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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 102 84 it is the complementary color RGB 191 153 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 102 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 64 102 84: RGB 69 102 79, RGB 86 120 98, RGB 103 138 117, RGB 120 156 136 and RGB 137 174 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 102 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 64 102 84: RGB 64 102 84, RGB 47 84 65, RGB 30 66 46, RGB 13 48 27 and RGB 0 30 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 18 / 60

HEX #406654

RGB 64 102 84

HSL 151.58, 0.23%, 0.33%

LAB 39.97, -17.95, 5.94

 

Complementary color

CMYK 0 / 20 / 10 / 25

HEX #BF99AB

RGB 191 153 171

HSL 331.58, 0.23%, 0.67%

LAB 67.13, 17.1, -3.99

 

CMYK 32 / 0 / 23 / 60

HEX #45664F

RGB 69 102 79

HSL 138.18, 0.19%, 0.34%

LAB 40.13, -17.34, 9.24

 

CMYK 28 / 0 / 18 / 53

HEX #567862

RGB 86 120 98

HSL 141.18, 0.17%, 0.4%

LAB 47.36, -17.08, 8.22

 

CMYK 25 / 0 / 15 / 46

HEX #678A75

RGB 103 138 117

HSL 144, 0.15%, 0.47%

LAB 54.39, -16.85, 7.3

 

CMYK 23 / 0 / 13 / 39

HEX #789C88

RGB 120 156 136

HSL 146.67, 0.15%, 0.54%

LAB 61.26, -16.65, 6.44

 

CMYK 21 / 0 / 11 / 32

HEX #89AE9B

RGB 137 174 155

HSL 149.19, 0.19%, 0.61%

LAB 67.99, -16.49, 5.64

 

CMYK 37 / 0 / 18 / 60

HEX #406654

RGB 64 102 84

HSL 151.58, 0.23%, 0.33%

LAB 39.97, -17.95, 5.94

 

CMYK 44 / 0 / 23 / 67

HEX #2F5441

RGB 47 84 65

HSL 149.19, 0.28%, 0.26%

LAB 32.54, -18.24, 7.01

 

CMYK 55 / 0 / 30 / 74

HEX #1E422E

RGB 30 66 46

HSL 146.67, 0.38%, 0.19%

LAB 24.86, -18.51, 8.27

 

CMYK 73 / 0 / 44 / 81

HEX #0D301B

RGB 13 48 27

HSL 144, 0.57%, 0.12%

LAB 16.89, -18.58, 9.83

 

CMYK 100 / 0 / 73 / 88

HEX #001E08

RGB 0 30 8

HSL 136, 1%, 0.06%

LAB 8.53, -15.97, 9.2

 

CMYK 37 / 0 / 18 / 60

HEX #406654

RGB 64 102 84

HSL 151.58, 0.23%, 0.33%

LAB 39.97, -17.95, 5.94

 

CMYK 38 / 0 / 12 / 60

HEX #40675B

RGB 64 103 91

HSL 161.54, 0.23%, 0.33%

LAB 40.48, -16.82, 2.41

 

CMYK 38 / 0 / 6 / 60

HEX #406761

RGB 64 103 97

HSL 170.77, 0.23%, 0.33%

LAB 40.66, -15.3, -0.99

 

CMYK 38 / 1 / 0 / 60

HEX #406667

RGB 64 102 103

HSL 181.54, 0.23%, 0.33%

LAB 40.53, -13.14, -4.85

 

CMYK 38 / 7 / 0 / 60

HEX #406067

RGB 64 96 103

HSL 190.77, 0.23%, 0.33%

LAB 38.61, -9.67, -7.7

 

CMYK 37 / 0 / 18 / 60

HEX #406654

RGB 64 102 84

HSL 151.58, 0.23%, 0.33%

LAB 39.97, -17.95, 5.94

 

CMYK 37 / 0 / 18 / 40

HEX #60997E

RGB 96 153 126

HSL 151.58, 0.23%, 0.49%

LAB 58.77, -24.97, 8.34

 

CMYK 37 / 0 / 18 / 20

HEX #80CCA8

RGB 128 204 168

HSL 151.58, 0.43%, 0.65%

LAB 76.44, -31.51, 10.58

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 37 / 0 / 18 / 80

HEX #20332A

RGB 32 51 42

HSL 151.58, 0.23%, 0.16%

LAB 19.4, -10.14, 3.27

 

CMYK 37 / 0 / 18 / 60

HEX #406654

RGB 64 102 84

HSL 151.58, 0.23%, 0.33%

LAB 39.97, -17.95, 5.94

 

CMYK 38 / 27 / 0 / 60

HEX #404B67

RGB 64 75 103

HSL 223.08, 0.23%, 0.33%

LAB 32.04, 3.31, -17.71

 

CMYK 0 / 33 / 38 / 60

HEX #674540

RGB 103 69 64

HSL 7.69, 0.23%, 0.33%

LAB 32.94, 13.93, 8.94

 

CMYK 37 / 0 / 18 / 60

HEX #406654

RGB 64 102 84

HSL 151.58, 0.23%, 0.33%

LAB 39.97, -17.95, 5.94

 

CMYK 18 / 38 / 0 / 60

HEX #544067

RGB 84 64 103

HSL 270.77, 0.23%, 0.33%

LAB 30.71, 17.2, -19.61

 

CMYK 0 / 18 / 38 / 60

HEX #675440

RGB 103 84 64

HSL 30.77, 0.23%, 0.33%

LAB 37.1, 4.67, 14.65

 

CMYK 37 / 0 / 18 / 60

HEX #406654

RGB 64 102 84

HSL 151.58, 0.23%, 0.33%

LAB 39.97, -17.95, 5.94

 

CMYK 38 / 27 / 0 / 60

HEX #404B67

RGB 64 75 103

HSL 223.08, 0.23%, 0.33%

LAB 32.04, 3.31, -17.71

 

CMYK 0 / 38 / 19 / 60

HEX #674053

RGB 103 64 83

HSL 330.77, 0.23%, 0.33%

LAB 32.2, 20.03, -4.32

 

CMYK 0 / 11 / 38 / 60

HEX #675C40

RGB 103 92 64

HSL 43.08, 0.23%, 0.33%

LAB 39.43, -0.17, 17.75

 

CMYK 37 / 0 / 18 / 60

HEX #406654

RGB 64 102 84

HSL 151.58, 0.23%, 0.33%

LAB 39.97, -17.95, 5.94

 

CMYK 37 / 38 / 0 / 60

HEX #414067

RGB 65 64 103

HSL 241.54, 0.23%, 0.33%

LAB 28.82, 10.86, -22.7

 

CMYK 0 / 38 / 19 / 60

HEX #674053

RGB 103 64 83

HSL 330.77, 0.23%, 0.33%

LAB 32.2, 20.03, -4.32

 

CMYK 1 / 0 / 38 / 60

HEX #666740

RGB 102 103 64

HSL 61.54, 0.23%, 0.33%

LAB 42.61, -7.08, 21.9

 

Description

Color code: RGB 64 102 84 | qconv.com Color code: RGB 64 102 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 102 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 102 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 18 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 18% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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