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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 121 236 it is the complementary color RGB 192 134 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 121 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 63 121 236: RGB 68 121 231, RGB 85 139 250, RGB 102 157 255, RGB 119 175 255 and RGB 136 193 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 121 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 63 121 236: RGB 63 121 236, RGB 46 103 217, RGB 29 85 198, RGB 12 67 179 and RGB 0 49 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 49 / 0 / 7

HEX #3F79EC

RGB 63 121 236

HSL 219.88, 0.82%, 0.59%

LAB 52.72, 19.96, -63.56

 

Complementary color

CMYK 0 / 30 / 90 / 25

HEX #C08613

RGB 192 134 19

HSL 39.88, 0.82%, 0.41%

LAB 60.16, 13.58, 62.28

 

CMYK 71 / 48 / 0 / 9

HEX #4479E7

RGB 68 121 231

HSL 220.49, 0.77%, 0.59%

LAB 52.59, 18.82, -60.96

 

CMYK 66 / 44 / 0 / 2

HEX #558BFA

RGB 85 139 250

HSL 220.36, 0.94%, 0.66%

LAB 59.25, 16.96, -60.78

 

CMYK 60 / 38 / 0 / 0

HEX #669DFF

RGB 102 157 255

HSL 218.43, 1%, 0.7%

LAB 65.09, 10.85, -54.16

 

CMYK 53 / 31 / 0 / 0

HEX #77AFFF

RGB 119 175 255

HSL 215.29, 1%, 0.73%

LAB 70.73, 3.9, -45.2

 

CMYK 47 / 24 / 0 / 0

HEX #88C1FF

RGB 136 193 255

HSL 211.26, 1%, 0.77%

LAB 76.43, -2.26, -36.25

 

CMYK 73 / 49 / 0 / 7

HEX #3F79EC

RGB 63 121 236

HSL 219.88, 0.82%, 0.59%

LAB 52.72, 19.96, -63.56

 

CMYK 79 / 53 / 0 / 15

HEX #2E67D9

RGB 46 103 217

HSL 220, 0.69%, 0.52%

LAB 46.03, 22.4, -63.69

 

CMYK 85 / 57 / 0 / 22

HEX #1D55C6

RGB 29 85 198

HSL 220.12, 0.74%, 0.45%

LAB 39.3, 25.36, -63.72

 

CMYK 93 / 63 / 0 / 30

HEX #0C43B3

RGB 12 67 179

HSL 220.24, 0.87%, 0.37%

LAB 32.58, 28.93, -63.56

 

CMYK 100 / 69 / 0 / 37

HEX #0031A0

RGB 0 49 160

HSL 221.63, 1%, 0.31%

LAB 25.97, 33.03, -63.04

 

CMYK 73 / 49 / 0 / 7

HEX #3F79EC

RGB 63 121 236

HSL 219.88, 0.82%, 0.59%

LAB 52.72, 19.96, -63.56

 

CMYK 73 / 59 / 0 / 7

HEX #4060EC

RGB 64 96 236

HSL 228.84, 0.82%, 0.59%

LAB 46.33, 35.7, -73.92

 

CMYK 73 / 72 / 0 / 7

HEX #4043EC

RGB 64 67 236

HSL 238.95, 0.82%, 0.59%

LAB 39.85, 52.96, -84.55

 

CMYK 62 / 73 / 0 / 7

HEX #5A40EC

RGB 90 64 236

HSL 249.07, 0.82%, 0.59%

LAB 41.05, 57.27, -82.51

 

CMYK 50 / 73 / 0 / 7

HEX #7740EC

RGB 119 64 236

HSL 259.19, 0.82%, 0.59%

LAB 43.72, 61.15, -78.03

 

CMYK 73 / 49 / 0 / 7

HEX #3F79EC

RGB 63 121 236

HSL 219.88, 0.82%, 0.59%

LAB 52.72, 19.96, -63.56

 

CMYK 72 / 50 / 0 / 87

HEX #091020

RGB 9 16 32

HSL 221.74, 0.56%, 0.08%

LAB 4.81, 2.13, -11.41

 

CMYK 73 / 48 / 0 / 67

HEX #162B53

RGB 22 43 83

HSL 219.34, 0.58%, 0.21%

LAB 18.02, 6.97, -26.9

 

CMYK 73 / 49 / 0 / 47

HEX #244586

RGB 36 69 134

HSL 219.8, 0.58%, 0.33%

LAB 30.29, 11.65, -40

 

CMYK 74 / 49 / 0 / 27

HEX #315FB9

RGB 49 95 185

HSL 219.71, 0.58%, 0.46%

LAB 41.75, 15.85, -52.15

 

CMYK 73 / 49 / 0 / 7

HEX #3F79EC

RGB 63 121 236

HSL 219.88, 0.82%, 0.59%

LAB 52.72, 19.96, -63.56

 

CMYK 11 / 73 / 0 / 7

HEX #D240EC

RGB 210 64 236

HSL 290.93, 0.82%, 0.59%

LAB 55.51, 77.25, -58.37

 

CMYK 18 / 0 / 73 / 7

HEX #C1EC40

RGB 193 236 64

HSL 75, 0.82%, 0.59%

LAB 87.82, -36.2, 73.68

 

CMYK 73 / 49 / 0 / 7

HEX #3F79EC

RGB 63 121 236

HSL 219.88, 0.82%, 0.59%

LAB 52.72, 19.96, -63.56

 

CMYK 0 / 73 / 47 / 7

HEX #EC407C

RGB 236 64 124

HSL 339.07, 0.82%, 0.59%

LAB 55.03, 68.75, 6.2

 

CMYK 47 / 0 / 73 / 7

HEX #7CEC40

RGB 124 236 64

HSL 99.07, 0.82%, 0.59%

LAB 84.3, -60.05, 69.04

 

CMYK 73 / 49 / 0 / 7

HEX #3F79EC

RGB 63 121 236

HSL 219.88, 0.82%, 0.59%

LAB 52.72, 19.96, -63.56

 

CMYK 11 / 73 / 0 / 7

HEX #D240EC

RGB 210 64 236

HSL 290.93, 0.82%, 0.59%

LAB 55.51, 77.25, -58.37

 

CMYK 0 / 25 / 73 / 7

HEX #ECB040

RGB 236 176 64

HSL 39.07, 0.82%, 0.59%

LAB 75.61, 11.55, 62.95

 

CMYK 62 / 0 / 73 / 7

HEX #5AEC40

RGB 90 236 64

HSL 110.93, 0.82%, 0.59%

LAB 83.2, -68.72, 67.58

 

CMYK 73 / 49 / 0 / 7

HEX #3F79EC

RGB 63 121 236

HSL 219.88, 0.82%, 0.59%

LAB 52.72, 19.96, -63.56

 

CMYK 0 / 73 / 11 / 7

HEX #EC40D2

RGB 236 64 210

HSL 309.07, 0.82%, 0.59%

LAB 58.18, 78.58, -39.19

 

CMYK 0 / 25 / 73 / 7

HEX #ECB040

RGB 236 176 64

HSL 39.07, 0.82%, 0.59%

LAB 75.61, 11.55, 62.95

 

CMYK 73 / 0 / 62 / 7

HEX #40EC5A

RGB 64 236 90

HSL 129.07, 0.82%, 0.59%

LAB 82.82, -71.16, 57.04

 

Description

Color code: RGB 63 121 236 | qconv.com Color code: RGB 63 121 236 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 121 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 121 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 49 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 49% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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