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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E83CA it is the complementary color #E17C35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E83CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1E83CA: #2383C5, #3495D8, #45A7EB, #56B9FE and #67CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E83CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1E83CA: #1E83CA, #0D71B7, #005FA4, #004D91 and #003B7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 35 / 0 / 21

HEX #1E83CA

RGB 30 131 202

HSL 204.77, 0.74%, 0.45%

LAB 52.7, -2.17, -44.48

 

Complementary color

CMYK 0 / 45 / 76 / 12

HEX #E17C35

RGB 225 124 53

HSL 24.77, 0.74%, 0.55%

LAB 62.24, 34.01, 53.87

 

CMYK 82 / 34 / 0 / 23

HEX #2383C5

RGB 35 131 197

HSL 204.44, 0.7%, 0.45%

LAB 52.53, -3.62, -41.9

 

CMYK 76 / 31 / 0 / 15

HEX #3495D8

RGB 52 149 216

HSL 204.51, 0.68%, 0.53%

LAB 59.14, -5.43, -42.16

 

CMYK 71 / 29 / 0 / 8

HEX #45A7EB

RGB 69 167 235

HSL 204.58, 0.81%, 0.6%

LAB 65.67, -6.87, -42.39

 

CMYK 66 / 27 / 0 / 0

HEX #56B9FE

RGB 86 185 254

HSL 204.64, 0.99%, 0.67%

LAB 72.12, -8.02, -42.59

 

CMYK 60 / 20 / 0 / 0

HEX #67CBFF

RGB 103 203 255

HSL 200.53, 1%, 0.7%

LAB 77.77, -14.47, -34.3

 

CMYK 85 / 35 / 0 / 21

HEX #1E83CA

RGB 30 131 202

HSL 204.77, 0.74%, 0.45%

LAB 52.7, -2.17, -44.48

 

CMYK 93 / 38 / 0 / 28

HEX #0D71B7

RGB 13 113 183

HSL 204.71, 0.87%, 0.38%

LAB 46.06, 0.38, -44.13

 

CMYK 100 / 42 / 0 / 36

HEX #005FA4

RGB 0 95 164

HSL 205.24, 1%, 0.32%

LAB 39.35, 3.54, -43.69

 

CMYK 100 / 47 / 0 / 43

HEX #004D91

RGB 0 77 145

HSL 208.14, 1%, 0.28%

LAB 32.6, 7.49, -43.09

 

CMYK 100 / 53 / 0 / 51

HEX #003B7E

RGB 0 59 126

HSL 211.9, 1%, 0.25%

LAB 25.67, 11.78, -42.51

 

CMYK 85 / 35 / 0 / 21

HEX #1E83CA

RGB 30 131 202

HSL 204.77, 0.74%, 0.45%

LAB 52.7, -2.17, -44.48

 

CMYK 85 / 48 / 0 / 22

HEX #1D67C7

RGB 29 103 199

HSL 213.88, 0.75%, 0.45%

LAB 44.35, 13.99, -56.11

 

CMYK 85 / 62 / 0 / 22

HEX #1D4BC7

RGB 29 75 199

HSL 223.76, 0.75%, 0.45%

LAB 36.77, 32.31, -68.43

 

CMYK 85 / 77 / 0 / 22

HEX #1D2EC7

RGB 29 46 199

HSL 234, 0.75%, 0.45%

LAB 30.25, 50.02, -79.18

 

CMYK 79 / 85 / 0 / 22

HEX #291DC7

RGB 41 29 199

HSL 244.24, 0.75%, 0.45%

LAB 28.04, 58.62, -82.83

 

CMYK 85 / 35 / 0 / 21

HEX #1E83CA

RGB 30 131 202

HSL 204.77, 0.74%, 0.45%

LAB 52.7, -2.17, -44.48

 

CMYK 85 / 35 / 0 / 1

HEX #26A4FD

RGB 38 164 253

HSL 204.84, 0.98%, 0.57%

LAB 65.01, -2.04, -53.32

 

CMYK 86 / 35 / 0 / 81

HEX #072031

RGB 7 32 49

HSL 204.29, 0.75%, 0.11%

LAB 11.28, -2.5, -14.02

 

CMYK 85 / 35 / 0 / 61

HEX #0F4164

RGB 15 65 100

HSL 204.71, 0.74%, 0.23%

LAB 26.16, -2.38, -25.16

 

CMYK 85 / 35 / 0 / 41

HEX #166297

RGB 22 98 151

HSL 204.65, 0.75%, 0.34%

LAB 39.82, -2.33, -35.18

 

CMYK 85 / 35 / 0 / 21

HEX #1E83CA

RGB 30 131 202

HSL 204.77, 0.74%, 0.45%

LAB 52.7, -2.17, -44.48

 

CMYK 34 / 85 / 0 / 22

HEX #831DC7

RGB 131 29 199

HSL 276, 0.75%, 0.45%

LAB 37.53, 67.19, -66.86

 

CMYK 0 / 0 / 85 / 22

HEX #C7C71D

RGB 199 199 29

HSL 60, 0.75%, 0.45%

LAB 77.92, -17.46, 74.56

 

CMYK 85 / 35 / 0 / 21

HEX #1E83CA

RGB 30 131 202

HSL 204.77, 0.74%, 0.45%

LAB 52.7, -2.17, -44.48

 

CMYK 0 / 85 / 34 / 22

HEX #C71D83

RGB 199 29 131

HSL 324, 0.75%, 0.45%

LAB 45.16, 69.41, -13.35

 

CMYK 34 / 0 / 85 / 22

HEX #83C71D

RGB 131 199 29

HSL 84, 0.75%, 0.45%

LAB 73.39, -44.85, 68.93

 

CMYK 85 / 35 / 0 / 21

HEX #1E83CA

RGB 30 131 202

HSL 204.77, 0.74%, 0.45%

LAB 52.7, -2.17, -44.48

 

CMYK 34 / 85 / 0 / 22

HEX #831DC7

RGB 131 29 199

HSL 276, 0.75%, 0.45%

LAB 37.53, 67.19, -66.86

 

CMYK 0 / 51 / 85 / 22

HEX #C7611D

RGB 199 97 29

HSL 24, 0.75%, 0.45%

LAB 52.71, 36.73, 53.71

 

CMYK 51 / 0 / 85 / 22

HEX #61C71D

RGB 97 199 29

HSL 96, 0.75%, 0.45%

LAB 71.88, -55.99, 67.03

 

CMYK 85 / 35 / 0 / 21

HEX #1E83CA

RGB 30 131 202

HSL 204.77, 0.74%, 0.45%

LAB 52.7, -2.17, -44.48

 

CMYK 9 / 85 / 0 / 22

HEX #B61DC7

RGB 182 29 199

HSL 294, 0.75%, 0.45%

LAB 45.56, 75.23, -53.46

 

CMYK 0 / 51 / 85 / 22

HEX #C7611D

RGB 199 97 29

HSL 24, 0.75%, 0.45%

LAB 52.71, 36.73, 53.71

 

CMYK 77 / 0 / 85 / 22

HEX #2EC71D

RGB 46 199 29

HSL 114, 0.75%, 0.45%

LAB 70.54, -67.07, 65.33

 

Description

Color code: HEX #1E83CA | qconv.com Color code: HEX #1E83CA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 131 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 131 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 35 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 35% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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