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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 149 108 it is the complementary color RGB 191 106 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 149 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 64 149 108: RGB 69 149 103, RGB 86 167 122, RGB 103 185 141, RGB 120 203 160 and RGB 137 221 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 149 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 64 149 108: RGB 64 149 108, RGB 47 131 89, RGB 30 113 70, RGB 13 95 51 and RGB 0 77 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 28 / 42

HEX #40956C

RGB 64 149 108

HSL 151.06, 0.4%, 0.42%

LAB 55.75, -35.71, 14.08

 

Complementary color

CMYK 0 / 45 / 23 / 25

HEX #BF6A93

RGB 191 106 147

HSL 331.06, 0.4%, 0.58%

LAB 55.57, 38.98, -7.39

 

CMYK 54 / 0 / 31 / 42

HEX #459567

RGB 69 149 103

HSL 145.5, 0.37%, 0.43%

LAB 55.83, -35.55, 17.02

 

CMYK 49 / 0 / 27 / 35

HEX #56A77A

RGB 86 167 122

HSL 146.67, 0.32%, 0.5%

LAB 62.53, -35.39, 15.79

 

CMYK 44 / 0 / 24 / 27

HEX #67B98D

RGB 103 185 141

HSL 147.8, 0.37%, 0.56%

LAB 69.12, -35.18, 14.67

 

CMYK 41 / 0 / 21 / 20

HEX #78CBA0

RGB 120 203 160

HSL 148.92, 0.44%, 0.63%

LAB 75.6, -34.94, 13.64

 

CMYK 38 / 0 / 19 / 13

HEX #89DDB3

RGB 137 221 179

HSL 150, 0.55%, 0.7%

LAB 81.99, -34.69, 12.67

 

CMYK 57 / 0 / 28 / 42

HEX #40956C

RGB 64 149 108

HSL 151.06, 0.4%, 0.42%

LAB 55.75, -35.71, 14.08

 

CMYK 64 / 0 / 32 / 49

HEX #2F8359

RGB 47 131 89

HSL 150, 0.47%, 0.35%

LAB 48.96, -35.64, 15.43

 

CMYK 73 / 0 / 38 / 56

HEX #1E7146

RGB 30 113 70

HSL 148.92, 0.58%, 0.28%

LAB 42.04, -35.29, 16.96

 

CMYK 86 / 0 / 46 / 63

HEX #0D5F33

RGB 13 95 51

HSL 147.8, 0.76%, 0.21%

LAB 35.02, -34.39, 18.73

 

CMYK 100 / 0 / 58 / 70

HEX #004D20

RGB 0 77 32

HSL 144.94, 1%, 0.15%

LAB 27.88, -32.63, 20.71

 

CMYK 57 / 0 / 28 / 42

HEX #40956C

RGB 64 149 108

HSL 151.06, 0.4%, 0.42%

LAB 55.75, -35.71, 14.08

 

CMYK 57 / 0 / 18 / 42

HEX #40957A

RGB 64 149 122

HSL 160.94, 0.4%, 0.42%

LAB 56.08, -32.46, 6.59

 

CMYK 57 / 0 / 8 / 42

HEX #409589

RGB 64 149 137

HSL 171.53, 0.4%, 0.42%

LAB 56.48, -28.62, -1.4

 

CMYK 57 / 1 / 0 / 42

HEX #409495

RGB 64 148 149

HSL 180.71, 0.4%, 0.42%

LAB 56.53, -24.79, -8.2

 

CMYK 57 / 10 / 0 / 42

HEX #408695

RGB 64 134 149

HSL 190.59, 0.4%, 0.42%

LAB 52.19, -17.46, -14.72

 

CMYK 57 / 0 / 28 / 42

HEX #40956C

RGB 64 149 108

HSL 151.06, 0.4%, 0.42%

LAB 55.75, -35.71, 14.08

 

CMYK 57 / 0 / 28 / 22

HEX #56C891

RGB 86 200 145

HSL 151.05, 0.51%, 0.56%

LAB 73.11, -45.17, 17.98

 

CMYK 57 / 0 / 27 / 2

HEX #6CFBB6

RGB 108 251 182

HSL 151.05, 0.95%, 0.7%

LAB 89.65, -54.15, 21.68

 

CMYK 57 / 0 / 28 / 82

HEX #142F22

RGB 20 47 34

HSL 151.11, 0.4%, 0.13%

LAB 16.98, -14.16, 5.23

 

CMYK 57 / 0 / 28 / 62

HEX #2A6247

RGB 42 98 71

HSL 151.07, 0.4%, 0.27%

LAB 37.27, -25.55, 9.89

 

CMYK 57 / 0 / 28 / 42

HEX #40956C

RGB 64 149 108

HSL 151.06, 0.4%, 0.42%

LAB 55.75, -35.71, 14.08

 

CMYK 57 / 41 / 0 / 42

HEX #405895

RGB 64 88 149

HSL 223.06, 0.4%, 0.42%

LAB 38.27, 9.96, -36.33

 

CMYK 0 / 50 / 57 / 42

HEX #954A40

RGB 149 74 64

HSL 7.06, 0.4%, 0.42%

LAB 40.67, 30.49, 20.47

 

CMYK 57 / 0 / 28 / 42

HEX #40956C

RGB 64 149 108

HSL 151.06, 0.4%, 0.42%

LAB 55.75, -35.71, 14.08

 

CMYK 28 / 57 / 0 / 42

HEX #6C4095

RGB 108 64 149

HSL 271.06, 0.4%, 0.42%

LAB 36.03, 36.23, -39.66

 

CMYK 0 / 28 / 57 / 42

HEX #956C40

RGB 149 108 64

HSL 31.06, 0.4%, 0.42%

LAB 48.87, 11.12, 30.81

 

CMYK 57 / 0 / 28 / 42

HEX #40956C

RGB 64 149 108

HSL 151.06, 0.4%, 0.42%

LAB 55.75, -35.71, 14.08

 

CMYK 57 / 41 / 0 / 42

HEX #405895

RGB 64 88 149

HSL 223.06, 0.4%, 0.42%

LAB 38.27, 9.96, -36.33

 

CMYK 0 / 57 / 30 / 42

HEX #954069

RGB 149 64 105

HSL 331.06, 0.4%, 0.42%

LAB 39.71, 40.36, -6.36

 

CMYK 0 / 16 / 57 / 42

HEX #957D40

RGB 149 125 64

HSL 43.06, 0.4%, 0.42%

LAB 53.41, 1.4, 36.27

 

CMYK 57 / 0 / 28 / 42

HEX #40956C

RGB 64 149 108

HSL 151.06, 0.4%, 0.42%

LAB 55.75, -35.71, 14.08

 

CMYK 56 / 57 / 0 / 42

HEX #414095

RGB 65 64 149

HSL 240.71, 0.4%, 0.42%

LAB 31.72, 25.86, -46.82

 

CMYK 0 / 57 / 30 / 42

HEX #954069

RGB 149 64 105

HSL 331.06, 0.4%, 0.42%

LAB 39.71, 40.36, -6.36

 

CMYK 1 / 0 / 57 / 42

HEX #949540

RGB 148 149 64

HSL 60.71, 0.4%, 0.42%

LAB 60.03, -12.21, 43.88

 

Description

Color code: RGB 64 149 108 | qconv.com Color code: RGB 64 149 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 149 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 149 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 28 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 28% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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