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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 194 70 it is the complementary color RGB 193 61 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 194 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 62 194 70: RGB 67 194 65, RGB 84 212 84, RGB 101 230 103, RGB 118 248 122 and RGB 135 255 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 194 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 62 194 70: RGB 62 194 70, RGB 45 176 51, RGB 28 158 32, RGB 11 140 13 and RGB 0 122 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 64 / 24

HEX #3EC246

RGB 62 194 70

HSL 123.64, 0.52%, 0.5%

LAB 69.51, -59.79, 50.62

 

Complementary color

CMYK 0 / 68 / 4 / 24

HEX #C13DB9

RGB 193 61 185

HSL 303.64, 0.52%, 0.5%

LAB 49.71, 66.11, -38.6

 

CMYK 65 / 0 / 66 / 24

HEX #43C241

RGB 67 194 65

HSL 119.07, 0.51%, 0.51%

LAB 69.58, -59.31, 52.84

 

CMYK 60 / 0 / 60 / 17

HEX #54D454

RGB 84 212 84

HSL 120, 0.6%, 0.58%

LAB 75.83, -59.99, 51.82

 

CMYK 56 / 0 / 55 / 10

HEX #65E667

RGB 101 230 103

HSL 120.93, 0.72%, 0.65%

LAB 82.02, -60.37, 50.63

 

CMYK 52 / 0 / 51 / 3

HEX #76F87A

RGB 118 248 122

HSL 121.85, 0.9%, 0.72%

LAB 88.16, -60.55, 49.38

 

CMYK 47 / 0 / 45 / 0

HEX #87FF8D

RGB 135 255 141

HSL 123, 1%, 0.76%

LAB 91.05, -56.3, 44.12

 

CMYK 68 / 0 / 64 / 24

HEX #3EC246

RGB 62 194 70

HSL 123.64, 0.52%, 0.5%

LAB 69.51, -59.79, 50.62

 

CMYK 74 / 0 / 71 / 31

HEX #2DB033

RGB 45 176 51

HSL 122.75, 0.59%, 0.43%

LAB 63.22, -58.61, 51.53

 

CMYK 82 / 0 / 80 / 38

HEX #1C9E20

RGB 28 158 32

HSL 121.85, 0.7%, 0.36%

LAB 56.88, -56.77, 51.86

 

CMYK 92 / 0 / 91 / 45

HEX #0B8C0D

RGB 11 140 13

HSL 120.93, 0.85%, 0.3%

LAB 50.52, -53.96, 51.01

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 68 / 0 / 64 / 24

HEX #3EC246

RGB 62 194 70

HSL 123.64, 0.52%, 0.5%

LAB 69.51, -59.79, 50.62

 

CMYK 68 / 0 / 54 / 24

HEX #3DC159

RGB 61 193 89

HSL 132.73, 0.52%, 0.5%

LAB 69.36, -57.29, 41.77

 

CMYK 68 / 0 / 42 / 24

HEX #3DC170

RGB 61 193 112

HSL 143.18, 0.52%, 0.5%

LAB 69.68, -53.65, 30.64

 

CMYK 68 / 0 / 31 / 24

HEX #3DC186

RGB 61 193 134

HSL 153.18, 0.52%, 0.5%

LAB 70.07, -49.38, 19.57

 

CMYK 68 / 0 / 19 / 24

HEX #3DC19C

RGB 61 193 156

HSL 163.18, 0.52%, 0.5%

LAB 70.55, -44.38, 8.35

 

CMYK 68 / 0 / 64 / 24

HEX #3EC246

RGB 62 194 70

HSL 123.64, 0.52%, 0.5%

LAB 69.51, -59.79, 50.62

 

CMYK 68 / 0 / 64 / 4

HEX #4EF558

RGB 78 245 88

HSL 123.59, 0.89%, 0.63%

LAB 85.82, -71.98, 61.28

 

CMYK 68 / 0 / 63 / 84

HEX #0D290F

RGB 13 41 15

HSL 124.29, 0.52%, 0.11%

LAB 13.86, -17.53, 13.51

 

CMYK 68 / 0 / 64 / 64

HEX #1D5C21

RGB 29 92 33

HSL 123.81, 0.52%, 0.24%

LAB 34.04, -33.35, 27.62

 

CMYK 68 / 0 / 64 / 44

HEX #2E8F34

RGB 46 143 52

HSL 123.71, 0.51%, 0.37%

LAB 52.37, -46.9, 39.35

 

CMYK 68 / 0 / 64 / 24

HEX #3EC246

RGB 62 194 70

HSL 123.64, 0.52%, 0.5%

LAB 69.51, -59.79, 50.62

 

CMYK 68 / 17 / 0 / 24

HEX #3DA0C1

RGB 61 160 193

HSL 195, 0.52%, 0.5%

LAB 61.64, -18.1, -25.39

 

CMYK 0 / 68 / 45 / 24

HEX #C13D6B

RGB 193 61 107

HSL 339.09, 0.52%, 0.5%

LAB 46.63, 55.94, 3.41

 

CMYK 68 / 0 / 64 / 24

HEX #3EC246

RGB 62 194 70

HSL 123.64, 0.52%, 0.5%

LAB 69.51, -59.79, 50.62

 

CMYK 65 / 68 / 0 / 24

HEX #433DC1

RGB 67 61 193

HSL 242.73, 0.52%, 0.5%

LAB 34.76, 42.77, -68.15

 

CMYK 0 / 65 / 68 / 24

HEX #C1433D

RGB 193 67 61

HSL 2.73, 0.52%, 0.5%

LAB 46.56, 50.01, 31.2

 

CMYK 68 / 0 / 64 / 24

HEX #3EC246

RGB 62 194 70

HSL 123.64, 0.52%, 0.5%

LAB 69.51, -59.79, 50.62

 

CMYK 68 / 17 / 0 / 24

HEX #3DA0C1

RGB 61 160 193

HSL 195, 0.52%, 0.5%

LAB 61.64, -18.1, -25.39

 

CMYK 0 / 68 / 3 / 24

HEX #C13DBB

RGB 193 61 187

HSL 302.73, 0.52%, 0.5%

LAB 49.81, 66.43, -39.6

 

CMYK 0 / 51 / 68 / 24

HEX #C15E3D

RGB 193 94 61

HSL 15, 0.52%, 0.5%

LAB 51.47, 37.19, 36.99

 

CMYK 68 / 0 / 64 / 24

HEX #3EC246

RGB 62 194 70

HSL 123.64, 0.52%, 0.5%

LAB 69.51, -59.79, 50.62

 

CMYK 68 / 38 / 0 / 24

HEX #3D78C1

RGB 61 120 193

HSL 213.18, 0.52%, 0.5%

LAB 49.83, 4.8, -43.85

 

CMYK 0 / 68 / 3 / 24

HEX #C13DBB

RGB 193 61 187

HSL 302.73, 0.52%, 0.5%

LAB 49.81, 66.43, -39.6

 

CMYK 0 / 31 / 68 / 24

HEX #C1863D

RGB 193 134 61

HSL 33.18, 0.52%, 0.5%

LAB 60.54, 15.6, 47.14

 

Description

Color code: RGB 62 194 70 | qconv.com Color code: RGB 62 194 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 194 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 194 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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