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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 129 207 it is the complementary color RGB 191 126 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 129 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 64 129 207: RGB 69 129 202, RGB 86 147 221, RGB 103 165 240, RGB 120 183 255 and RGB 137 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 129 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 64 129 207: RGB 64 129 207, RGB 47 111 188, RGB 30 93 169, RGB 13 75 150 and RGB 0 57 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 38 / 0 / 19

HEX #4081CF

RGB 64 129 207

HSL 212.73, 0.6%, 0.53%

LAB 53.27, 4.77, -46.36

 

Complementary color

CMYK 0 / 34 / 75 / 25

HEX #BF7E30

RGB 191 126 48

HSL 32.73, 0.6%, 0.47%

LAB 58.24, 18.47, 50.63

 

CMYK 66 / 36 / 0 / 21

HEX #4581CA

RGB 69 129 202

HSL 212.93, 0.56%, 0.53%

LAB 53.2, 3.83, -43.62

 

CMYK 61 / 33 / 0 / 13

HEX #5693DD

RGB 86 147 221

HSL 212.89, 0.67%, 0.6%

LAB 59.95, 2.62, -43.61

 

CMYK 57 / 31 / 0 / 6

HEX #67A5F0

RGB 103 165 240

HSL 212.85, 0.82%, 0.67%

LAB 66.58, 1.65, -43.6

 

CMYK 53 / 28 / 0 / 0

HEX #78B7FF

RGB 120 183 255

HSL 212, 1%, 0.74%

LAB 72.94, -0.35, -41.74

 

CMYK 46 / 21 / 0 / 0

HEX #89C9FF

RGB 137 201 255

HSL 207.46, 1%, 0.77%

LAB 78.64, -6.34, -32.83

 

CMYK 69 / 38 / 0 / 19

HEX #4081CF

RGB 64 129 207

HSL 212.73, 0.6%, 0.53%

LAB 53.27, 4.77, -46.36

 

CMYK 75 / 41 / 0 / 26

HEX #2F6FBC

RGB 47 111 188

HSL 212.77, 0.6%, 0.46%

LAB 46.45, 6.51, -46.37

 

CMYK 82 / 45 / 0 / 34

HEX #1E5DA9

RGB 30 93 169

HSL 212.81, 0.7%, 0.39%

LAB 39.53, 8.75, -46.35

 

CMYK 91 / 50 / 0 / 41

HEX #0D4B96

RGB 13 75 150

HSL 212.85, 0.84%, 0.32%

LAB 32.52, 11.66, -46.24

 

CMYK 100 / 56 / 0 / 49

HEX #003983

RGB 0 57 131

HSL 213.89, 1%, 0.26%

LAB 25.46, 15.4, -45.99

 

CMYK 69 / 38 / 0 / 19

HEX #4081CF

RGB 64 129 207

HSL 212.73, 0.6%, 0.53%

LAB 53.27, 4.77, -46.36

 

CMYK 70 / 49 / 0 / 19

HEX #3F6ACF

RGB 63 106 207

HSL 222.08, 0.6%, 0.53%

LAB 46.8, 18.89, -56.7

 

CMYK 70 / 60 / 0 / 19

HEX #3F52CF

RGB 63 82 207

HSL 232.08, 0.6%, 0.53%

LAB 40.57, 34.14, -66.81

 

CMYK 67 / 70 / 0 / 19

HEX #443FCF

RGB 68 63 207

HSL 242.08, 0.6%, 0.53%

LAB 36.53, 46.28, -73.4

 

CMYK 56 / 70 / 0 / 19

HEX #5C3FCF

RGB 92 63 207

HSL 252.08, 0.6%, 0.53%

LAB 38.44, 49.55, -70.21

 

CMYK 69 / 38 / 0 / 19

HEX #4081CF

RGB 64 129 207

HSL 212.73, 0.6%, 0.53%

LAB 53.27, 4.77, -46.36

 

CMYK 67 / 33 / 0 / 99

HEX #010203

RGB 1 2 3

HSL 210, 0.5%, 0.01%

LAB 0.51, -0.12, -0.47

 

CMYK 69 / 37 / 0 / 79

HEX #112236

RGB 17 34 54

HSL 212.43, 0.52%, 0.14%

LAB 12.79, 0.43, -15.18

 

CMYK 70 / 38 / 0 / 59

HEX #204169

RGB 32 65 105

HSL 212.88, 0.53%, 0.27%

LAB 27.04, 2.28, -26.94

 

CMYK 69 / 38 / 0 / 39

HEX #30619C

RGB 48 97 156

HSL 212.78, 0.53%, 0.4%

LAB 40.54, 3.56, -36.97

 

CMYK 69 / 38 / 0 / 19

HEX #4081CF

RGB 64 129 207

HSL 212.73, 0.6%, 0.53%

LAB 53.27, 4.77, -46.36

 

CMYK 19 / 70 / 0 / 19

HEX #A83FCF

RGB 168 63 207

HSL 283.75, 0.6%, 0.53%

LAB 47.48, 63.73, -55.12

 

CMYK 10 / 0 / 70 / 19

HEX #BBCF3F

RGB 187 207 63

HSL 68.33, 0.6%, 0.53%

LAB 79.36, -25.1, 65.62

 

CMYK 69 / 38 / 0 / 19

HEX #4081CF

RGB 64 129 207

HSL 212.73, 0.6%, 0.53%

LAB 53.27, 4.77, -46.36

 

CMYK 0 / 70 / 37 / 19

HEX #CF3F82

RGB 207 63 130

HSL 332.08, 0.6%, 0.53%

LAB 50.02, 61.6, -5.32

 

CMYK 37 / 0 / 70 / 19

HEX #82CF3F

RGB 130 207 63

HSL 92.08, 0.6%, 0.53%

LAB 75.9, -46.8, 61.01

 

CMYK 69 / 38 / 0 / 19

HEX #4081CF

RGB 64 129 207

HSL 212.73, 0.6%, 0.53%

LAB 53.27, 4.77, -46.36

 

CMYK 19 / 70 / 0 / 19

HEX #A83FCF

RGB 168 63 207

HSL 283.75, 0.6%, 0.53%

LAB 47.48, 63.73, -55.12

 

CMYK 0 / 33 / 70 / 19

HEX #CF8B3F

RGB 207 139 63

HSL 31.67, 0.6%, 0.53%

LAB 63.42, 18.99, 49.78

 

CMYK 51 / 0 / 70 / 19

HEX #65CF3F

RGB 101 207 63

HSL 104.17, 0.6%, 0.53%

LAB 74.67, -55.85, 59.35

 

CMYK 69 / 38 / 0 / 19

HEX #4081CF

RGB 64 129 207

HSL 212.73, 0.6%, 0.53%

LAB 53.27, 4.77, -46.36

 

CMYK 0 / 70 / 2 / 19

HEX #CF3FCA

RGB 207 63 202

HSL 302.08, 0.6%, 0.53%

LAB 53.04, 71.3, -43.03

 

CMYK 0 / 33 / 70 / 19

HEX #CF8B3F

RGB 207 139 63

HSL 31.67, 0.6%, 0.53%

LAB 63.42, 18.99, 49.78

 

CMYK 70 / 0 / 67 / 19

HEX #3FCF44

RGB 63 207 68

HSL 122.08, 0.6%, 0.53%

LAB 73.61, -64.17, 55.95

 

Description

Color code: RGB 64 129 207 | qconv.com Color code: RGB 64 129 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 129 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 129 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 38 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 38% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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