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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 248 78 it is the complementary color RGB 192 7 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 248 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 63 248 78: RGB 68 248 73, RGB 85 255 92, RGB 102 255 111, RGB 119 255 130 and RGB 136 255 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 248 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 63 248 78: RGB 63 248 78, RGB 46 230 59, RGB 29 212 40, RGB 12 194 21 and RGB 0 176 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 69 / 3

HEX #3FF84E

RGB 63 248 78

HSL 124.86, 0.93%, 0.61%

LAB 86.38, -76.22, 65.68

 

Complementary color

CMYK 0 / 96 / 8 / 25

HEX #C007B1

RGB 192 7 177

HSL 304.86, 0.93%, 0.39%

LAB 44.99, 76.61, -41.39

 

CMYK 73 / 0 / 71 / 3

HEX #44F849

RGB 68 248 73

HSL 121.67, 0.93%, 0.62%

LAB 86.43, -75.91, 67.58

 

CMYK 67 / 0 / 64 / 0

HEX #55FF5C

RGB 85 255 92

HSL 122.47, 1%, 0.67%

LAB 89.03, -73.58, 63.25

 

CMYK 60 / 0 / 56 / 0

HEX #66FF6F

RGB 102 255 111

HSL 123.53, 1%, 0.7%

LAB 89.62, -68.16, 56.02

 

CMYK 53 / 0 / 49 / 0

HEX #77FF82

RGB 119 255 130

HSL 124.85, 1%, 0.73%

LAB 90.35, -61.89, 48.35

 

CMYK 47 / 0 / 42 / 0

HEX #88FF95

RGB 136 255 149

HSL 126.55, 1%, 0.77%

LAB 91.2, -54.87, 40.45

 

CMYK 75 / 0 / 69 / 3

HEX #3FF84E

RGB 63 248 78

HSL 124.86, 0.93%, 0.61%

LAB 86.38, -76.22, 65.68

 

CMYK 80 / 0 / 74 / 10

HEX #2EE63B

RGB 46 230 59

HSL 124.24, 0.79%, 0.54%

LAB 80.45, -74.52, 66.22

 

CMYK 86 / 0 / 81 / 17

HEX #1DD428

RGB 29 212 40

HSL 123.61, 0.76%, 0.47%

LAB 74.51, -72.21, 66.15

 

CMYK 94 / 0 / 89 / 24

HEX #0CC215

RGB 12 194 21

HSL 122.97, 0.88%, 0.4%

LAB 68.54, -69.13, 65.08

 

CMYK 100 / 0 / 99 / 31

HEX #00B002

RGB 0 176 2

HSL 120.68, 1%, 0.35%

LAB 62.55, -65.21, 62.72

 

CMYK 75 / 0 / 69 / 3

HEX #3FF84E

RGB 63 248 78

HSL 124.86, 0.93%, 0.61%

LAB 86.38, -76.22, 65.68

 

CMYK 75 / 0 / 57 / 3

HEX #3FF86A

RGB 63 248 106

HSL 133.95, 0.93%, 0.61%

LAB 86.62, -73.27, 54.49

 

CMYK 75 / 0 / 45 / 3

HEX #3FF889

RGB 63 248 137

HSL 144, 0.93%, 0.61%

LAB 87, -68.84, 40.49

 

CMYK 75 / 0 / 33 / 3

HEX #3FF8A7

RGB 63 248 167

HSL 153.73, 0.93%, 0.61%

LAB 87.48, -63.4, 26.18

 

CMYK 75 / 0 / 20 / 3

HEX #3FF8C6

RGB 63 248 198

HSL 163.78, 0.93%, 0.61%

LAB 88.1, -56.67, 11.11

 

CMYK 75 / 0 / 69 / 3

HEX #3FF84E

RGB 63 248 78

HSL 124.86, 0.93%, 0.61%

LAB 86.38, -76.22, 65.68

 

CMYK 75 / 0 / 68 / 83

HEX #0B2C0E

RGB 11 44 14

HSL 125.45, 0.6%, 0.11%

LAB 14.98, -19.81, 15.46

 

CMYK 75 / 0 / 68 / 63

HEX #185F1E

RGB 24 95 30

HSL 125.07, 0.6%, 0.23%

LAB 34.95, -36.04, 30.13

 

CMYK 75 / 0 / 68 / 43

HEX #25922E

RGB 37 146 46

HSL 124.95, 0.6%, 0.36%

LAB 53.11, -50.34, 42.8

 

CMYK 75 / 0 / 69 / 23

HEX #32C53E

RGB 50 197 62

HSL 124.9, 0.6%, 0.48%

LAB 70.15, -63.63, 54.55

 

CMYK 75 / 0 / 69 / 3

HEX #3FF84E

RGB 63 248 78

HSL 124.86, 0.93%, 0.61%

LAB 86.38, -76.22, 65.68

 

CMYK 75 / 20 / 0 / 3

HEX #3FC6F8

RGB 63 198 248

HSL 196.22, 0.93%, 0.61%

LAB 74.96, -19.95, -34.98

 

CMYK 0 / 75 / 50 / 3

HEX #F83F7C

RGB 248 63 124

HSL 340.22, 0.93%, 0.61%

LAB 57.04, 72.32, 9.36

 

CMYK 75 / 0 / 69 / 3

HEX #3FF84E

RGB 63 248 78

HSL 124.86, 0.93%, 0.61%

LAB 86.38, -76.22, 65.68

 

CMYK 70 / 75 / 0 / 3

HEX #4B3FF8

RGB 75 63 248

HSL 243.89, 0.93%, 0.61%

LAB 40.94, 59.79, -89.49

 

CMYK 0 / 70 / 75 / 3

HEX #F84B3F

RGB 248 75 63

HSL 3.89, 0.93%, 0.61%

LAB 57.41, 64.78, 45.05

 

CMYK 75 / 0 / 69 / 3

HEX #3FF84E

RGB 63 248 78

HSL 124.86, 0.93%, 0.61%

LAB 86.38, -76.22, 65.68

 

CMYK 75 / 20 / 0 / 3

HEX #3FC6F8

RGB 63 198 248

HSL 196.22, 0.93%, 0.61%

LAB 74.96, -19.95, -34.98

 

CMYK 0 / 75 / 5 / 3

HEX #F83FEB

RGB 248 63 235

HSL 304.22, 0.93%, 0.61%

LAB 61.23, 84.99, -48.34

 

CMYK 0 / 55 / 75 / 3

HEX #F8703F

RGB 248 112 63

HSL 15.89, 0.93%, 0.61%

LAB 63.26, 49.21, 51.29

 

CMYK 75 / 0 / 69 / 3

HEX #3FF84E

RGB 63 248 78

HSL 124.86, 0.93%, 0.61%

LAB 86.38, -76.22, 65.68

 

CMYK 75 / 42 / 0 / 3

HEX #3F8FF8

RGB 63 143 248

HSL 214.05, 0.93%, 0.61%

LAB 59.42, 10.83, -59.46

 

CMYK 0 / 75 / 5 / 3

HEX #F83FEB

RGB 248 63 235

HSL 304.22, 0.93%, 0.61%

LAB 61.23, 84.99, -48.34

 

CMYK 0 / 33 / 75 / 3

HEX #F8A73F

RGB 248 167 63

HSL 33.73, 0.93%, 0.61%

LAB 74.8, 21.29, 62.99

 

Description

Color code: RGB 63 248 78 | qconv.com Color code: RGB 63 248 78 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 248 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 248 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 69 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 69% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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