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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 168 206 it is the complementary color RGB 192 87 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 168 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 63 168 206: RGB 68 168 201, RGB 85 186 220, RGB 102 204 239, RGB 119 222 255 and RGB 136 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 168 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 63 168 206: RGB 63 168 206, RGB 46 150 187, RGB 29 132 168, RGB 12 114 149 and RGB 0 96 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 18 / 0 / 19

HEX #3FA8CE

RGB 63 168 206

HSL 195.94, 0.59%, 0.53%

LAB 64.58, -17.85, -28.11

 

Complementary color

CMYK 0 / 55 / 74 / 25

HEX #C05731

RGB 192 87 49

HSL 15.94, 0.59%, 0.47%

LAB 49.79, 39.74, 41.47

 

CMYK 66 / 16 / 0 / 21

HEX #44A8C9

RGB 68 168 201

HSL 194.89, 0.55%, 0.53%

LAB 64.52, -18.69, -25.4

 

CMYK 61 / 15 / 0 / 14

HEX #55BADC

RGB 85 186 220

HSL 195.11, 0.66%, 0.6%

LAB 71.02, -19.37, -25.85

 

CMYK 57 / 15 / 0 / 6

HEX #66CCEF

RGB 102 204 239

HSL 195.33, 0.81%, 0.67%

LAB 77.43, -19.9, -26.27

 

CMYK 53 / 13 / 0 / 0

HEX #77DEFF

RGB 119 222 255

HSL 194.56, 1%, 0.73%

LAB 83.64, -21.14, -25.24

 

CMYK 47 / 6 / 0 / 0

HEX #88F0FF

RGB 136 240 255

HSL 187.56, 1%, 0.77%

LAB 89.29, -26.43, -16.63

 

CMYK 69 / 18 / 0 / 19

HEX #3FA8CE

RGB 63 168 206

HSL 195.94, 0.59%, 0.53%

LAB 64.58, -17.85, -28.11

 

CMYK 75 / 20 / 0 / 27

HEX #2E96BB

RGB 46 150 187

HSL 195.74, 0.61%, 0.46%

LAB 58.02, -16.76, -27.62

 

CMYK 83 / 21 / 0 / 34

HEX #1D84A8

RGB 29 132 168

HSL 195.54, 0.71%, 0.39%

LAB 51.37, -15.32, -27.07

 

CMYK 92 / 23 / 0 / 42

HEX #0C7295

RGB 12 114 149

HSL 195.33, 0.85%, 0.32%

LAB 44.64, -13.39, -26.43

 

CMYK 100 / 26 / 0 / 49

HEX #006082

RGB 0 96 130

HSL 195.69, 1%, 0.25%

LAB 37.8, -10.86, -25.68

 

CMYK 69 / 18 / 0 / 19

HEX #3FA8CE

RGB 63 168 206

HSL 195.94, 0.59%, 0.53%

LAB 64.58, -17.85, -28.11

 

CMYK 69 / 29 / 0 / 20

HEX #4092CD

RGB 64 146 205

HSL 205.11, 0.59%, 0.53%

LAB 58.09, -5.92, -37.63

 

CMYK 69 / 40 / 0 / 20

HEX #407BCD

RGB 64 123 205

HSL 214.89, 0.59%, 0.53%

LAB 51.45, 7.71, -48.11

 

CMYK 69 / 52 / 0 / 20

HEX #4063CD

RGB 64 99 205

HSL 225.11, 0.59%, 0.53%

LAB 44.83, 22.76, -58.73

 

CMYK 69 / 63 / 0 / 20

HEX #404CCD

RGB 64 76 205

HSL 234.89, 0.59%, 0.53%

LAB 39.01, 37.32, -68.19

 

CMYK 69 / 18 / 0 / 19

HEX #3FA8CE

RGB 63 168 206

HSL 195.94, 0.59%, 0.53%

LAB 64.58, -17.85, -28.11

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 70 / 19 / 0 / 79

HEX #102B35

RGB 16 43 53

HSL 196.22, 0.54%, 0.14%

LAB 15.98, -6.56, -9.54

 

CMYK 69 / 18 / 0 / 59

HEX #205568

RGB 32 85 104

HSL 195.83, 0.53%, 0.27%

LAB 33.57, -10.86, -16.12

 

CMYK 70 / 19 / 0 / 39

HEX #2F7E9B

RGB 47 126 155

HSL 196.11, 0.53%, 0.4%

LAB 49.37, -14.28, -22.58

 

CMYK 69 / 18 / 0 / 19

HEX #3FA8CE

RGB 63 168 206

HSL 195.94, 0.59%, 0.53%

LAB 64.58, -17.85, -28.11

 

CMYK 38 / 69 / 0 / 20

HEX #8040CD

RGB 128 64 205

HSL 267.23, 0.59%, 0.53%

LAB 42.25, 54.76, -62.67

 

CMYK 0 / 10 / 69 / 20

HEX #CDB840

RGB 205 184 64

HSL 51.06, 0.59%, 0.53%

LAB 74.59, -5.92, 60.93

 

CMYK 69 / 18 / 0 / 19

HEX #3FA8CE

RGB 63 168 206

HSL 195.94, 0.59%, 0.53%

LAB 64.58, -17.85, -28.11

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 17 / 0 / 69 / 20

HEX #AACD40

RGB 170 205 64

HSL 74.89, 0.59%, 0.53%

LAB 77.63, -30.95, 63.13

 

CMYK 69 / 18 / 0 / 19

HEX #3FA8CE

RGB 63 168 206

HSL 195.94, 0.59%, 0.53%

LAB 64.58, -17.85, -28.11

 

CMYK 38 / 69 / 0 / 20

HEX #8040CD

RGB 128 64 205

HSL 267.23, 0.59%, 0.53%

LAB 42.25, 54.76, -62.67

 

CMYK 0 / 52 / 69 / 20

HEX #CD6340

RGB 205 99 64

HSL 14.89, 0.59%, 0.53%

LAB 54.32, 39.47, 39.11

 

CMYK 31 / 0 / 69 / 20

HEX #8ECD40

RGB 142 205 64

HSL 86.81, 0.59%, 0.53%

LAB 75.94, -41.65, 60.86

 

CMYK 69 / 18 / 0 / 19

HEX #3FA8CE

RGB 63 168 206

HSL 195.94, 0.59%, 0.53%

LAB 64.58, -17.85, -28.11

 

CMYK 17 / 69 / 0 / 20

HEX #AA40CD

RGB 170 64 205

HSL 285.11, 0.59%, 0.53%

LAB 47.78, 63.36, -53.47

 

CMYK 0 / 52 / 69 / 20

HEX #CD6340

RGB 205 99 64

HSL 14.89, 0.59%, 0.53%

LAB 54.32, 39.47, 39.11

 

CMYK 52 / 0 / 69 / 20

HEX #63CD40

RGB 99 205 64

HSL 105.11, 0.59%, 0.53%

LAB 73.99, -55.57, 58.23

 

Description

Color code: RGB 63 168 206 | qconv.com Color code: RGB 63 168 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 168 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 168 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 18 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 18% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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