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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 78 254 it is the complementary color RGB 192 177 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 78 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 63 78 254: RGB 68 78 249, RGB 85 96 255, RGB 102 114 255, RGB 119 132 255 and RGB 136 150 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 78 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 63 78 254: RGB 63 78 254, RGB 46 60 235, RGB 29 42 216, RGB 12 24 197 and RGB 0 6 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 69 / 0 / 0

HEX #3F4EFE

RGB 63 78 254

HSL 235.29, 0.99%, 0.62%

LAB 43.74, 52.54, -88.24

 

Complementary color

CMYK 0 / 8 / 99 / 25

HEX #C0B101

RGB 192 177 1

HSL 55.29, 0.99%, 0.38%

LAB 71.32, -9.77, 73.25

 

CMYK 73 / 69 / 0 / 2

HEX #444EF9

RGB 68 78 249

HSL 236.69, 0.94%, 0.62%

LAB 43.53, 51.35, -85.79

 

CMYK 67 / 62 / 0 / 0

HEX #5560FF

RGB 85 96 255

HSL 236.12, 1%, 0.67%

LAB 48.91, 44.73, -80.29

 

CMYK 60 / 55 / 0 / 0

HEX #6672FF

RGB 102 114 255

HSL 235.29, 1%, 0.7%

LAB 54.11, 36.51, -71.77

 

CMYK 53 / 48 / 0 / 0

HEX #7784FF

RGB 119 132 255

HSL 234.26, 1%, 0.73%

LAB 59.57, 28.9, -62.92

 

CMYK 47 / 41 / 0 / 0

HEX #8896FF

RGB 136 150 255

HSL 232.94, 1%, 0.77%

LAB 65.17, 22.01, -53.91

 

CMYK 75 / 69 / 0 / 0

HEX #3F4EFE

RGB 63 78 254

HSL 235.29, 0.99%, 0.62%

LAB 43.74, 52.54, -88.24

 

CMYK 80 / 74 / 0 / 8

HEX #2E3CEB

RGB 46 60 235

HSL 235.56, 0.83%, 0.55%

LAB 37.5, 55.13, -87.89

 

CMYK 87 / 81 / 0 / 15

HEX #1D2AD8

RGB 29 42 216

HSL 235.83, 0.76%, 0.48%

LAB 31.52, 57.52, -86.96

 

CMYK 94 / 88 / 0 / 23

HEX #0C18C5

RGB 12 24 197

HSL 236.11, 0.89%, 0.41%

LAB 26.05, 59.1, -85.01

 

CMYK 100 / 97 / 0 / 30

HEX #0006B2

RGB 0 6 178

HSL 237.98, 1%, 0.35%

LAB 21.37, 58.94, -81.54

 

CMYK 75 / 69 / 0 / 0

HEX #3F4EFE

RGB 63 78 254

HSL 235.29, 0.99%, 0.62%

LAB 43.74, 52.54, -88.24

 

CMYK 69 / 76 / 0 / 0

HEX #4E3EFE

RGB 78 62 254

HSL 245, 0.99%, 0.62%

LAB 41.56, 62.34, -91.81

 

CMYK 57 / 76 / 0 / 0

HEX #6E3EFE

RGB 110 62 254

HSL 255, 0.99%, 0.62%

LAB 44.11, 65.65, -87.52

 

CMYK 44 / 76 / 0 / 0

HEX #8E3EFE

RGB 142 62 254

HSL 265, 0.99%, 0.62%

LAB 47.43, 69.89, -81.95

 

CMYK 31 / 76 / 0 / 0

HEX #AE3EFE

RGB 174 62 254

HSL 275, 0.99%, 0.62%

LAB 51.38, 74.87, -75.33

 

CMYK 75 / 69 / 0 / 0

HEX #3F4EFE

RGB 63 78 254

HSL 235.29, 0.99%, 0.62%

LAB 43.74, 52.54, -88.24

 

CMYK 76 / 70 / 0 / 80

HEX #0C0F32

RGB 12 15 50

HSL 235.26, 0.61%, 0.12%

LAB 5.87, 11.43, -23.33

 

CMYK 75 / 69 / 0 / 60

HEX #191F65

RGB 25 31 101

HSL 235.26, 0.6%, 0.25%

LAB 16.14, 23.6, -41.93

 

CMYK 75 / 69 / 0 / 40

HEX #262F98

RGB 38 47 152

HSL 235.26, 0.6%, 0.37%

LAB 25.9, 33.7, -58.22

 

CMYK 75 / 69 / 0 / 20

HEX #323ECB

RGB 50 62 203

HSL 235.29, 0.6%, 0.5%

LAB 34.87, 43.62, -73.85

 

CMYK 75 / 69 / 0 / 0

HEX #3F4EFE

RGB 63 78 254

HSL 235.29, 0.99%, 0.62%

LAB 43.74, 52.54, -88.24

 

CMYK 0 / 76 / 9 / 0

HEX #FE3EE7

RGB 254 62 231

HSL 307.19, 0.99%, 0.62%

LAB 61.9, 85.92, -44.98

 

CMYK 39 / 0 / 76 / 0

HEX #9AFE3E

RGB 154 254 62

HSL 91.25, 0.99%, 0.62%

LAB 90.83, -57.81, 76.45

 

CMYK 75 / 69 / 0 / 0

HEX #3F4EFE

RGB 63 78 254

HSL 235.29, 0.99%, 0.62%

LAB 43.74, 52.54, -88.24

 

CMYK 0 / 76 / 69 / 0

HEX #FE3E4E

RGB 254 62 78

HSL 355, 0.99%, 0.62%

LAB 57.14, 71.45, 36.69

 

CMYK 69 / 0 / 76 / 0

HEX #4EFE3E

RGB 78 254 62

HSL 115, 0.99%, 0.62%

LAB 88.38, -76.92, 73.25

 

CMYK 75 / 69 / 0 / 0

HEX #3F4EFE

RGB 63 78 254

HSL 235.29, 0.99%, 0.62%

LAB 43.74, 52.54, -88.24

 

CMYK 0 / 76 / 9 / 0

HEX #FE3EE7

RGB 254 62 231

HSL 307.19, 0.99%, 0.62%

LAB 61.9, 85.92, -44.98

 

CMYK 0 / 6 / 76 / 0

HEX #FEEE3E

RGB 254 238 62

HSL 55, 0.99%, 0.62%

LAB 92.82, -12.61, 80.61

 

CMYK 76 / 0 / 67 / 0

HEX #3EFE54

RGB 62 254 84

HSL 126.88, 0.99%, 0.62%

LAB 88.23, -77.64, 65.39

 

CMYK 75 / 69 / 0 / 0

HEX #3F4EFE

RGB 63 78 254

HSL 235.29, 0.99%, 0.62%

LAB 43.74, 52.54, -88.24

 

CMYK 0 / 76 / 31 / 0

HEX #FE3EAE

RGB 254 62 174

HSL 325, 0.99%, 0.62%

LAB 59.5, 78.83, -16.24

 

CMYK 0 / 6 / 76 / 0

HEX #FEEE3E

RGB 254 238 62

HSL 55, 0.99%, 0.62%

LAB 92.82, -12.61, 80.61

 

CMYK 76 / 0 / 44 / 0

HEX #3EFE8E

RGB 62 254 142

HSL 145, 0.99%, 0.62%

LAB 88.86, -70.19, 40.45

 

Description

Color code: RGB 63 78 254 | qconv.com Color code: RGB 63 78 254 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 78 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 78 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 69 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 69% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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