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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 53 10 it is the complementary color RGB 193 202 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 53 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 53 10 shade: RGB 67 53 5, RGB 84 71 24, RGB 101 89 43, RGB 118 107 62 and RGB 135 125 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 53 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 53 10 shade: RGB 62 53 10, RGB 45 35 0, RGB 28 17 0, RGB 11 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 53 10 shade: RGB 61 53 10, RGB 61 39 10, RGB 61 25 10, RGB 61 11 10 and RGB 61 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 53 10 shade: RGB 61 53 10, RGB 56 61 10, RGB 43 61 10, RGB 29 61 10 and RGB 15 61 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 53 10 shade matches the following richer shades: RGB 61 53 10 and RGB 67 56 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 53 10 shade: RGB 61 53 10, RGB 56 49 16, RGB 50 45 22, RGB 44 41 27 and RGB 38 37 33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 53 10 shade: RGB 61 25 10, RGB 61 38 10, RGB 61 52 10, RGB 57 61 10 and RGB 43 61 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 53 10 shade: RGB 0 0 0, RGB 26 22 4, RGB 61 53 10, RGB 97 83 16 and RGB 132 113 22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 53 10 shade: RGB 62 53 10, RGB 10 61 11 and RGB 31 10 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 53 10 shade: RGB 62 53 10, RGB 10 61 52 and RGB 52 10 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 53 10 shade: RGB 62 53 10, RGB 10 61 11, RGB 10 19 61 and RGB 61 10 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 53 10 shade: RGB 62 53 10, RGB 10 61 26, RGB 10 19 61 and RGB 61 10 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 84 / 76

HEX #3E350A

RGB 62 53 10

HSL 49.62, 0.72%, 0.14%

LAB 22.27, -1.62, 26.88

 

Complementary color

CMYK 21 / 18 / 0 / 4

HEX #C1CAF5

RGB 193 202 245

HSL 229.62, 0.72%, 0.86%

LAB 81.93, 5.83, -22.17

 

CMYK 0 / 21 / 93 / 74

HEX #433505

RGB 67 53 5

HSL 46.45, 0.86%, 0.14%

LAB 22.83, 0.79, 29.68

 

CMYK 0 / 15 / 71 / 67

HEX #544718

RGB 84 71 24

HSL 47, 0.56%, 0.21%

LAB 30.54, -0.69, 29.38

 

CMYK 0 / 12 / 57 / 60

HEX #65592B

RGB 101 89 43

HSL 47.59, 0.4%, 0.28%

LAB 38, -1.72, 28.09

 

CMYK 0 / 9 / 47 / 54

HEX #766B3E

RGB 118 107 62

HSL 48.21, 0.31%, 0.35%

LAB 45.24, -2.46, 26.7

 

CMYK 0 / 7 / 40 / 47

HEX #877D51

RGB 135 125 81

HSL 48.89, 0.25%, 0.42%

LAB 52.3, -3.02, 25.37

 

CMYK 0 / 15 / 84 / 76

HEX #3E350A

RGB 62 53 10

HSL 49.62, 0.72%, 0.14%

LAB 22.27, -1.62, 26.88

 

CMYK 0 / 22 / 100 / 82

HEX #2D2300

RGB 45 35 0

HSL 46.67, 1%, 0.09%

LAB 14.17, 0.27, 20.85

 

CMYK 0 / 39 / 100 / 89

HEX #1C1100

RGB 28 17 0

HSL 36.43, 1%, 0.05%

LAB 5.85, 2.61, 8.81

 

CMYK 0 / 100 / 100 / 96

HEX #0B0000

RGB 11 0 0

HSL 0, 1%, 0.02%

LAB 0.64, 2.88, 1.02

 

CMYK 0 / 13 / 84 / 76

HEX #3D350A

RGB 61 53 10

HSL 50.59, 0.72%, 0.14%

LAB 22.16, -2.16, 26.72

 

CMYK 0 / 36 / 84 / 76

HEX #3D270A

RGB 61 39 10

HSL 34.12, 0.72%, 0.14%

LAB 17.76, 7.13, 21.75

 

CMYK 0 / 59 / 84 / 76

HEX #3D190A

RGB 61 25 10

HSL 17.65, 0.72%, 0.14%

LAB 13.88, 16.39, 16.86

 

CMYK 0 / 82 / 84 / 76

HEX #3D0B0A

RGB 61 11 10

HSL 1.18, 0.72%, 0.14%

LAB 10.95, 24.13, 12.89

 

CMYK 0 / 84 / 84 / 76

HEX #3D0A0A

RGB 61 10 10

HSL 0, 0.72%, 0.14%

LAB 10.78, 24.58, 12.66

 

CMYK 0 / 13 / 84 / 76

HEX #3D350A

RGB 61 53 10

HSL 50.59, 0.72%, 0.14%

LAB 22.16, -2.16, 26.72

 

CMYK 8 / 0 / 84 / 76

HEX #383D0A

RGB 56 61 10

HSL 65.88, 0.72%, 0.14%

LAB 24.32, -9.8, 28.76

 

CMYK 30 / 0 / 84 / 76

HEX #2B3D0A

RGB 43 61 10

HSL 81.18, 0.72%, 0.14%

LAB 23.25, -16.23, 27.33

 

CMYK 52 / 0 / 84 / 76

HEX #1D3D0A

RGB 29 61 10

HSL 97.65, 0.72%, 0.14%

LAB 22.38, -22.27, 26.16

 

CMYK 75 / 0 / 84 / 76

HEX #0F3D0A

RGB 15 61 10

HSL 114.12, 0.72%, 0.14%

LAB 21.8, -26.76, 25.38

 

CMYK 0 / 13 / 84 / 76

HEX #3D350A

RGB 61 53 10

HSL 50.59, 0.72%, 0.14%

LAB 22.16, -2.16, 26.72

 

CMYK 0 / 16 / 94 / 74

HEX #433804

RGB 67 56 4

HSL 49.52, 0.89%, 0.14%

LAB 23.77, -1.2, 31.04

 

CMYK 0 / 13 / 84 / 76

HEX #3D350A

RGB 61 53 10

HSL 50.59, 0.72%, 0.14%

LAB 22.16, -2.16, 26.72

 

CMYK 0 / 13 / 71 / 78

HEX #383110

RGB 56 49 16

HSL 49.5, 0.56%, 0.14%

LAB 20.34, -1.8, 21.7

 

CMYK 0 / 10 / 56 / 80

HEX #322D16

RGB 50 45 22

HSL 49.29, 0.39%, 0.14%

LAB 18.42, -1.71, 15.63

 

CMYK 0 / 7 / 39 / 83

HEX #2C291B

RGB 44 41 27

HSL 49.41, 0.24%, 0.14%

LAB 16.51, -1.4, 9.7

 

CMYK 0 / 3 / 13 / 85

HEX #262521

RGB 38 37 33

HSL 48, 0.07%, 0.14%

LAB 14.65, -0.46, 2.83

 

CMYK 0 / 59 / 84 / 76

HEX #3D190A

RGB 61 25 10

HSL 17.65, 0.72%, 0.14%

LAB 13.88, 16.39, 16.86

 

CMYK 0 / 38 / 84 / 76

HEX #3D260A

RGB 61 38 10

HSL 32.94, 0.72%, 0.14%

LAB 17.46, 7.81, 21.39

 

CMYK 0 / 15 / 84 / 76

HEX #3D340A

RGB 61 52 10

HSL 49.41, 0.72%, 0.14%

LAB 21.84, -1.51, 26.38

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 30 / 0 / 84 / 76

HEX #2B3D0A

RGB 43 61 10

HSL 81.18, 0.72%, 0.14%

LAB 23.25, -16.23, 27.33

 

CMYK 0 / 15 / 85 / 90

HEX #1A1604

RGB 26 22 4

HSL 49.09, 0.73%, 0.06%

LAB 7.25, -1.13, 9.19

 

CMYK 0 / 13 / 84 / 76

HEX #3D350A

RGB 61 53 10

HSL 50.59, 0.72%, 0.14%

LAB 22.16, -2.16, 26.72

 

CMYK 0 / 14 / 84 / 62

HEX #615310

RGB 97 83 16

HSL 49.63, 0.72%, 0.22%

LAB 35.53, -1.92, 38.33

 

CMYK 0 / 14 / 83 / 48

HEX #847116

RGB 132 113 22

HSL 49.64, 0.71%, 0.3%

LAB 47.97, -2.19, 48.73

 

CMYK 0 / 15 / 84 / 76

HEX #3E350A

RGB 62 53 10

HSL 49.62, 0.72%, 0.14%

LAB 22.27, -1.62, 26.88

 

CMYK 84 / 0 / 82 / 76

HEX #0A3D0B

RGB 10 61 11

HSL 121.18, 0.72%, 0.14%

LAB 21.68, -27.79, 24.78

 

CMYK 49 / 84 / 0 / 76

HEX #1F0A3D

RGB 31 10 61

HSL 264.71, 0.72%, 0.14%

LAB 7.64, 23.98, -28.39

 

CMYK 0 / 15 / 84 / 76

HEX #3E350A

RGB 62 53 10

HSL 49.62, 0.72%, 0.14%

LAB 22.27, -1.62, 26.88

 

CMYK 84 / 0 / 15 / 76

HEX #0A3D34

RGB 10 61 52

HSL 169.41, 0.72%, 0.14%

LAB 22.48, -18.89, 0.83

 

CMYK 15 / 84 / 0 / 76

HEX #340A3D

RGB 52 10 61

HSL 289.41, 0.72%, 0.14%

LAB 11.16, 28.93, -22.51

 

CMYK 0 / 15 / 84 / 76

HEX #3E350A

RGB 62 53 10

HSL 49.62, 0.72%, 0.14%

LAB 22.27, -1.62, 26.88

 

CMYK 84 / 0 / 82 / 76

HEX #0A3D0B

RGB 10 61 11

HSL 121.18, 0.72%, 0.14%

LAB 21.68, -27.79, 24.78

 

CMYK 84 / 69 / 0 / 76

HEX #0A133D

RGB 10 19 61

HSL 229.41, 0.72%, 0.14%

LAB 7.83, 13.71, -28.15

 

CMYK 0 / 84 / 0 / 76

HEX #3D0A3D

RGB 61 10 61

HSL 300, 0.72%, 0.14%

LAB 12.9, 31.23, -19.64

 

CMYK 0 / 15 / 84 / 76

HEX #3E350A

RGB 62 53 10

HSL 49.62, 0.72%, 0.14%

LAB 22.27, -1.62, 26.88

 

CMYK 84 / 0 / 57 / 76

HEX #0A3D1A

RGB 10 61 26

HSL 138.82, 0.72%, 0.14%

LAB 21.86, -25.6, 16.87

 

CMYK 84 / 69 / 0 / 76

HEX #0A133D

RGB 10 19 61

HSL 229.41, 0.72%, 0.14%

LAB 7.83, 13.71, -28.15

 

CMYK 0 / 84 / 26 / 76

HEX #3D0A2D

RGB 61 10 45

HSL 318.82, 0.72%, 0.14%

LAB 11.95, 28.36, -9.56

 

Description

Color code: RGB 62 53 10 | qconv.com Color code: RGB 62 53 10 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 53 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 53 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 84 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 84% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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