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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #393D0A it is the complementary color #C6C2F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #393D0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #393D0A shade: #3E3D05, #4F4F18, #60612B, #71733E and #828551

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #393D0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #393D0A shade: #393D0A, #282B00, #171900, #060700 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #393D0A shade: #393D0A, #3D340A, #3D260A, #3D180A and #3D0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #393D0A shade: #393D0A, #2C3D0A, #1E3D0A, #103D0A and #0A3D12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #393D0A shade matches the following richer shades: #393D0A and #3E4304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #393D0A shade: #393D0A, #343810, #303216, #2B2C1B and #262621

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #393D0A shade: #3D250A, #3D330A, #3A3D0A, #2C3D0A and #1F3D0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #393D0A shade: #000000, #181A04, #393D0A, #5B6110 and #7C8416

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #393D0A shade: #393D0A, #0A3D18 and #2C0A3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #393D0A shade: #393D0A, #0A3A3D and #3D0A3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #393D0A shade: #393D0A, #0A3D18, #0D0A3D and #3D0A30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #393D0A shade: #393D0A, #0A3D27, #0D0A3D and #3D0A20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

Complementary color

CMYK 19 / 21 / 0 / 4

HEX #C6C2F5

RGB 198 194 245

HSL 244.71, 0.72%, 0.86%

LAB 80.28, 11.66, -24.64

 

CMYK 0 / 2 / 92 / 76

HEX #3E3D05

RGB 62 61 5

HSL 58.95, 0.85%, 0.13%

LAB 24.87, -6.96, 31.52

 

CMYK 0 / 0 / 70 / 69

HEX #4F4F18

RGB 79 79 24

HSL 60, 0.53%, 0.2%

LAB 32.52, -8.04, 31.33

 

CMYK 1 / 0 / 56 / 62

HEX #60612B

RGB 96 97 43

HSL 61.11, 0.39%, 0.27%

LAB 39.93, -8.77, 30.25

 

CMYK 2 / 0 / 46 / 55

HEX #71733E

RGB 113 115 62

HSL 62.26, 0.3%, 0.35%

LAB 47.13, -9.26, 28.95

 

CMYK 2 / 0 / 39 / 48

HEX #828551

RGB 130 133 81

HSL 63.46, 0.24%, 0.42%

LAB 54.15, -9.61, 27.66

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 7 / 0 / 100 / 83

HEX #282B00

RGB 40 43 0

HSL 64.19, 1%, 0.08%

LAB 16.4, -7.9, 23.57

 

CMYK 8 / 0 / 100 / 90

HEX #171900

RGB 23 25 0

HSL 64.8, 1%, 0.05%

LAB 7.93, -5.45, 11.77

 

CMYK 14 / 0 / 100 / 97

HEX #060700

RGB 6 7 0

HSL 68.57, 1%, 0.01%

LAB 1.72, -1.23, 2.56

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 0 / 15 / 84 / 76

HEX #3D340A

RGB 61 52 10

HSL 49.41, 0.72%, 0.14%

LAB 21.84, -1.51, 26.38

 

CMYK 0 / 38 / 84 / 76

HEX #3D260A

RGB 61 38 10

HSL 32.94, 0.72%, 0.14%

LAB 17.46, 7.81, 21.39

 

CMYK 0 / 61 / 84 / 76

HEX #3D180A

RGB 61 24 10

HSL 16.47, 0.72%, 0.14%

LAB 13.63, 17.01, 16.54

 

CMYK 0 / 84 / 84 / 76

HEX #3D0A0A

RGB 61 10 10

HSL 0, 0.72%, 0.14%

LAB 10.78, 24.58, 12.66

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 28 / 0 / 84 / 76

HEX #2C3D0A

RGB 44 61 10

HSL 80, 0.72%, 0.14%

LAB 23.32, -15.76, 27.43

 

CMYK 51 / 0 / 84 / 76

HEX #1E3D0A

RGB 30 61 10

HSL 96.47, 0.72%, 0.14%

LAB 22.43, -21.88, 26.23

 

CMYK 74 / 0 / 84 / 76

HEX #103D0A

RGB 16 61 10

HSL 112.94, 0.72%, 0.14%

LAB 21.83, -26.5, 25.42

 

CMYK 84 / 0 / 70 / 76

HEX #0A3D12

RGB 10 61 18

HSL 129.41, 0.72%, 0.14%

LAB 21.75, -26.93, 21.37

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 7 / 0 / 94 / 74

HEX #3E4304

RGB 62 67 4

HSL 64.76, 0.89%, 0.14%

LAB 26.87, -10.63, 33.78

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 7 / 0 / 71 / 78

HEX #343810

RGB 52 56 16

HSL 66, 0.56%, 0.14%

LAB 22.29, -8.37, 23.71

 

CMYK 4 / 0 / 56 / 80

HEX #303216

RGB 48 50 22

HSL 64.29, 0.39%, 0.14%

LAB 19.91, -6.02, 17.41

 

CMYK 2 / 0 / 39 / 83

HEX #2B2C1B

RGB 43 44 27

HSL 63.53, 0.24%, 0.14%

LAB 17.43, -3.92, 10.92

 

CMYK 0 / 0 / 13 / 85

HEX #262621

RGB 38 38 33

HSL 60, 0.07%, 0.14%

LAB 15, -1.16, 3.32

 

CMYK 0 / 39 / 84 / 76

HEX #3D250A

RGB 61 37 10

HSL 31.76, 0.72%, 0.14%

LAB 17.17, 8.48, 21.03

 

CMYK 0 / 16 / 84 / 76

HEX #3D330A

RGB 61 51 10

HSL 48.24, 0.72%, 0.14%

LAB 21.51, -0.86, 26.03

 

CMYK 5 / 0 / 84 / 76

HEX #3A3D0A

RGB 58 61 10

HSL 63.53, 0.72%, 0.14%

LAB 24.51, -8.77, 29.01

 

CMYK 28 / 0 / 84 / 76

HEX #2C3D0A

RGB 44 61 10

HSL 80, 0.72%, 0.14%

LAB 23.32, -15.76, 27.43

 

CMYK 49 / 0 / 84 / 76

HEX #1F3D0A

RGB 31 61 10

HSL 95.29, 0.72%, 0.14%

LAB 22.48, -21.49, 26.3

 

CMYK 8 / 0 / 85 / 90

HEX #181A04

RGB 24 26 4

HSL 65.45, 0.73%, 0.06%

LAB 8.5, -5.16, 10.98

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 6 / 0 / 84 / 62

HEX #5B6110

RGB 91 97 16

HSL 64.44, 0.72%, 0.22%

LAB 39.26, -13.01, 41.48

 

CMYK 6 / 0 / 83 / 48

HEX #7C8416

RGB 124 132 22

HSL 64.36, 0.71%, 0.3%

LAB 52.78, -16.37, 52.65

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 84 / 0 / 61 / 76

HEX #0A3D18

RGB 10 61 24

HSL 136.47, 0.72%, 0.14%

LAB 21.83, -25.97, 18.03

 

CMYK 28 / 84 / 0 / 76

HEX #2C0A3D

RGB 44 10 61

HSL 280, 0.72%, 0.14%

LAB 9.72, 26.95, -24.91

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 84 / 5 / 0 / 76

HEX #0A3A3D

RGB 10 58 61

HSL 183.53, 0.72%, 0.14%

LAB 21.68, -14.11, -6.39

 

CMYK 0 / 84 / 5 / 76

HEX #3D0A3A

RGB 61 10 58

HSL 303.53, 0.72%, 0.14%

LAB 12.7, 30.65, -17.81

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 84 / 0 / 61 / 76

HEX #0A3D18

RGB 10 61 24

HSL 136.47, 0.72%, 0.14%

LAB 21.83, -25.97, 18.03

 

CMYK 79 / 84 / 0 / 76

HEX #0D0A3D

RGB 13 10 61

HSL 243.53, 0.72%, 0.14%

LAB 5.78, 19.8, -31.5

 

CMYK 0 / 84 / 21 / 76

HEX #3D0A30

RGB 61 10 48

HSL 315.29, 0.72%, 0.14%

LAB 12.11, 28.85, -11.51

 

CMYK 7 / 0 / 84 / 76

HEX #393D0A

RGB 57 61 10

HSL 64.71, 0.72%, 0.14%

LAB 24.42, -9.28, 28.88

 

CMYK 84 / 0 / 36 / 76

HEX #0A3D27

RGB 10 61 39

HSL 154.12, 0.72%, 0.14%

LAB 22.12, -22.68, 8.95

 

CMYK 79 / 84 / 0 / 76

HEX #0D0A3D

RGB 13 10 61

HSL 243.53, 0.72%, 0.14%

LAB 5.78, 19.8, -31.5

 

CMYK 0 / 84 / 48 / 76

HEX #3D0A20

RGB 61 10 32

HSL 334.12, 0.72%, 0.14%

LAB 11.37, 26.52, -0.75

 

Description

Color code: HEX #393D0A | qconv.com Color code: HEX #393D0A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 61 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 61 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 84 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 84% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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