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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 11 68 it is the complementary color RGB 191 244 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 11 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 64 11 68: RGB 69 11 63, RGB 86 29 82, RGB 103 47 101, RGB 120 65 120 and RGB 137 83 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 11 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 64 11 68: RGB 64 11 68, RGB 47 0 49, RGB 30 0 30, RGB 13 0 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 84 / 0 / 73

HEX #400B44

RGB 64 11 68

HSL 295.79, 0.72%, 0.15%

LAB 14.1, 33.01, -22.63

 

Complementary color

CMYK 22 / 0 / 23 / 4

HEX #BFF4BB

RGB 191 244 187

HSL 115.79, 0.72%, 0.85%

LAB 91.4, -27.43, 22.1

 

CMYK 0 / 84 / 9 / 73

HEX #450B3F

RGB 69 11 63

HSL 306.21, 0.73%, 0.16%

LAB 14.75, 33.33, -18.02

 

CMYK 0 / 66 / 5 / 66

HEX #561D52

RGB 86 29 82

HSL 304.21, 0.5%, 0.23%

LAB 21.82, 33.82, -19.75

 

CMYK 0 / 54 / 2 / 60

HEX #672F65

RGB 103 47 101

HSL 302.14, 0.37%, 0.29%

LAB 29.05, 33.38, -20.74

 

CMYK 0 / 46 / 0 / 53

HEX #784178

RGB 120 65 120

HSL 300, 0.3%, 0.36%

LAB 36.23, 32.65, -21.4

 

CMYK 1 / 40 / 0 / 45

HEX #89538B

RGB 137 83 139

HSL 297.86, 0.25%, 0.44%

LAB 43.31, 31.84, -21.9

 

CMYK 6 / 84 / 0 / 73

HEX #400B44

RGB 64 11 68

HSL 295.79, 0.72%, 0.15%

LAB 14.1, 33.01, -22.63

 

CMYK 4 / 100 / 0 / 81

HEX #2F0031

RGB 47 0 49

HSL 297.55, 1%, 0.1%

LAB 7.46, 30.31, -19.78

 

CMYK 0 / 100 / 0 / 88

HEX #1E001E

RGB 30 0 30

HSL 300, 1%, 0.06%

LAB 3.34, 17.14, -11.88

 

CMYK 0 / 100 / 15 / 95

HEX #0D000B

RGB 13 0 11

HSL 309.23, 1%, 0.03%

LAB 0.99, 5, -2.95

 

CMYK 6 / 84 / 0 / 73

HEX #400B44

RGB 64 11 68

HSL 295.79, 0.72%, 0.15%

LAB 14.1, 33.01, -22.63

 

CMYK 0 / 85 / 6 / 75

HEX #410A3D

RGB 65 10 61

HSL 304.36, 0.73%, 0.15%

LAB 13.7, 32.28, -18.32

 

CMYK 0 / 85 / 20 / 75

HEX #410A34

RGB 65 10 52

HSL 314.18, 0.73%, 0.15%

LAB 13.16, 30.69, -12.71

 

CMYK 0 / 85 / 35 / 75

HEX #410A2A

RGB 65 10 42

HSL 325.09, 0.73%, 0.15%

LAB 12.66, 29.15, -6.18

 

CMYK 0 / 85 / 49 / 75

HEX #410A21

RGB 65 10 33

HSL 334.91, 0.73%, 0.15%

LAB 12.29, 27.99, -0.04

 

CMYK 6 / 84 / 0 / 73

HEX #400B44

RGB 64 11 68

HSL 295.79, 0.72%, 0.15%

LAB 14.1, 33.01, -22.63

 

CMYK 6 / 84 / 0 / 53

HEX #701377

RGB 112 19 119

HSL 295.8, 0.72%, 0.27%

LAB 27.41, 50.82, -34.76

 

CMYK 6 / 84 / 0 / 33

HEX #A01CAA

RGB 160 28 170

HSL 295.77, 0.72%, 0.39%

LAB 39.93, 66.72, -45.64

 

CMYK 6 / 84 / 0 / 13

HEX #D024DD

RGB 208 36 221

HSL 295.78, 0.73%, 0.5%

LAB 51.72, 81.86, -55.99

 

CMYK 6 / 82 / 0 / 93

HEX #100311

RGB 16 3 17

HSL 295.71, 0.7%, 0.04%

LAB 1.95, 5.83, -4.56

 

CMYK 6 / 84 / 0 / 73

HEX #400B44

RGB 64 11 68

HSL 295.79, 0.72%, 0.15%

LAB 14.1, 33.01, -22.63

 

CMYK 0 / 74 / 85 / 75

HEX #41110A

RGB 65 17 10

HSL 7.64, 0.73%, 0.15%

LAB 12.9, 22.83, 15.7

 

CMYK 85 / 0 / 40 / 75

HEX #0A4127

RGB 10 65 39

HSL 151.64, 0.73%, 0.15%

LAB 23.64, -24.56, 11.02

 

CMYK 6 / 84 / 0 / 73

HEX #400B44

RGB 64 11 68

HSL 295.79, 0.72%, 0.15%

LAB 14.1, 33.01, -22.63

 

CMYK 0 / 6 / 85 / 75

HEX #413D0A

RGB 65 61 10

HSL 55.64, 0.73%, 0.15%

LAB 25.21, -5.12, 29.92

 

CMYK 85 / 0 / 6 / 75

HEX #0A413D

RGB 10 65 61

HSL 175.64, 0.73%, 0.15%

LAB 24.26, -18.08, -2.54

 

CMYK 6 / 84 / 0 / 73

HEX #400B44

RGB 64 11 68

HSL 295.79, 0.72%, 0.15%

LAB 14.1, 33.01, -22.63

 

CMYK 0 / 74 / 85 / 75

HEX #41110A

RGB 65 17 10

HSL 7.64, 0.73%, 0.15%

LAB 12.9, 22.83, 15.7

 

CMYK 77 / 0 / 85 / 75

HEX #0F410A

RGB 15 65 10

HSL 114.55, 0.73%, 0.15%

LAB 23.35, -28.39, 26.99

 

CMYK 85 / 9 / 0 / 75

HEX #0A3B41

RGB 10 59 65

HSL 186.55, 0.73%, 0.15%

LAB 22.21, -13.21, -8.28

 

CMYK 6 / 84 / 0 / 73

HEX #400B44

RGB 64 11 68

HSL 295.79, 0.72%, 0.15%

LAB 14.1, 33.01, -22.63

 

CMYK 0 / 49 / 85 / 75

HEX #41210A

RGB 65 33 10

HSL 25.09, 0.73%, 0.15%

LAB 16.67, 13.22, 20.56

 

CMYK 77 / 0 / 85 / 75

HEX #0F410A

RGB 15 65 10

HSL 114.55, 0.73%, 0.15%

LAB 23.35, -28.39, 26.99

 

CMYK 85 / 35 / 0 / 75

HEX #0A2A41

RGB 10 42 65

HSL 205.09, 0.73%, 0.15%

LAB 16.01, -2.12, -17.86

 

Description

Color code: RGB 64 11 68 | qconv.com Color code: RGB 64 11 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 11 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 11 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 84 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 84% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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