113 183 and RGB 0 95 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 30 / 0 / 6

HEX #40A7F0

RGB 64 167 240

HSL 204.89, 0.85%, 0.6%

LAB 65.76, -5.82, -44.99

 

Complementary color

CMYK 0 / 54 / 92 / 25

HEX #BF580F

RGB 191 88 15

HSL 24.89, 0.85%, 0.4%

LAB 49.61, 37.84, 55.35

 

CMYK 71 / 29 / 0 / 8

HEX #45A7EB

RGB 69 167 235

HSL 204.58, 0.81%, 0.6%

LAB 65.67, -6.87, -42.39

 

CMYK 66 / 27 / 0 / 0

HEX #56B9FE

RGB 86 185 254

HSL 204.64, 0.99%, 0.67%

LAB 72.12, -8.02, -42.59

 

CMYK 60 / 20 / 0 / 0

HEX #67CBFF

RGB 103 203 255

HSL 200.53, 1%, 0.7%

LAB 77.77, -14.47, -34.3

 

CMYK 53 / 13 / 0 / 0

HEX #78DDFF

RGB 120 221 255

HSL 195.11, 1%, 0.74%

LAB 83.4, -20.44, -25.6

 

CMYK 46 / 6 / 0 / 0

HEX #89EFFF

RGB 137 239 255

HSL 188.14, 1%, 0.77%

LAB 89.05, -25.72, -16.99

 

CMYK 73 / 30 / 0 / 6

HEX #40A7F0

RGB 64 167 240

HSL 204.89, 0.85%, 0.6%

LAB 65.76, -5.82, -44.99

 

CMYK 79 / 33 / 0 / 13

HEX #2F95DD

RGB 47 149 221

HSL 204.83, 0.72%, 0.53%

LAB 59.27, -4.2, -44.76

 

CMYK 85 / 35 / 0 / 21

HEX #1E83CA

RGB 30 131 202

HSL 204.77, 0.74%, 0.45%

LAB 52.7, -2.17, -44.48

 

CMYK 93 / 38 / 0 / 28

HEX #0D71B7

RGB 13 113 183

HSL 204.71, 0.87%, 0.38%

LAB 46.06, 0.38, -44.13

 

CMYK 100 / 42 / 0 / 36

HEX #005FA4

RGB 0 95 164

HSL 205.24, 1%, 0.32%

LAB 39.35, 3.54, -43.69

 

CMYK 73 / 30 / 0 / 6

HEX #40A7F0

RGB 64 167 240

HSL 204.89, 0.85%, 0.6%

LAB 65.76, -5.82, -44.99

 

CMYK 72 / 41 / 0 / 6

HEX #428DEF

RGB 66 141 239

HSL 213.99, 0.84%, 0.6%

LAB 58.45, 9.19, -56.02

 

CMYK 72 / 53 / 0 / 6

HEX #4270EF

RGB 66 112 239

HSL 224.05, 0.84%, 0.6%

LAB 50.66, 27.02, -68.55

 

CMYK 72 / 65 / 0 / 6

HEX #4253EF

RGB 66 83 239

HSL 234.1, 0.84%, 0.6%

LAB 43.62, 44.91, -80.04

 

CMYK 68 / 72 / 0 / 6

HEX #4D42EF

RGB 77 66 239

HSL 243.82, 0.84%, 0.6%

LAB 40.75, 55.69, -84.74

 

CMYK 73 / 30 / 0 / 6

HEX #40A7F0

RGB 64 167 240

HSL 204.89, 0.85%, 0.6%

LAB 65.76, -5.82, -44.99

 

CMYK 72 / 31 / 0 / 86

HEX #0A1924

RGB 10 25 36

HSL 205.38, 0.57%, 0.09%

LAB 8.01, -2.13, -9.53

 

CMYK 74 / 30 / 0 / 66

HEX #173D57

RGB 23 61 87

HSL 204.38, 0.58%, 0.22%

LAB 24.35, -3.81, -19.55

 

CMYK 73 / 30 / 0 / 46

HEX #25608A

RGB 37 96 138

HSL 204.95, 0.58%, 0.34%

LAB 38.89, -4.28, -28.78

 

CMYK 74 / 30 / 0 / 26

HEX #3284BD

RGB 50 132 189

HSL 204.6, 0.58%, 0.47%

LAB 52.79, -5.43, -36.9

 

CMYK 73 / 30 / 0 / 6

HEX #40A7F0

RGB 64 167 240

HSL 204.89, 0.85%, 0.6%

LAB 65.76, -5.82, -44.99

 

CMYK 29 / 72 / 0 / 6

HEX #AA42EF

RGB 170 66 239

HSL 276.07, 0.84%, 0.6%

LAB 50.3, 69.51, -68.72

 

CMYK 0 / 0 / 72 / 6

HEX #EFEF42

RGB 239 239 66

HSL 60, 0.84%, 0.6%

LAB 91.9, -19.1, 78.06

 

CMYK 73 / 30 / 0 / 6

HEX #40A7F0

RGB 64 167 240

HSL 204.89, 0.85%, 0.6%

LAB 65.76, -5.82, -44.99

 

CMYK 0 / 72 / 29 / 6

HEX #EF42AA

RGB 239 66 170

HSL 323.93, 0.84%, 0.6%

LAB 57.22, 73.51, -17.62

 

CMYK 29 / 0 / 72 / 6

HEX #AAEF42

RGB 170 239 66

HSL 83.93, 0.84%, 0.6%

LAB 87.33, -46.02, 72.08

 

CMYK 73 / 30 / 0 / 6

HEX #40A7F0

RGB 64 167 240

HSL 204.89, 0.85%, 0.6%

LAB 65.76, -5.82, -44.99

 

CMYK 29 / 72 / 0 / 6

HEX #AA42EF

RGB 170 66 239

HSL 276.07, 0.84%, 0.6%

LAB 50.3, 69.51, -68.72

 

CMYK 0 / 44 / 72 / 6

HEX #EF8742

RGB 239 135 66

HSL 23.93, 0.84%, 0.6%

LAB 66.57, 34.47, 52.95

 

CMYK 44 / 0 / 72 / 6

HEX #87EF42

RGB 135 239 66

HSL 96.07, 0.84%, 0.6%

LAB 85.64, -57.76, 69.85

 

CMYK 73 / 30 / 0 / 6

HEX #40A7F0

RGB 64 167 240

HSL 204.89, 0.85%, 0.6%

LAB 65.76, -5.82, -44.99

 

CMYK 7 / 72 / 0 / 6

HEX #DE42EF

RGB 222 66 239

HSL 294.1, 0.84%, 0.6%

LAB 57.71, 79.49, -56.42

 

CMYK 0 / 44 / 72 / 6

HEX #EF8742

RGB 239 135 66

HSL 23.93, 0.84%, 0.6%

LAB 66.57, 34.47, 52.95

 

CMYK 65 / 0 / 72 / 6

HEX #53EF42

RGB 83 239 66

HSL 114.1, 0.84%, 0.6%

LAB 83.95, -71.01, 67.59

 

Description

Color code: RGB 64 167 240 | qconv.com Color code: RGB 64 167 240 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 167 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 167 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 30 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 30% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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